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Tune-family
In folk music a tune-family is, "a seeming multiplicity of melody, melodies," reducible, "to a small number of 'models' or sets." One can think of the models or sets as deep structures. Often, "different tune (folk music), tunes are the same," and, "the same tune (folk music), tune is different."Burke 1978, p.124-5. quoted in Middleton, Richard (1990/2002). ''Studying Popular Music'', . Philadelphia: Open University Press. . Idiolectical (individual) or dialectical (based on context or on locale) Variation (music), variations may exist. Different families may also arise from the use of stock structures or of formulae such as stock phrases and motif (music), motifs. See also * Modal frame * Matrix (music) * Tune (folk music) References Further reading * Richard Middleton (musicologist), Middleton, Richard (1990/2002). ''Studying Popular Music''. Philadelphia: Open University Press. . ** Van der Merwe, P. (1989). ''Origins of Popular Style''. Oxford. ** Burke (1978). ** Hatch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modal Frame
A modal frame in music is "a number of types permeating and unifying Music of Africa, African, Music of Europe, European, and Music of the United States, American song" and melody., quoted in Richard Middleton (1990/2002). ''Studying Popular Music'', p. 203. Philadelphia: Open University Press. . It may also be called a melodic mode. "Mode" and "frame" are used interchangeably in this context without reference to scalar or rhythmic modes. Melodic modes define and generate melodies that are not determined by harmony, but purely by melody. A note frame, is a melodic mode that is Atonality, atonic (without a tonic (music), tonic), or has an unstable tonic. Modal frames may be defined by their: *floor note: the bottom of the frame, felt to be the lowest note, though isolated notes may go lower, *ceiling note: the top of the frame, *central note: the center around which other notes cluster or gravitate, *upper or lower focus: portion of the mode on which the melody temporarily dwells, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a musical form, formal technique where material is musical repetition, repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation is often contrasted with musical Development (music), development, which is a slightly different means to the same end. Variation depends upon ''one'' type of presentation at a time, while development is carried out upon portions of material treated in ''many'' different presentations and combinations at a time. Variation techniques Wolfgang Amadeus Mozart, Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), a French folk song known in the English-speaking world as "Twinkle, Twinkle, Little Star", exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep Structure
Deep structure and surface structure (also D-structure and S-structure although those abbreviated forms are sometimes used with distinct meanings) are concepts used in linguistics, specifically in the study of syntax in the Chomskyan tradition of transformational generative grammar. The deep structure of a linguistic expression is a theoretical construct that seeks to unify several related structures. For example, the sentences "Pat loves Chris" and "Chris is loved by Pat" mean roughly the same thing and use similar words. Some linguists, Chomsky in particular, have tried to account for this similarity by positing that these two sentences are distinct ''surface forms'' that derive from a common (or very similar) deep structure. Origin Chomsky coined and popularized the terms "deep structure" and "surface structure" in the early 1960s. American linguist Sydney Lamb wrote in 1975 that Chomsky "probably orrowedthe term from Hockett". American linguist Charles Hockett first used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tune (folk Music)
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiolect
Idiolect is an individual's unique use of language, including speech. This unique usage encompasses vocabulary, grammar, and pronunciation. This differs from a dialect, a common set of linguistic characteristics shared among a group of people. The term is etymologically related to the Greek prefix ''idio-'' (meaning "own, personal, private, peculiar, separate, distinct") and ''-lect'', abstracted from ''dialect'', and ultimately from Ancient Greek . Language Language consists of sentence constructs, word choices, and expressions of style, and an idiolect comprises an individual's uses of these facets. Every person has a unique idiolect influenced by their language, socioeconomic status, and geographical location. Forensic linguistics psychologically analyzes idiolects. The notion of ''language'' is used as an abstract description of the ''language use'', and of the abilities of individual speakers and listeners. According to this view, a language is an "ensemble of idiolects... r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialect
A dialect is a Variety (linguistics), variety of language spoken by a particular group of people. This may include dominant and standard language, standardized varieties as well as Vernacular language, vernacular, unwritten, or non-standardized varieties, such as those used in developing countries or isolated areas. The non-standard dialects of a language with a writing system will operate at different degrees of distance from the standardized written form. Standard and nonstandard dialects A ''standard dialect'', also known as a "standardized language", is supported by institutions. Such institutional support may include any or all of the following: government recognition or designation; formal presentation in schooling as the "correct" form of a language; informal monitoring of everyday Usage (language), usage; published grammars, dictionaries, and textbooks that set forth a normative spoken and written form; and an extensive formal literature (be it prose, poetry, non-ficti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif () or motive is a short musical idea, a Salience (neuroscience), salient recurring Figure (music), figure, musical fragment or succession of notes that has some special importance in or is characteristic of a musical composition, composition. The motif is the smallest structural unit possessing theme (music), thematic identity. History The defines a motif as a "melodic, rhythmic, or harmonic cell (music), cell", whereas the 1958 maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject (music), subject. It is commonly regarded as the shortest subdivision of a Theme (music), theme or Phrase (music), phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". The New Grove Dictionary of Music and Musicians, Grove and Éditions Larousse, Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (music)
In music, especially folk and popular music, a matrix is an element of variations which does not change. The term was derived from use in musical writings and from Arthur Koestler's '' The Act of Creation'', who defines creativity as the bisociation of two sets of ideas or matrices. Musical matrices may be combined in any number, usually more than two, and may be — and must be for analysis — broken down into smaller ones. They are not necessarily intended by the composer or perceived by the listener, and they may be purposefully ambiguous. The simplest examples given by van der Merwe are fixed notes, definite intervals, and regular beats, while the most complex given are the Baroque fugue, Classical tonality, and Romantic chromaticism. The following examples are some matrices which are part of " Pop Goes the Weasel": * major mode *6/8 time *four-bar phrasing *regular beat *rhyming tune structure *ending both halves of the tune with the same figure *melodic climax *perfect ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tune (folk Music)
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Middleton (musicologist)
Richard Middleton FBA is Emeritus Professor of Music at Newcastle University in Newcastle upon Tyne. He is also the founder and co-ordinating editor of the journal ''Popular Music''. Education Middleton studied at Clare College, Cambridge and at the University of York, where his PhD was supervised by Wilfrid Mellers. Career Middleton previously taught at the University of Birmingham and the Open University. He was appointed to his present position in 1998. In 2004, Professor Middleton was elected to a Fellowship by the British Academy. Middleton retired from his post at Newcastle in 2005. Bibliography Author *''Pop Music and the Blues: A Study of the Relationship and Its Significance''. London: Gollancz, 1972. . *''Studying Popular Music''. Philadelphia: Open University Press, 1990. . *''Voicing the Popular: On the Subjects of Popular Music''. London: Routledge, 2006. . Editor or co-editor *''Reading Pop''. Oxford University Press Oxford University Press (OUP) is the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
