|
Royal Palace (Naples)
The Royal Palace of Naples ( it, Palazzo Reale di Napoli, italic=no, nap, Palazzo Riale ‘e Napule) is a palace, museum, and historical tourist destination located in central Naples, southern Italy. It was one of the four residences near Naples used by the House of Bourbon during their rule of the Kingdom of Naples (1735–1816) and later the Kingdom of the Two Sicilies (1816-1861). The others were the palaces of Caserta, Capodimonte overlooking Naples and Portici on the slopes of Vesuvius. History The palace is on the site of an earlier residence, which had housed the former viceroy Don Pedro de Toledo, Marquis of Villafranca. Construction on the present building was begun in the 17th century by the architect Domenico Fontana.The "signature" of Domenico Fontana is engraved on some bases of the columns of the facade of the Royal Palace of Naples. The text states: "DOMENICVS FONTANA PATRITIVS Romanvs / AVRATAE Militiae EQVES / ET COMES PALATINVS INVENTOR." Intended to house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque
Italian Baroque (or ''Barocco'') is a stylistic period in Italian history and art that spanned from the late 16th century to the early 18th century. History The early 17th century marked a time of change for those of the Roman Catholic religion, a symbolization of their strength as a congregation and the intelligence of their creative minds. In response to the Protestant Reformation of the earlier 16th century, Roman Catholics embarked on a program of restoration, a new way of living that became known as the Counter Reformation. The purpose of the Counter Reformation was aimed at remedying some of the abuses challenged by the Protestants earlier in the century.John Varriano, ''Italian Baroque and Rococo Architecture'', New York: Oxford University Press, 1986. Within the church, a renewed Catholic culture was imposed on Italian society. It started with the Council of Trent, imposed by Pope Paul III, a commission of cardinals who came together to address issues of the Catholic Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Ruiz De Castro
Fernando Ruiz de Castro (d. Bayonne, 1377), was a Galician nobleman of the House of Castro and prominent military figure. He was the third Count of Lemos, Trastámara and Sarria. He is often referred to by the appellation "''Toda la lealtad de España''" ("All the loyalty of Spain"), from an inscription on his tomb in Bayonne.The tomb is now lost, but record of the inscription is found in, e.g1588 ed.of ''Nobleza del Andalusia'' of Gonzalo Argote de Molina1657 ed.of ''Excellencias y Primacias del Apostol Santiago'' by Geronimo Pardo,1780 ed. ''Cronicas de los reyes de Castilla'' by Pedro Lopes de Ayala. Some historians (e.g. Victoria Ancheta (1969) ''Galiza Feudal''p.351 believe the appellation was invented much later, or might be a misreading of the original. He was the son of Pedro Fernández de Castro and Isabel Ponce de Leon. He was the brother of Juana de Castro, wife of King Peter I of Castile and half-brother of the controversial Inês de Castro (mistress of King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Fuga
Ferdinando Fuga (11 November 1699 – 7 February 1782) was an Italian architect who was born in Florence, and is known for his work in Rome and Naples. Much of his early work was in Rome, notably, the Palazzo della Consulta (1732–7) at the Quirinal, the Palazzo Corsini (1736–54), the façade of the Santa Maria Maggiore (1741–3), and the Church of Sant'Apollinare (1742–8). He later moved to Naples and notably designed the Albergo de'Poveri (an enormous work-house) (1751–81), the façade of the Church of the Gerolamini, and that of the Palazzo Giordano (both c.1780,). Early work After studying under Giovanni Battista Foggini, Fuga settled in Rome in 1718. Throughout the 1720s he worked on three projects: submitting a design for the Trevi Fountain in 1723, and 2 designs for façades for the churches San Giovanni in Laterano, 1723, and Santa Maria sopra Minerva, 1725. In 1730, after a brief stay in Naples, Fuga was commissioned by Pope Clement XII to design his family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Carolina Of Austria
Maria Carolina Louise Josepha Johanna Antonia (13 August 1752 – 8 September 1814) was List of consorts of Naples, Queen of Naples and List of Sicilian consorts, Sicily as the wife of King Ferdinand I of the Two Sicilies. As ''de facto'' ruler of her husband's kingdoms, Maria Carolina oversaw the promulgation of many reforms, including the revocation of the ban on Freemasonry, the enlargement of the navy under her favorite, Sir John Acton, 6th Baronet, Sir John Acton and the expulsion of Spanish influence. She was a proponent of enlightened absolutism until the advent of the French Revolution, when, in order to prevent its ideas gaining currency, she made Naples a police state. Born an archduchess of Austria, the thirteenth child of Empress Maria Theresa and Francis I, Holy Roman Emperor, Emperor Francis I, Maria Carolina married Ferdinand as part of an Austrian alliance with Spain, of which Charles III of Spain, Ferdinand's father was king. Following the birth of a male heir in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand I Of The Two Sicilies
Ferdinand I (12 January 1751 – 4 January 1825) was the King of the Two Sicilies from 1816, after his restoration following victory in the Napoleonic Wars. Before that he had been, since 1759, Ferdinand IV of the Kingdom of Naples and Ferdinand III of the Kingdom of Sicily. He was also King of Gozo. He was deposed twice from the throne of Naples: once by the revolutionary Parthenopean Republic for six months in 1799 and again by Napoleon in 1805, before being restored in 1816. Ferdinand was the third son of King Charles VII of Naples and V of Sicily by his wife, Maria Amalia of Saxony. On 10 August 1759, Charles succeeded his elder brother, Ferdinand VI, becoming King Charles III of Spain, but treaty provisions made him ineligible to hold all three crowns. On 6 October, he abdicated his Neapolitan and Sicilian titles in favour of his third son, because his eldest son Philip had been excluded from succession due to imbecility and his second son Charles was heir-apparent to the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Antonio Vaccaro
Domenico Antonio Vaccaro (June 3, 1678 – June 13, 1745) was an Italian painter, sculptor and architect. He created many important sculptural and architectural projects in Naples. His later works are executed in an individualistic Rococo style.Alexander Kader and Antonia Boström. "Vaccaro." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 Jun. 2016 Life Domenico Antonio Vaccaro was born in Naples as the son of Lorenzo Vaccaro. His father Lorenzo was a pupil of Cosimo Fanzago. Domenico Antonio Vaccaro first studied under his father. He subsequently trained in the workshop of Francesco Solimena. He initially dedicated himself to painting but from around 1707 he appears to have practised almost exclusively as a sculptor and architect. In the 1730s he resumed painting. Works of interest include a statue of ''Moses'' in the church of San Ferdinando, interior work at the Chiesa di Santa Maria in Portico, and the statues of ''Penitence'' and ''Solitude' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco De Mura
Francesco de Mura (21 April 1696 – 19 August 1782) was an Italian painter of the late- Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism. Life Francesco de Mura, also referred to as ''Franceschiello'', was a pupil of Francesco Solimena, then later with Domenico Viola, where he met his contemporary, Mattia Preti. While still in his teens he painted frescoes (1715) in San Nicola alla Carità in Naples. He painted ten canvases of the ''Virtues'' and an ''Adoration of the Magi'' (1728) for the church of Santa Maria Donnaromita. His other works include frescoes of the ''Adoration of the Magi'' (1732) in the apsidal dome of the church of the Nunziatella. De Mura also painted portraits. Among his pupils were Pietro Bardellino, Giacinto Diano, Fedele Fischetti, Oronzo Tiso, Nicola Menzele and Girolamo Starace. Selected works Dated * ''Saint Benedict Welcomes Totila'' (vers 1710), study for the frescoes at the church of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Amalia Of Saxony
es, María Amalia Cristina Francisca Javiera Flora Walburga , spouse = Charles III of Spain , issue = , issue-link = #Issue , house = Wettin , father = Augustus III of Poland , mother = Maria Josepha of Austria , birth_date = , birth_place = Dresden Castle, Dresden, Saxony , death_date = , death_place = Buen Retiro Palace, Madrid, Spain , burial_place = El Escorial, Spain , religion = Roman Catholicism Maria Amalia of Saxony (Maria Amalia Christina Franziska Xaveria Flora Walburga; 24 November 1724 – 27 September 1760) was born a princess of Poland and Saxony, and became Queen of Naples and Sicily from 1738 until 1759, and then Queen of Spain from 1759 until her death in 1760 by marriage to Charles III of Spain. The arranged marriage produced many children who survived into adulthood, including Charles IV of Spain. A popular consort, she oversaw the construction of the Caserta Palace outside Naples as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles III Of Spain
it, Carlo Sebastiano di Borbone e Farnese , house = Bourbon-Anjou , father = Philip V of Spain , mother = Elisabeth Farnese , birth_date = 20 January 1716 , birth_place = Royal Alcazar of Madrid, Spain , death_date = , death_place = Royal Palace of Madrid, Spain , place of burial= El Escorial , religion = Roman Catholicism , signature = Autograph Charles III of Spain.svg Charles III (born Charles Sebastian; es, Carlos Sebastián; 20 January 1716 – 14 December 1788) was King of Spain (1759–1788). He also was Duke of Parma and Piacenza, as Charles I (1731–1735); King of Naples, as Charles VII, and King of Sicily, as Charles V (1734–1759). He was the fifth son of Philip V of Spain, and the eldest son of Philip's second wife, Elisabeth Farnese. A proponent of enlightened absolutism and regalism, he succeeded to the Spanish throne on 10 August 1759, upon the death of his childless half-brother Ferdinand VI. In 1731, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Picchiatti
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapel Royal Of Naples
The Chapel Royal of Naples (Italian: ''Cappella Palatina'' or ''Cappella Reale dell'Assunta'') was the sacred musical establishment of the Spanish court in Naples which began with the Aragonese Court of Naples, and continued under the Habsburgs the Bourbons, and Joseph Napoleon. Maestri di cappella, vice masters and organists Masters of the chapel included: * The first maestro Diego Ortiz arrived in the entourage of Viceroy Pedro de Toledo (1558-1570), * Francisco Martínez de Loscos (1570-?), * a Flemish maestro, * then another Fleming Giovanni de Macque (1599–1614), * the first Italian Giovanni Maria Trabaci (1614–46), * the Neapolitans Andrea Falconieri (1647–56), and * Filippo Coppola (1658–80), * then the Venetian Pietro Andrea Ziani (1680–84), * followed by Alessandro Scarlatti (1684-1702, then again 1708-25), * alternating in his absences with Francesco Mancini (1702-1708, then again 1725-1737), *Domenico Sarro (1737–1744), * Leonardo Leo (174 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belisario Corenzio
Belisario Corenzio ( el, Βελισσάριος Κορένσιος 1558–1646) was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Palácio_Ficalho%2C_Serpa.png "Click for more on -> Fernando Ruiz De Castro")
_frontview.jpg "Click for more on -> Ferdinando Fuga")
