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Sangmo
Sangmo (''상모'') is a Korean folk arts hat. A kind of a hat with feathers or paper streamers called pi-ji, made of Korean paper attached to the top which is worn when dancing and moving the head around (Kor. 머리춤, lit. head dance) during a pungmul (nongak) performance. Sangmo is also called ''chae-sang, beop-go''. The performance with sangmo also called sangmo-noleum, chaesang-noleum, buckgu-noleum. Noleum (놀음) means performance. And a person who wears a sangmo is called a beok-gu (벅구), chaeSang-chibae (채상치배) and beokgu-jaebi (버꾸잽이). Chibae (치배) and jaeb-i (잽이) is a term means percussionists in the pungmul. These terms are called different places in Korea. Origin The origin of it can be found in the history of the ''jeon-lip''. ''Jeonp-lip'' is a black cap of the sangmo. The origin of the ''jeon-lip'' is the ''jeolpung'' on the head. ''Jeolpung'' is the basic type of crown cap of the Three Kingdoms Period, and used various ornaments such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangmo Structure
Sangmo (''상모'') is a Korean folk arts hat. A kind of a hat with feathers or paper streamers called pi-ji, made of Korean paper attached to the top which is worn when dancing and moving the head around (Kor. 머리춤, lit. head dance) during a pungmul (nongak) performance. Sangmo is also called ''chae-sang, beop-go''. The performance with sangmo also called sangmo-noleum, chaesang-noleum, buckgu-noleum. Noleum (놀음) means performance. And a person who wears a sangmo is called a beok-gu (벅구), chaeSang-chibae (채상치배) and beokgu-jaebi (버꾸잽이). Chibae (치배) and jaeb-i (잽이) is a term means percussionists in the pungmul. These terms are called different places in Korea. Origin The origin of it can be found in the history of the ''jeon-lip''. ''Jeonp-lip'' is a black cap of the sangmo. The origin of the ''jeon-lip'' is the ''jeolpung'' on the head. ''Jeolpung'' is the basic type of crown cap of the Three Kingdoms Period, and used various ornaments such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Paper
Korean paper or ''hanji'' ( ko, 한지/韓紙) is the name of traditional handmade paper from Korea. Hanji is made from the inner bark of ''Broussonetia papyrifera'' known colloquially as paper mulberry, a tree native to Korea that grows well on its rocky mountainsides, known in Korean as ''dak''. The formation aid crucial to making hanji is the mucilage that oozes from the roots of '' Hibiscus manihot''. This substance helps suspend the individual fibers in water. Traditional hanji is made in laminated sheets using the ''we bal'' method (a sheet formation technique), which allows for multi-directional grain The process of creating hanji also employs ''dochim'', a method of pounding finished sheets to compact fibers and lessen ink bleed. Hanji paper is famous across Asia for its white color and extreme durability, and was a high import to China in tribute missions. History Ancient In Korea, papermaking started not long after its birth in China. At first, made crudely out of hemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Kingdoms Of Korea
Samhan or the Three Kingdoms of Korea () refers to the three kingdoms of Goguryeo (고구려, 高句麗), Baekje (백제, 百濟), and Silla (신라, 新羅). Goguryeo was later known as Goryeo (고려, 高麗), from which the modern name ''Korea'' is derived. The Three Kingdoms period is defined as being from 57 BC to 668 AD (but there existed Gaya confederacy in the southern region of the Korean Peninsula and relatively large states like Okjeo, Buyeo, and Dongye in its northern part and Manchuria of modern China). The "Korean Three Kingdoms" (Goguryeo, Baekje and Silla) contributed to what would become Korea; and the Goguryeo, Baekje and Silla peoples became what we know as the Korean people. The Book of Sui (Volume 81) recorded: "The customs, laws and clothes of Goguryeo, Baekje and Silla are generally identical." The three kingdoms occupied the entire peninsula of Korea and roughly half of Manchuria, located mostly in present-day China, along with smaller parts from present- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goguryeo
Goguryeo (37 BC–668 AD) ( ) also called Goryeo (), was a Korean kingdom located in the northern and central parts of the Korean Peninsula and the southern and central parts of Northeast China. At its peak of power, Goguryeo controlled most of the Korean peninsula, large parts of Manchuria and parts of eastern Mongolia and Inner Mongolia. Along with Baekje and Silla, Goguryeo was one of the Three Kingdoms of Korea. It was an active participant in the power struggle for control of the Korean peninsula and was also associated with the foreign affairs of neighboring polities in China and Japan. The ''Samguk sagi'', a 12th-century text from Goryeo, indicates that Goguryeo was founded in 37 BC by Jumong (), a prince from Buyeo, who was enthroned as Dongmyeong. Goguryeo was one of the great powers in East Asia, until its defeat by a Silla–Tang alliance in 668 after prolonged exhaustion and internal strife caused by the death of Yeon Gaesomun (). After its fall, its territory w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kkwaenggwari
The ''kkwaenggwari'' () is a small flat gong used primarily in the folk music of Korea. It is made of brass and is played with a hard stick. It produces a distinctively high-pitched, metallic tone that breaks into a cymbal-like crashing timbre when struck forcefully. It is particularly important in ''samul nori'' and ''pungmul'', although it is also used in other genres. The instrument's name is likely onomatopoetic for the sound the instrument produces, "kkwaeng-kkwaeng" (hangul: 꽹꽹). An alternate name is ''swe''. This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul. Sound is largely divided into Gaen(갠 )gang (갱), and zig-gaen (''지갠''). In Nongak, the person who beats a kkwaenggwari is called '' Sangsoe''(korean: 상쇠) or '' Busoe''(korean Korean may refer to: Peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kkwaenggwari
The ''kkwaenggwari'' () is a small flat gong used primarily in the folk music of Korea. It is made of brass and is played with a hard stick. It produces a distinctively high-pitched, metallic tone that breaks into a cymbal-like crashing timbre when struck forcefully. It is particularly important in ''samul nori'' and ''pungmul'', although it is also used in other genres. The instrument's name is likely onomatopoetic for the sound the instrument produces, "kkwaeng-kkwaeng" (hangul: 꽹꽹). An alternate name is ''swe''. This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul. Sound is largely divided into Gaen(갠 )gang (갱), and zig-gaen (''지갠''). In Nongak, the person who beats a kkwaenggwari is called '' Sangsoe''(korean: 상쇠) or '' Busoe''(korean Korean may refer to: Peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
