|
Stiacciato
Stiacciato is a technique that allows a sculptor to create a recessed or relief sculpture with carving only millimetres deep and with mere scribing. To give the illusion of greater depth, the thickness of the carving gradually decreases from the foreground to the background. In some ways it is more similar to a two-dimensional image than a three-dimensional sculpture. The technique allows the use of perspective in the relief. The Renaissance master who also became an art historian of the period, Giorgio Vasari, writes of the technique: {{cquote, ''The third types are called bas- and stiacciati-relief, which have nothing in them but drawing the figure with dents and ''schiacciato'' relief. They are very difficult if there is a large amount of drawing and invention involved, because it is hard to give these things grace thanks to the mode's love of contours. And Donato e Donatelloworked best of all sculptors in this genre, with art, drawing and invention. We see many of this kind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazzi Madonna
The ''Pazzi Madonna '' is a rectangular "stiacciato" marble relief sculpture by Donatello, since 1886 in the sculpture collections of the Bode-Museum in Berlin. Dating to around 1420 and 1425 at the beginning of Donatello's collaboration with Michelozzo, it was most likely produced for private devotion and possibly commissioned by the Pazzi family for their home in Florence.Rolf C. Wirtz, ''Donatello'', ''Masters of Italian Art'' series, Könemann, Cologne 1998. p. ??. The composition was very popular and is known in several copies. The half figure of Virgin Mary is shown in three-quarter-view, the faces of both mother and child are in profile, with her leaning towards the Christ Child and touching his forehead, her silhouette slightly obscuring his. She holds the baby with her left arm, the hand with braced fingers perspectivally foreshortened, the right hand softly pressing against its shoulder. Neither of them are shown with halos and the emphasis is instead on their tender an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of The Virgin (Donatello)
The Tomb of Cardinal Rainaldo Brancacci (or Brancaccio) is a sculptural work in the church of Sant'Angelo a Nilo in Naples, southern Italy, executed by Donatello and Michelozzo around 1426-1428. Built in marble, partly gilt and polychrome, it has a height of 11.60 meters and a width of 4.60. History The work was produced during the partnership of Donatello and Michelozzo, which lasted from 1425 until the late 1430s. It was commissioned when Brancacci was still alive: a letter to him of 5 June 1427 mentions the work as completed for some one quarter. In 1426 the two rented a workshop in Pisa, from where the pieces of the tomb could be more easily shipped to Naples by sea; the city was also nearer to the marble quarries of Carrara. Assistants, including perhaps Pagno di Lapo Portigiani, collaborated to the work, which was completed and sent to its destination in 1428. Description The work is based on a socle from which two composite columns start. They support a round arch with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Virgin And Child (school Of Donatello)
''The Virgin and Child'' is a c.1426 stiacciato marble relief produced by a pupil or studio assistant of the Italian Renaissance sculptor Donatello, probably after a drawing or autograph sculpture by the master himself. It is sometimes known as the ''Hildburgh Madonna'' after Dr. Walter Leo Hildburgh FSA, who in 1956 donated it to its present owner the Victoria and Albert Museum in London. It is dated to 1426 by comparison to Masaccio's ''Madonna and Child In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in ...'', produced that year and from which it draws its details of its composition. John T. Spike, ''Masaccio'', Rizzoli libri illustrati, Milano 2002 References Renaissance sculptures Marble sculptures 1420s sculptures Sculptures of the Victoria and Albert Museum {{Italy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Angelo A Nilo
Sant'Angelo a Nilo is a Roman Catholic church located on the Decumano Inferiore (Spaccanapoli street) in Naples, Italy. It stands diagonally across from San Domenico Maggiore in Naples. It is known for containing the monumental Renaissance-style tomb of Cardinal Rainaldo Brancacci (Italian: ''Sepolcro del Cardinale Brancacci'') by Donatello and Michelozzo, one of the major sculptural works in the city. Description The church is located in the core of the ancient Greek-Roman city: it takes its name from the Egyptian Nile, which was venerated here by the Egyptian merchants. It was begun in 1385 as a chapel, dedicated to Sts. Angel and Mark, by will of cardinal Rainaldo Brancacci, whose family had a palace nearby. The current appearance dates from a 1709 rebuilding, under the direction of Arcangelo Guglielmelli. Remains of the original Catalan-Gothic structure include the main portal, with an architrave featuring angels, and a fresco in the lunette with ''The Virgin Mary and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Feast Of Herod (Donatello)
''The Feast of Herod'' is a bronze relief sculpture created by Donatello circa 1427. It appears on the baptistry of the Siena Cathedral in Italy. It is one of Donatello's earliest relief sculptures, and his first bronze relief. The sculpture is noted for Donatello's use of perspective. The piece is 60 by 60 centimeters. The sculpture depicts the beheading of John the Baptist after Salome asks Herod Antipas for his head on a platter. The scene depicts an executioner presenting the severed head, and Herod reacting in shock. Commission In 1416, Lorenzo Ghiberti was invited by the officials of the Opera del Duomo of Siena to work as an advisor and designer for the commission of a new baptismal font. According to the original plans, the six relief sculptures, which were to adorn the sides of the hexagonal font, were to be completed by Ghiberti and two local Sienese artists. Donatello's commission for the Feast of Herod relief was added to replace one of the reliefs of Jacopo del ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siena Baptistery Of San Giovanni
The Battistero di San Giovanni (Italian: "Baptistry of St. John") is a religious building in Siena, Italy. It is in the square with the same name, near the final spans of the choir of the city's cathedral. It was built between 1316 and 1325 by Camaino di Crescentino, the father of Tino di Camaino. The façade, in Gothic style, is unfinished in the upper part, such as the apse of the cathedral. In the interior, the rectangular hall, divided into a nave and two aisles by two columns, contains a hexagonal baptismal font in bronze, marble and vitreous enamel, realized in 1417-1431 by the main sculptors of the time: Donatello (panel of "Herod's Banquet" and statues of the "Faith" and "Hope"), Lorenzo Ghiberti, Giovanni di Turino, Goro di Neroccio and Jacopo della Quercia (statue of John the Baptist and other figures). The panels represent the Life of John the Baptist, and include: * "Annunciation to Zacharias" by Jacopo della Quercia (1428-1429) * "Birth of John the Baptist" by Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture Techniques
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
