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Qinqiang
Qinqiang (秦腔, pinyin: Qín qiāng, literally "Qin's tune") is a genre of folk Chinese opera originated in Shaanxi Province of Qing China in 1807 and soon took over other genres to be the representative genre of the province. Historically, there were two separate genres both referring themselves as Qinqiang, the one with a longer history was later renamed as Handiao Erhuang (汉调二簧), while the newer genre is the topic of this article. The genre features ''bangzi'' (wooden clapper) as its accompanying instruments, from which it derives its other names, ''Bangzi opera'' and luàntán (wikt:亂彈, 亂彈, literally "hit in chaos"). Bangzi tune is considered one of China's Four Great Characteristic Melodies. Qinqiang is the representative of the Bangzi opera and the most important origin of other Bangzi operas. It plays a key role in Chinese traditional culture as its birth and development process is the result of the development of Chinese local opera since ancient times. ...
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Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple, but over time various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century the Peking opera emerged in popularity and has come to known as the "national theatre" of China, but other genres like Yue opera ...
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Shaanxi
Shaanxi (alternatively Shensi, see #Name, § Name) is a landlocked Provinces of China, province of China. Officially part of Northwest China, it borders the province-level divisions of Shanxi (NE, E), Henan (E), Hubei (SE), Chongqing (S), Sichuan (SW), Gansu (W), Ningxia (NW) and Inner Mongolia (N). Shaanxi covers an area of over with about 37 million people, the 16th highest in China. Xi'an – which includes the sites of the former Capitals of China, Chinese capitals Fenghao and Chang'an – is the Xi'an, provincial capital as well as the largest city in Northwest China and also one of the oldest cities in China and the oldest of the Historical capitals of China, Four Great Ancient Capitals, being the capital for the Western Zhou, Western Han, Sima Jin, Jin, Sui dynasty, Sui and Tang dynasty, Tang List of Chinese dynasties, dynasties. Xianyang, which served as the Qin dynasty capital, is just north across Wei River. The other Prefectures of China, prefecture-level pr ...
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Four Great Characteristic Melodies
''Shengqiang'' () is a concept in Chinese opera which helps to categorize its hundreds of regional genres by the music played during arias. Classifying by the music, as opposed to the regional dialect, also helps to understand a genre's evolutionary history. For example, Peking opera and Cantonese opera have little in common as far as language or place of origin, but they belong to the same ''shengqiang'' system. Today, the four major ''shengqiang'' (四大声腔 pinyin: Sìdà Shēngqiāng) are '' Bangziqiang'', '' Pihuangqiang'', '' Kunqiang'' and '' Gaoqiang'' (i.e. ''Yiyangqiang''). Not all Chinese opera genres fall into one of these four ''shengqiang'' systems, and many genres can be classified into more than one system. Other ''shengqiang'' in history include ''Yuyaoqiang'' and ''Haiyanqiang''. Bangzi qiang Bangziqiang (梆子腔) consists of Qinqiang (秦腔), Yu opera (豫剧), Jinju (晋剧), Hebei Bangzi (河北梆子), Sixianqiang in Dianju (滇剧的丝弦腔), Tanxi ...
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Ming Dynasty
The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han Chinese, Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjin ...
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Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come fr ...
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Chou (Chinese Opera)
The ''Chou'' is the clown role in Chinese opera. The usually plays secondary roles in a troupe. Peking opera Most studies of Peking opera classify the as a minor role. roles can be divided into (文丑), civilian roles such as merchants and jailers, and (武丑), minor military roles. The is one of the most demanding in Peking opera, because of its combination of comic acting, acrobatics, and a strong voice. characters are generally amusing and likable, if a bit foolish. Their costumes range from simple for characters of lower status to elaborate, perhaps overly so, for high status characters. characters wear special face paint, called , that differs from that of characters. The defining characteristic of this type of face paint is a small patch of white chalk around the nose. This can represent either a mean and secretive nature or a quick wit. Originally, there were five roles in Beijing opera, but the last role "Mo" became a part of "Chou". Beneath the whimsical perso ...
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Jing (Chinese Opera)
__NOTOC__ Jing can refer to: * Jing (software), formerly Jing Project * Jing (surname), a Chinese surname * Jing River, in China * Jing (instrument), a large gong used in Korean traditional music Concepts * Chinese classics (, ''jīng'') * Jing (Chinese medicine), a principle in Traditional Chinese medicine and Chinese martial arts, sometimes confused with jìn Shanxi (; ; formerly romanised as Shansi) is a landlocked province of the People's Republic of China and is part of the North China region. The capital and largest city of the province is Taiyuan, while its next most populated prefecture-level ... (勁; power) * Jing (Chinese opera), a major male role type in Chinese opera * Jing (philosophy), a concept in Chinese philosophy which means "respect" Places * Jing County, Anhui, in China * Jing County, Hebei, in China * Jinghe County , also known as Jing County, in Xinjiang, China * Chu (state), also known as Jing, in ancient China Fiction * ''King of Bandit Jing'', ...
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Dan (Chinese Opera)
''Dan'' is the general name for female roles in Chinese opera, often referring to leading roles. They may be played by male or female actors. In the early years of Peking opera, all roles were played by men, but this practice is no longer common in any Chinese opera genre. Male ''dan'' actors Male actors who specialize in playing ''dan'' are referred to as ''nándàn'' (男旦); the practice arose during the Qing dynasty due to imperial prohibitions against women performing on stage, considered detrimental to public morality. This practice of female impersonation by male actors was led by Mei Lanfang, one of the most famous dan performer. In the early years of Peking opera, all roles were played by men. Wei Changsheng, a male performer in the Qing court, developed the , or "false foot" technique, to simulate the bound feet of women and the characteristic gait that resulted from the practice. In the late Qing dynasty and the early republic, the performance of actresses became p ...
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Sheng (Chinese Opera)
The is a role type in Chinese opera for dignified and respectable male characters such as Confucian scholars, nobles, or heads of households. They may be portrayed by either male actors or actresses. Subtypes The has numerous subtypes. The two major subdivisions are the (older gentlemen) and (younger gentlemen), with another important subtype being the (martial men). Peking opera troupes will always have a actor. A actor may be added to play roles fitting to his age. In addition to these main , the troupe will also have a secondary . The () is a dignified older role, usually distinguished by a long, thin, three-part beard. These characters have a gentle and cultivated disposition and typically wear long robes with water sleeves, high-soled boots, and fabric headdresses. A subcategory is (), older generals who have combat skills. They wear armors and helmets instead of robes and fabric hats. Guan Yu, the Chinese god of sworn brotherhood, loyalty and righteousness, and Z ...
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Playbill
''Playbill'' is an American monthly magazine for theatergoers. Although there is a subscription issue available for home delivery, most copies of ''Playbill'' are printed for particular productions and distributed at the door as the show's program. ''Playbill'' was first printed in 1884 for a single theater on 21st Street in New York City. The magazine is now used at nearly every Broadway theatre, as well as many Off-Broadway productions. Outside New York City, ''Playbill'' is used at theaters throughout the United States. As of September 2012, its circulation was 4,073,680. History What is known today as ''Playbill'' started in 1884, when Frank Vance Strauss founded the New York Theatre Program Corporation specializing in printing theater programs. Strauss reimagined the concept of a theater program, making advertisements a standard feature and thus transforming what was then a leaflet into a fully designed magazine. The new format proved popular with theatergoers, who s ...
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The First Emperor
''The First Emperor'' is an opera in two acts with music by Tan Dun and a libretto written in English by Tan Dun and Ha Jin. The opera received its world premiere at the Metropolitan Opera at Lincoln Center in New York City on 21 December 2006, conducted by the composer with Plácido Domingo in the title role. It was broadcast live to hundreds of cinemas around the world on 13 January 2007 as part of the Met Live in HD season. The following year, EMI released this movie broadcast on DVD. The opera was a co-production between the Metropolitan Opera and the Los Angeles Opera and was described to be the most elaborate Metropolitan opera production since ''War and Peace''. Background The protagonist is the real-life emperor Qin Shi Huang, who unified China with force, erected part of the Great Wall, and was buried with his terracotta army. The story of the opera is based on the Records of the Grand Historian by Sima Qian (c.145 – 90 BC) and the screenplay of ''The Emperor’s Shado ...
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