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Settignano
Settignano is a ''frazione'' on a hillside northeast of Florence, Italy. The little '' borgo'' of Settignano carries a familiar name for having produced three sculptors of the Florentine Renaissance, Desiderio da Settignano and the Gamberini brothers, better known as Bernardo Rossellino and Antonio Rossellino. The young Michelangelo lived with a sculptor and his wife in Settignano—in a farmhouse that is now the "Villa Michelangelo"— where his father owned a marble quarry. In 1511 another sculptor was born there, Bartolomeo Ammannati. The marble quarries of Settignano produced this series of sculptors. Roman remains are to be found in the ''borgo'' which some have claimed was named after ''Settimio'' or Septimius Severus—in whose honor a statue was erected in the oldest square in the 16th century, destroyed in 1944— though habitation here long preceded the Roman emperor. The name may be a corruption from the term ''Fundus Septimianus''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desiderio Da Settignano
Desiderio da Settignano, real name Desiderio de Bartolomeo di Francesco detto Ferro ( 1428 or 1430 – 1464) was an Italian Renaissance sculptor active in north Italy. Biography He came from a family of stone carvers and stonemasons in Settignano, near Florence. Although his work shows the influence of Donatello, specifically in his use of low reliefs, it is most likely that he received his training in the large Florentine workshop run by Bernardo and Antonio Rossellino. Desiderio matriculated into the Arte dei Maestri di Pietra e Legname, Florence's guild of Stone and Woodworkers, in 1453 and shortly thereafter already was supplying cherub head medallions for the frieze running across the front of the Pazzi Chapel in the second cloisteryard of the Basilica of Santa Croce. It is rather surprising that he would have received such an important commission as the monumental tomb of Carlo Marsuppini so early in his career. Apparently, his design capabilities and sensitivity to the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Rossellino
Bernardo di Matteo del Borra Gamberelli (1409 Settignano – 1464 Florence), better known as Bernardo Rossellino, was an Italian Renaissance sculptor and architect, the elder brother of the sculptor Antonio Rossellino. As a member of the second generation of Renaissance artists, he helped to further define and popularize the revolution in artistic approach that characterized the new age. His work is often hard to distinguish from that of his brothers (three in all) working in the family workshop. Biography Bernardo Rossellino was born into a family of farmers and quarry owners in the mountain village of Settignano, overlooking the Arno river valley and the city of Florence. His uncle, Jacopo di Domenico di Luca del Borra Gamberelli may have given him his first lessons in stonemasonry. By 1420, Bernardo was certainly down in Florence and apprenticed to one of that city's better-known sculptors, perhaps Nanni di Bartolo, called "il Rosso (the redhead)". Such a relationship might ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Assunta, Settignano
Santa Maria Assunta is a Roman Catholic parish church located in Settignano, a frazione of Florence in the region of Tuscany, Italy. Description A church at this site was originally founded in the 12th century, but underwent a reconstruction in 1518. In 1595, two naves were added under the direction of Alessandro di Francesco Bandini. Among the ancient Florentine families who patronized the church were the Alessandri, Alamanni, Giugni, and Falconieri. The external facade is plain with only an early 16th-century terracotta with a ''Virgin and child with young St John''. Also in 14th century, a series of facial masks are embedded in walls. The interior contains a fresco of the ''Resurrection'' by Maso da San Friano; in the chapel of the Holy Sacrament is a ''Last Supper'' (1615) by Andrea Commodi. The church also has frescoes (1593) by Santi di Tito also with a statue of Santa Lucia. The main altar has a 15th century crucifix and the apse cupola frescoes were painted by Pier Dandi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa I Tatti
Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and Islamic art, as well as a research library of 140,000 volumes and a collection of 250,000 photographs. It is the site of Italian and English gardens. Villa I Tatti is located on an estate of olive groves, vineyards, and gardens on the border of Florence, Fiesole and Settignano. While guided tours of the gardens are offered, Villa I Tatti itself is not generally open to the public. History For almost sixty years Villa I Tatti was the home of Bernard Berenson (1865–1959), the connoisseur whose attributions of early Italian Renaissance painting guided scholarship and collecting in this field for the first half of the twentieth century. The property originated as a seventeenth-century farmhouse given to the expatriate English aristocrat J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Berenson
Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance. His book ''The Drawings of the Florentine Painters'' was an international success. His wife Mary is thought to have had a large hand in some of the writings. Berenson was a major figure in the attribution of Old Masters, at a time when these were attracting new interest by American collectors, and his judgments were widely respected in the art world. Personal life Berenson was born Bernhard Valvrojenski in Butrimonys, Vilnius Governorate (now in Alytus district of Lithuania) to a Litvak family – father Albert Valvrojenski, mother Judith Mickleshanski, and younger siblings including Senda Berenson Abbott. His father, Albert, grew up following an educational track of classical Jewish learning and contemplated becoming a rabbi. However, he became a practitioner of Haskalah, a European movement which advocated more integration of Jews into secular society. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Gamberaia
Villa Gamberaia is a seventeenth-century villa near Settignano, outside Florence, Tuscany, Italy. It is it characterized now by eighteenth-century terraced garden. The setting was praised by Edith Wharton, who saw it after years of tenant occupation with its parterre planted with roses and cabbages, and by Georgina Masson, who saw it restored by Sig. Marcello Marchi after its near ruin during the Second World War. to the immaculately clipped and tailored condition today. History The villa, originally a farmhouse; was owned by Matteo Gamberelli, a stonemason, at the beginning of the fifteenth century. His sons Giovanni and Bernardo became famous architects under the name of Rossellino. After Bernardo's son sold it to Jacopo Riccialbani in 1597, the house was greatly enlarged, then almost completely rebuilt by the following owner, Zenobi Lapi; documents of his time mention a ''limonaia'' and the turfed bowling green that is part of the garden layout today. In 1717 La Gamberaia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Tommaseo
Niccolò Tommaseo (; 9 October 1802 – 1 May 1874) was a Dalmatian linguist, journalist and essayist, the editor of a ''Dizionario della Lingua Italiana'' in eight volumes (1861–74), of a dictionary of synonyms (1830) and other works. He is considered a precursor of the Italian irredentism. Biography Born at Sebenico (Šibenik), which was in quick succession under Venetian, Napoleonic and Habsburg domain, Tommaseo was culturally and ethnically Italian, but expressed also a genuine interest in the Illyrian popular culture. His education, pursued at Split/Spalato, was a humanistic one with a sound Catholic basis. He moved to Italy to graduate in law at the University of Padua in 1822. He then spent several years as a journalist roving between Padua and Milan, where he came in contact with Alessandro Manzoni and Antonio Rosmini-Serbati. In this period of life, he began his collaboration in the ''Antologia'' of Giovan Pietro Vieusseux, founder of the Gabinetto Vieusseux, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Rossellino
Antonio Gamberelli (1427–1479), Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 465. nicknamed Antonio Rossellino for the colour of his hair, was an Italian Renaissance sculptor. His older brother, from whom he received his formal training, was the sculptor and architect Bernardo Rossellino. Born in Settignano, now a part of Florence, he was the youngest of five brothers, sculptors and stonecutters. He is said to have studied under Donatello and is remarkable for the sharpness and fineness of his bas-relief. His most important works are the funeral monument of (1458) for the Blackfriar Church (today a museum), Forlì, and the monument of Infante James of Coimbra, cardinal of Portugal in the Basilica di San Miniato al Monte, Florence (1461–1467). The portrait bust of Matteo Palmieri in the Bargello is signed and dated 1468. In 1470 he made the monument for Maria d'Aragona Duchess of Amalfi,This Maria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Ammannati
Bartolomeo Ammannati (18 June 151113 April 1592) was an Italian architect and sculptor, born at Settignano, near Florence. He studied under Baccio Bandinelli and Jacopo Sansovino (assisting on the design of the Library of St. Mark's, the ''Biblioteca Marciana'', Venice) and closely imitated the style of Michelangelo. He was more distinguished in architecture than in sculpture. He worked in Rome in collaboration with Vignola and Vasari), including designs for the Villa Giulia, but also for works and at Lucca. He labored during 1558–1570, in the refurbishment and enlargement of Pitti Palace, creating the courtyard consisting of three wings with rusticated facades, and one lower portico leading to the amphitheatre in the Boboli Gardens. His design mirrored the appearance of the main external façade of Pitti. He was also named ''Consul'' of Accademia delle Arti del Disegno of Florence, which had been founded by the Duke Cosimo I in 1563. In 1569, Ammanati was commissioned to bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleonora Duse
Eleonora Giulia Amalia Duse ( , ; 3 October 185821 April 1924), often known simply as Duse, was an Italian actress, rated by many as the greatest of her time. She performed in many countries, notably in the plays of Gabriele d'Annunzio and Henrik Ibsen. Duse achieved a unique power of conviction and verity on the stage through intense absorption in the character, "eliminating the self" as she put it, and letting the qualities emerge from within, not imposed through artifice. Life and career Duse was born in Vigevano, Lombardy, in 1858 to Alessandro Vincenzo Duse (1820–1892) and Angelica Cappelletto (1833–1906). Both her father and her grandfather, Luigi, were actors from Chioggia, near Venice, and she joined the troupe at age four. Due to poverty, she initially worked continually, traveling from city to city with whichever troupe her family was currently engaged. She came to fame in Italian versions of roles made famous by Sarah Bernhardt, such as ''La Dame aux camélias'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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