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The Orlons
The Orlons are an American R&B group from Philadelphia, Pennsylvania that formed in 1960. The group won gold discs for three of their singles. Career The quartet consisted of lead singer Rosetta Hightower (June 23, 1944 – August 2, 2014), Shirley Brickley (December 9, 1944 – October 13, 1977), Marlena Davis (October 4, 1944 – February 27, 1993), and Stephen Caldwell (born November 22, 1942). Before they became the Orlons, they were an all-girl quintet called Audrey and the Teenettes. They formed in the late 1950s in junior high school and consisted of Hightower, Davis, and three Brickley sisters: Shirley, Jean, and Audrey. However, after the Brickleys' mother did not permit 13-year-old Audrey to sing in certain nightclubs with the group, she and Jean quit, making the group a trio. In high school, the group's three remaining members discovered fellow student Stephen Caldwell, who was lead singer of a local group called the Romeos. Impressed, they invited him to join the ...
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Philadelphia
Philadelphia, often called Philly, is the List of municipalities in Pennsylvania#Municipalities, largest city in the Commonwealth (U.S. state), Commonwealth of Pennsylvania, the List of United States cities by population, sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic (United States), Mid-Atlantic regions after New York City. Act of Consolidation, 1854, Since 1854, the city has been coextensive with Philadelphia County, Pennsylvania, Philadelphia County, the List of counties in Pennsylvania, most populous county in Pennsylvania and the urban core of the Delaware Valley, the Metropolitan statistical area, nation's seventh-largest and one of List of largest cities, world's largest metropolitan regions, with 6.245 million residents . The city's population at the 2020 United States census, 2020 census was 1,603,797, and over 56 million people live within of Philadelphia. Philadelphia was founded in 1682 by William Penn, ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual experti ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a c ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted t ...
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Watusi (dance)
The Watusi is a solo dance that enjoyed brief popularity during the early 1960s. It was one of the most popular dance crazes of the 1960s in the United States. "Watusi" is a former name for the Tutsi people of Africa, whose traditions include spectacular dances. The naming of the American dance may have been inspired, in particular, by a scene in the 1950 film ''King Solomon's Mines'' which featured Tutsi dancers, or by its sequel ''Watusi''. History The Orlons, a vocal quartet from Philadelphia, had the biggest hit of their career as recording artists with their recording of " The Wah-Watusi" (Cameo 218), which debuted on the Billboard Hot 100 singles chart on June 9, 1962, and remained on the Hot 100 for 14 weeks; it peaked at #2 and held the position for two weeks. On the R&B chart, the single peaked at #5. This was not the only version of the song to hit the charts. On January 18, 1963, Chubby Checker released his single version of "The Wah-Watusi" (B-side of Cameo 221 ...
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Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of downloads, and the amount of streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclusion in a chart that uses sales or other criteria to rank popula ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky N ...
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The Wah-Watusi
"The Wah-Watusi" is a song written by Kal Mann and Dave Appell and performed by The Orlons. It reached No.2 on the U.S. pop chart behind Bobby Vinton's " Roses Are Red (My Love)", No.5 on the U.S. R&B chart, and No. 12 in Canada in 1962. It was featured on their 1962 album ''The Wah-Watusi''. "The Wah-Watusi" sold over one million copies and was awarded gold disc status. The song ranked No.24 on ''Billboard'' magazine's Top 100 singles of 1962. Other versions *Dee Dee Sharp, on her 1962 compilation album ''All the Hits by Dee Dee Sharp''. *Annette, as a single in 1964, but it did not chart. *The Miracles, on their 1963 album '' The Miracles Doin' Mickey's Monkey''. *The Ronettes included their version on the 2011 various artists album ''The Philles Album Collection''. Their rendition had originally been released on The Crystals' 1963 album ''The Crystals Sing the Greatest Hits Volume 1'', but The Crystals received credit for the song. In popular culture *The Orlons' ver ...
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Hit Record
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the U ...
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Gravy (For My Mashed Potatoes)
__NOTOC__ "(Do the) Mashed Potatoes" is a rhythm and blues instrumental. It was recorded by James Brown with his band in 1959 and released as a two-part single in 1960. For contractual reasons the recording was credited to "Nat Kendrick and the Swans". Circumstances of the recording The recording of "(Do the) Mashed Potatoes" arose out of James Brown's success in using the Mashed Potato dance as part of his stage show. Brown wanted to record a Mashed Potatoes-themed instrumental with his band in order to capitalize on the dance's popularity. However, King Records head Syd Nathan, a frequent critic of Brown's proposals, would not allow it. (The first instrumental recorded by Brown and his band, titled "Doodle Bee" and credited to Brown's tenor saxophonist J.C. Davis, had not sold well when it was released on King's sister label Federal Records.) Brown approached Henry Stone, a friend in the music business who ran the Dade Records label, about recording the piece with him. Stone ...
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Mashed Potato Time
"Mashed Potato Time" is a 1962 single written by Kal Mann and Bernie Lowe, and performed by Dee Dee Sharp, with backing vocals by The Orlons, on her debut album ''It's Mashed Potato Time''. The song refers to the Mashed Potato dance move, which was a fad. It was one of several songs that at that time that referenced the dance, another being James Brown's " Mashed Potatoes U.S.A." The Marvelettes song "Please Mr. Postman" is mentioned in the lyrics and is copied in the arrangement. Also mentioned in the lyrics are the songs "The Lion Sleeps Tonight" by the Tokens and "Dear Lady Twist" by Gary U.S. Bonds. Sharp recorded a sequel to "Mashed Potato Time" called "Gravy (For My Mashed Potatoes)". In 1996 the Campbell Soup Company featured the song in a $30 million advertising campaign, using a new, more upbeat recording by Sharp. In 2009, the song appeared in the video game Just Dance as a playable track. In 2022, it appeared in a TV commercial for AirBNB. Chart performance The song ...
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Dee Dee Sharp
Dee Dee Sharp (born Dione LaRue; September 9, 1945, in Philadelphia) is an American R&B singer, who began her career recording as a backing vocalist in 1961. Career Although Sharp had been playing the piano from an early age and directed church choirs for her grandfather's and other congregations in her hometown of Philadelphia, Sharp's career truly began in 1958. At the age of thirteen, Sharp's mother suffered a car accident, which spurred her to find a singing job to help support her family while her mother recovered from her injuries. This was only possible because of her grandmother's blessing, given only after Sharp promised to keep up with her schooling. Sharp responded to an ad in the daily news for backup singers. Her first job was with Willa Ward Moultrie and was soon singing backup vocals for the likes of Lloyd Price, Chubby Checker, Bobby Rydell, Frankie Avalon and Jackie Wilson. In 1962, she was signed by Cameo/Parkway and was christened Dee Dee Sharp by producer ...
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