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Prajāpati
Prajapati ( sa, प्रजापति, Prajāpati, lord and protector of creation) is a Vedic deity of Hinduism. In later literature, Prajapati is identified with the creator god Brahma, but the term also connotes many different gods, depending on the Hindu text, ranging from being the creator god to being same as one of the following: Viswakarma, Agni, Indra, Daksha, and many others, reflecting the diverse Hindu cosmology. In classical and medieval era literature, Prajapati is equated to the metaphysical concept called Brahman as Prajapati-Brahman (Svayambhu Brahman), or alternatively Brahman is described as one who existed before Prajapati. Etymology Prajapati (Sanskrit: ) is a compound of "praja" (creation, procreative powers) and "pati" (lord, master). The term means "lord of creatures", or "lord of all born beings". In the later Vedic texts, Prajapati is a distinct Vedic deity, but whose significance diminishes. Later, the term is synonymous with other gods, particular ...
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Shatapatha Brahmana
The Shatapatha Brahmana ( sa, शतपथब्राह्मणम् , Śatapatha Brāhmaṇam, meaning 'Brāhmaṇa of one hundred paths', abbreviated to 'SB') is a commentary on the Śukla (white) Yajurveda. It is attributed to the Vedic sage Yajnavalkya. Described as the most complete, systematic, and important of the Brahmanas (commentaries on the Vedas), it contains detailed explanations of Vedic sacrificial rituals, symbolism, and mythology. Particularly in its description of sacrificial rituals (including construction of complex fire-altars), the Shatapatha Brahmana (SB) provides scientific knowledge of geometry (e.g. calculations of pi and the root of the Pythagorean theorem) and observational astronomy (e.g. planetary distances and the assertion that the Earth is circular) from the Vedic period. The Shatapatha Brahmana is also considered to be significant in the development of Vaishnavism as the origin of several Puranic legends and avatars of the RigVedic god Vi ...
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Prajapati
Prajapati ( sa, प्रजापति, Prajāpati, lord and protector of creation) is a Vedic deity of Hinduism. In later literature, Prajapati is identified with the creator god Brahma, but the term also connotes many different gods, depending on the Hindu text, ranging from being the creator god to being same as one of the following: Viswakarma, Agni, Indra, Daksha, and many others, reflecting the diverse Hindu cosmology. In classical and medieval era literature, Prajapati is equated to the metaphysical concept called Brahman as Prajapati-Brahman (Svayambhu Brahman), or alternatively Brahman is described as one who existed before Prajapati. Etymology Prajapati (Sanskrit: ) is a compound of "praja" (creation, procreative powers) and "pati" (lord, master). The term means "lord of creatures", or "lord of all born beings". In the later Vedic texts, Prajapati is a distinct Vedic deity, but whose significance diminishes. Later, the term is synonymous with other gods, particular ...
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Phanes
Phanes ( grc, Φάνης, Phánēs, genitive ) or Protogonus () was the mystic primeval deity of procreation and the generation of new life, who was introduced into Greek mythology by the Orphism (religion), Orphic tradition; other names for this Classical Greece, Classical Greek Orphic concept included Erikepaios, Ericapaeus ( grc, Ἠρικαπαῖος/Ἠρικεπαῖος, Ērikapaîos/Ērikepaîos, power) and Metis (mythology), Metis ("thought"). Mythology Orphic cosmogony In Orphic cosmogony, Phanes is often equated with Eros (god), Eros or Mithras, and has been depicted as a deity emerging from a cosmic egg, entwined with a serpent (symbolism), serpent. He had a helmet and had broad, golden wings. The Orphic cosmogony is quite unlike the creation sagas offered by Homer and Hesiod. Scholars have suggested that Orphism is "un-Greek" even "Asiatic" in conception, because of its inherent dualistic cosmology, dualism. Chronos (Time) is said to have created the silver ...
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Rudra
Rudra (; sa, रुद्र) is a Rigvedic deity associated with Shiva, the wind or storms, Vayu, medicine, and the hunt. One translation of the name is 'the roarer'. In the Rigveda, Rudra is praised as the 'mightiest of the mighty'. Rudra means "who eradicates problems from their roots". Depending upon the periodic situation, Rudra can mean 'the most severe roarer/howler' (could be a hurricane or tempest) or 'the most frightening one'. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages. The ''Shri Rudram'' hymn from the Yajurveda is dedicated to Rudra and is important in the Shaivism sect.For an overview of the Śatarudriya see: . In Prathama Anuvaka of Namakam (Taittiriya Samhita 4.5), Sri Rudram the 'mightiest of the mighty' Rudra, is revered as ''Sadasiva (meaning 'mighty Shiva')'' and Mahadeva. Sadashiva is the Supreme Being, Lord Paramashiva in the Mantra marga Siddhanta sect of Shaivism. ...
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Yajurveda
The ''Yajurveda'' ( sa, यजुर्वेद, ', from ' meaning "worship", and ''veda'' meaning "knowledge") is the Veda primarily of prose mantras for worship rituals.Michael Witzel (2003), "Vedas and Upaniṣads", in ''The Blackwell Companion to Hinduism'' (Editor: Gavin Flood), Blackwell, , pages 76-77 An ancient Vedic Sanskrit text, it is a compilation of ritual-offering formulas that were said by a priest while an individual performed ritual actions such as those before the yajna fire. Yajurveda is one of the four Vedas, and one of the scriptures of Hinduism. The exact century of Yajurveda's composition is unknown, and estimated by Witzel to be between 1200 and 800 BCE, contemporaneous with Samaveda and Atharvaveda. The Yajurveda is broadly grouped into two – the "black" or "dark" (''Krishna'') Yajurveda and the "white" or "bright" (''Shukla'') Yajurveda. The term "black" implies "the un-arranged, unclear, motley collection" of verses in Yajurveda, in contrast t ...
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Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of the ...
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Vāc
Vacha ( sa, वाच्, '), a Vedic goddess is a personified form of speech. She enters into the inspired poets and visionaries, gives expression and energy to those she loves; she is called the "mother of the Vedas" and consort of Prajapati, the Vedic embodiment of mind. She is also associated with Indra in Aitareya Aranyaka.''The Myths and Gods of India''
Alain Daniélou, pages 260-261
Elsewhere, such as in the Padma Purana, she is stated to be the wife of Vision (''Kashyapa''), the mother of Emotions, and the friend of Musicians (''Gandharva''). She is identified with goddess in later Vedic literature and post-Vedic texts of Hindu traditions. Sarasvati has rema ...
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Purusha
''Purusha'' (' or ) is a complex concept whose meaning evolved in Vedic and Upanishadic times. Depending on source and historical timeline, it means the cosmic being or self, awareness, and universal principle.Karl Potter, Presuppositions of India’s Philosophies, Motilal Banarsidass, , pp 105-109 In early Vedas, ''Purusha'' was a cosmic being whose sacrifice by the gods created all life. This was one of many creation myths discussed in the Vedas. In the Upanishads, the ''Purusha'' concept refers to the abstract essence of the Self, Spirit and the Universal Principle that is eternal, indestructible, without form, and is all-pervasive. In Sankhya philosophy, Purusha is the plural immobile cosmic principle, pure consciousness, unattached and unrelated to anything, which is “nonactive, unchanging, eternal, and pure”. Purusha uniting with Prakṛti (matter) gives rise to life. In Kashmir Shaivism, Purusha is enveloped in five sheaths of time (''Kāla''), desire (''Raga''), ...
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Asura
Asuras (Sanskrit: असुर) are a class of beings in Indian religions, Indic religions. They are described as power-seeking clans related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, Buddhist context, the word is sometimes translated "Titan (mythology), titan", "demigod", or "antigod". According to Hindu texts, Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danava (Hinduism), Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are call ...
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Deva (Hinduism)
''Deva'' (; Sanskrit: , ) means "shiny", "exalted", "heavenly being", "divine being", "anything of excellence", and is also one of the Sanskrit terms used to indicate a deity in Hinduism.Monier Monier-Williams, A Sanskrit-English Dictionary” Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, page 492 ''Deva'' is a masculine term; the feminine equivalent is '' Devi''. In the earliest Vedic literature, all supernatural beings are called ''Devas''George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, , pages 90, 112 and ''Asuras''. The concepts and legends evolved in ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as ''Deva-Asuras''. In post-Vedic Hindu texts, such as the Puranas and the Itihasas of Hinduism, the ''Devas'' represent the good, and the ''Asuras'' the bad. In some medieval works of Indian literature, ''Devas'' are also referred to ...
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Vishvakarma
Vishvakarma or Vishvakarman ( sa, विश्वकर्मा, Viśvakarmā, all maker) is a craftsman deity and the divine architect of the devas in contemporary Hinduism. In the early texts, the craftsman deity was known as Tvastar and the word "Vishvakarma" was originally used as an epithet for any powerful deity. However, in many later traditions, Vishvakarma became the name of the craftsman god. Vishvakarma crafted all of the chariots of the devas and weapons including the ''Vajra'' of the god Indra. Vishvakarma was related to the sun god Surya through his daughter Samjna. According to the legend, when Samjna left her house due to Surya's energy, Vishvakarma reduced the energy and created various other weapons using it. Vishvakarma also built various cities like Lanka, Dvaraka, and Indraprastha. According to the epic ''Ramayana'', the ''vanara'' (forest-man or monkey) Nala was the son of Vishvakarma, created to aid the avatar Rama. Literature and legends Vedas The ...
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Colophon (city)
Colophon (; grc, , }) was an ancient city in Ionia. Founded around the turn of the 1st millennium BC, it was likely one of the oldest of the twelve cities of the Ionian League. It was located between Lebedos (120 stadia to the west) and Ephesus (70 stadia to its south). Its ruins are south of the town Değirmendere in the Menderes district of Izmir Province, Turkey. The city's name comes from the word κολοφών, "summit", (which is also the origin of the bibliographic term " colophon", in the metaphorical sense of a 'crowning touch',) as it was sited along a ridgeline. The term ''colophony'' for rosin comes from the term ''colophonia resina'' ( grc, Κολοφωνία ῥητίνη ''Kolophōnia rhētinē''), resin from the pine trees of Colophon, which was highly valued for increasing friction of the bow hairs of stringed musical instruments. History According to Apollodorus and Proclus, the mythical seer Calchas died at Colophon after the end of the Trojan Wa ...
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