Synchysis
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Synchysis
Synchysis is a rhetorical technique wherein words are intentionally scattered to create bewilderment, or for some other purpose. By disrupting the normal course of a sentence, it forces the audience to consider the meaning of the words and the relationship between them. Examples *"I run and shoot, quickly and accurately." *"Matter too soft a lasting mark to bear" – Alexander Pope, "Epistle II. To a Lady" (1743) *"When earthquakes swallow, or when tempests sweep, :Towns to one grave, whole nations to the deep" – Alexander Pope, Essay on Man. :: (That is, "When earthquakes swallow towns to one grave, or when tempests sweep whole nations to the deep".) In poetry This poetry form was a favorite with Latin poets. It is described by the website Silva Rhetoricae as "Hyperbaton or anastrophe taken to an obscuring extreme, either accidentally or purposefully." It is doubtful, however, whether it could be correct to describe effects in Latin poetry, which was very carefully written, ...
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Audience
An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or academics in any medium. Audience members participate in different ways in different kinds of art. Some events invite overt audience participation and others allow only modest clapping and criticism and reception. Media audience studies have become a recognized part of the curriculum. Audience theory offers scholarly insight into audiences in general. These insights shape our knowledge of just how audiences affect and are affected by different forms of art. The biggest art form is the mass media. Films, video games, radio shows, software (and hardware), and other formats are affected by the audience and its reviews and recommendations. In the age of easy internet participation and citizen journalism, professional creators share space, an ...
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Alexander Pope
Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, Pope is best known for his satirical and discursive poetry including '' The Rape of the Lock'', ''The Dunciad'', and ''An Essay on Criticism,'' and for his translation of Homer. After Shakespeare, Pope is the second-most quoted author in ''The Oxford Dictionary of Quotations'', some of his verses having entered common parlance (e.g. "damning with faint praise" or " to err is human; to forgive, divine"). Life Alexander Pope was born in London on 21 May 1688 during the year of the Glorious Revolution. His father (Alexander Pope, 1646–1717) was a successful linen merchant in the Strand, London. His mother, Edith (1643–1733), was the daughter of William Turner, Esquire, of York. Both parents were Catholics. His mother's sister was the ...
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Chiasmus
In rhetoric, chiasmus ( ) or, less commonly, chiasm (Latin term from Greek , "crossing", from the Greek , , "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words". A similar device, antimetabole, also involves a reversal of grammatical structures in successive phrases or clauses in an A-B-B-A configuration, but unlike chiasmus, presents a repetition of words. Examples Chiasmus balances words or phrases with similar, though not identical, meanings: "Dotes" and "strongly loves" share the same meaning and bracket, as do "doubts" and "suspects". Additional examples of chiasmus: For comparison, the following is considered antimetabole, in which the reversal in structure involves the same words: Both chiasmus and antimetabole can be used to reinforce antithesis. In chiasmus, the clauses display inverted parallelism. Chiasmus was particularly popular in the literature of the ancient worl ...
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Golden Line
The golden line is a type of Latin dactylic hexameter frequently mentioned in Latin classrooms and in contemporary scholarship about Latin poetry, but which apparently began as a verse-composition exercise in schools in early modern Britain. Definition The golden line is variously defined, but most uses of the term conform to the oldest known definition from Burles' Latin grammar of 1652: :"If the Verse does consist of two Adjectives, two Substantives and a Verb only, the first Adjective agreeing with the first Substantive, the second with the second, and the Verb placed in the midst, it is called a Golden Verse: as, ::''Lurida terribiles miscent aconita novercae''. (Ovid, ''Metamorphoses'' 1.147) ::''Pendula flaventem pingebat bractea crinem.''" These lines have the abVAB structure, in which two adjectives are placed at the beginning of the line and two nouns at the end in an interlocking order. :''Lurida'' terribiles miscent ''aconita'' novercae. :''adjective a'', adjective b, V ...
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Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman ...
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Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ...
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Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ...
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Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ...
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Catullus
Gaius Valerius Catullus (; 84 - 54 BCE), often referred to simply as Catullus (, ), was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, focusing on personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art. Catullus's poems were widely appreciated by contemporary poets, significantly influencing Ovid and Virgil, among others. After his rediscovery in the Late Middle Ages, Catullus again found admirers such as Petrarch. The explicit sexual imagery which he uses in some of his poems has shocked many readers. Yet, at many instruction levels, Catullus is considered a resource for teachers of Latin. Catullus's style is highly personal, humorous, and emotional; he frequently uses hyperbole, anaphora, alliteration, and diminutives. In 25 of his poems he mentions his devotion to a woman he refers to as "Lesbia", who is widely believed to have been the Roma ...
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Chiasmus
In rhetoric, chiasmus ( ) or, less commonly, chiasm (Latin term from Greek , "crossing", from the Greek , , "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words". A similar device, antimetabole, also involves a reversal of grammatical structures in successive phrases or clauses in an A-B-B-A configuration, but unlike chiasmus, presents a repetition of words. Examples Chiasmus balances words or phrases with similar, though not identical, meanings: "Dotes" and "strongly loves" share the same meaning and bracket, as do "doubts" and "suspects". Additional examples of chiasmus: For comparison, the following is considered antimetabole, in which the reversal in structure involves the same words: Both chiasmus and antimetabole can be used to reinforce antithesis. In chiasmus, the clauses display inverted parallelism. Chiasmus was particularly popular in the literature of the ancient worl ...
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Golden Line
The golden line is a type of Latin dactylic hexameter frequently mentioned in Latin classrooms and in contemporary scholarship about Latin poetry, but which apparently began as a verse-composition exercise in schools in early modern Britain. Definition The golden line is variously defined, but most uses of the term conform to the oldest known definition from Burles' Latin grammar of 1652: :"If the Verse does consist of two Adjectives, two Substantives and a Verb only, the first Adjective agreeing with the first Substantive, the second with the second, and the Verb placed in the midst, it is called a Golden Verse: as, ::''Lurida terribiles miscent aconita novercae''. (Ovid, ''Metamorphoses'' 1.147) ::''Pendula flaventem pingebat bractea crinem.''" These lines have the abVAB structure, in which two adjectives are placed at the beginning of the line and two nouns at the end in an interlocking order. :''Lurida'' terribiles miscent ''aconita'' novercae. :''adjective a'', adjective b, V ...
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