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Four Great Characteristic Melodies
''Shengqiang'' () is a concept in Chinese opera which helps to categorize its hundreds of regional genres by the music played during arias. Classifying by the music, as opposed to the regional dialect, also helps to understand a genre's evolutionary history. For example, Peking opera and Cantonese opera have little in common as far as language or place of origin, but they belong to the same ''shengqiang'' system. Today, the four major ''shengqiang'' (四大声腔 pinyin: Sìdà Shēngqiāng) are '' Bangziqiang'', '' Pihuangqiang'', '' Kunqiang'' and '' Gaoqiang'' (i.e. ''Yiyangqiang''). Not all Chinese opera genres fall into one of these four ''shengqiang'' systems, and many genres can be classified into more than one system. Other ''shengqiang'' in history include ''Yuyaoqiang'' and ''Haiyanqiang''. Bangzi qiang Bangziqiang (梆子腔) consists of Qinqiang (秦腔), Yu opera (豫剧), Jinju (晋剧), Hebei Bangzi (河北梆子), Sixianqiang in Dianju (滇剧的丝弦腔), Tanxi ...
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Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple, but over time various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century the Peking opera emerged in popularity and has come to known as the "national theatre" of China, but other genres like Yue opera ...
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Ganju (Chinese Opera Variety)
Ganju ( fa, گنجو, also Romanized as Ganjū) is a village in Bizaki Rural District, Golbajar District, Chenaran County, Razavi Khorasan Province, Iran Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmeni .... At the 2006 census, its population was 19, in 4 families. References Populated places in Chenaran County {{Chenaran-geo-stub ...
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Teochew Opera
Teochew opera or Chaozhou opera, Chiuchow opera (especially in Hong Kong), is one of the many variants of Chinese opera, originating in southern China's Chaoshan region. It is popular in eastern Guangdong, southern Fujian, Hong Kong, Macau, Thailand, Vietnam, Singapore, Indonesia, Malaysia and Cambodia. Like all versions of Chinese opera, it is a traditional Chinese art form, involving music, singing, martial arts, acrobatics and acting Acting is an activity in which a story is told by means of its enactment by an actor or actress who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode. Acting involves a broad r .... References External links * Chinese opera Teochew culture {{Chinese opera ...
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UNESCO
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture. It has 193 member states and 12 associate members, as well as partners in the non-governmental, intergovernmental and private sector. Headquartered at the World Heritage Centre in Paris, France, UNESCO has 53 regional field offices and 199 national commissions that facilitate its global mandate. UNESCO was founded in 1945 as the successor to the League of Nations's International Committee on Intellectual Cooperation.English summary). Its constitution establishes the agency's goals, governing structure, and operating framework. UNESCO's founding mission, which was shaped by the Second World War, is to advance peace, sustainable development and human rights by facilitating collaboration and dialogue among nations. It pursues this objective t ...
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Masterpieces Of The Oral And Intangible Heritage Of Humanity
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of ''Masterpieces'' to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially. In 2008, the 90 previously proclaimed Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries. Background UNESCO defines oral and intangible heritage as "the totality of tradition-based creations of a cultural community expressed by a group or individuals and recognized as reflecting the expectations of a ...
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Kunqu
Kunqu (), also known as Kunju (), K'un-ch'ü, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. Kunqu is one of the oldest traditional operas of the Han nationality, and is also a treasure of Chinese traditional culture and art, especially opera art. It evolved from the local melody of Kunshan and later came to dominate Chinese theater from the 16th to the 18th centuries. The style originated in the Wu cultural area. It has been listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO since 2001. Since the mid-Ming Dynasty, Wei Liang Fu has been the sole leader of Chinese opera for nearly 300 years. In 2006, it was listed on the first national intangible cultural heritage list. In 2008, it was included in the List of Representative Works of Intangible Cultural Heritage of Humanity. In December 2018, the General Office of the Ministry of Education announced that Peking University is the base for inheriting excellent ...
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Sichuan Opera
Sichuan opera (; Sichuanese Pinyin: Cuan1ju4; ) is a type of Chinese opera originating in China's Sichuan province around 1700. Today's Sichuan opera is a relatively recent synthesis of 5 historic melodic styles. Regionally Chengdu remains to be the main home of Sichuan opera, while other influential locales include Chongqing, Guizhou, Yunnan, Hubei and Taiwan. History Initially there were 5 distinct opera styles.Stanton, Sarah. Banham, Martin. 996(1996). The Cambridge Paperback Guide to Theatre. Cambridge press publishing. The history of each style varies greatly. At least one of the Chinese operatic styles began as early as the Three Kingdoms period with some form of ''Canjun opera''. During the Tang dynasty, a band of five came about in Chengdu. In the Song dynasty, the opera developed into ''zaju''. In the Ming dynasty, artists performed the skill in Jinling (modern-day Nanjing). During the reign of Yongzheng and Qianlong emperor in the Qing dynasty, in the Huabu areas, Kun ...
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Beijing Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ...
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