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Polemos
In Greek mythology, Polemos or Polemus ( grc-gre, Πόλεμος ''Pólemos''; "war") was a daemon; a divine personification or embodiment of war. No cult practices or myths are known for him, and as an abstract representation he figures mainly in allegory and philosophical discourse. The Roman counterpart of this figure was Bellum. Literature Pindar says that Polemos is the father of Alala, goddess of the war-cry. According to Quintus Smyrnaeus, Polemos was the brother of the war goddess Enyo. Other Greek personifications of war and the battlefield include Ares, Eris, the Makhai, the Hysminai, the Androktasiai, the Phonoi and the Keres. In Aesop's fable of "War and his Bride", told by Babrius and numbered 367 in the Perry Index, it is related how Polemos drew Hubris (insolent arrogance) as his wife in a marriage lottery. So fond has he become of her that the two are now inseparable. Therefore, Babrius warns, "Let not Insolence ever come among the nations or cities of men, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makhai
In Greek mythology, the Machae or Machai (; Ancient Greek: Μάχαι ''Mákhai'', "battles"; singular: ''Mákhē'') were the daemons (spirits) of battle and combat. Family The Machai were the children of Eris and siblings to other vicious personifications like the Hysminai, the Androktasiai, and the Phonoi. : And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath. Mythology The daemons Homados (Battle-Noise), Alala (War-Cry), Proioxis (Onrush), Palioxis (Backrush) and Kydoimos (Confusion)Hesiod, ''Shield of Heracles'' 139 ff. were closely associated with the Machai. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ares
Ares (; grc, Ἄρης, ''Árēs'' ) is the Greek god of war and courage. He is one of the Twelve Olympians, and the son of Zeus and Hera. The Greeks were ambivalent towards him. He embodies the physical valor necessary for success in war but can also personify sheer brutality and bloodlust, in contrast to his sister, the armored Athena, whose martial functions include military strategy and generalship. An association with Ares endows places, objects, and other deities with a savage, dangerous, or militarized quality. Although Ares' name shows his origins as Mycenaean, his reputation for savagery was thought by some to reflect his likely origins as a Thracian deity. Some cities in Greece and several in Asia Minor held annual festivals to bind and detain him as their protector. In parts of Asia Minor, he was an oracular deity. Still further away from Greece, the Scythians were said to ritually kill one in a hundred prisoners of war as an offering to their equivalent of Ares. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesop's Fables
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to oral tradition and were not collected for some three centuries after Aesop's death. By that time, a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the Late Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perry Index
The Perry Index is a widely used index of "Aesop's Fables" or "Aesopica", the fables credited to Aesop, the storyteller who lived in ancient Greece between 620 and 560 BC. The index was created by Ben Edwin Perry, a professor of classics at the University of Illinois Urbana-Champaign. Modern scholarship takes the view that Aesop probably did not compose all of the fables attributed to him;D. L. Ashliman, “Introduction,” in George Stade (Consulting Editorial Director), ''Aesop’s Fables.'' New York: Barnes & Noble Classics, (2005). Produced and published in conjunction with Fine Creative Media, Inc. (New York) Michael J. Fine, President and Publisher. See pp. xiii–xv and xxv–xxvi. indeed, a few are known to have first been used before Aesop lived, while the first record we have of many others is from well over a millennium after his time. Traditionally, Aesop's fables were arranged alphabetically, which is not helpful to the reader. Perry listed them by language (Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alala
Alala (Ancient Greek: (alalá); "battle-cry" or "war-cry") was the personification of the war cry in Greek mythology. Her name derives from the onomatopoeic Greek word (alalḗ), hence the verb (alalázō), "to raise the war-cry". Greek soldiers attacked the enemy with this cry in order to cause panic in their lines and it was asserted that Athenians adopted it to emulate the cry of the owl, the bird of their patron goddess Athena. According to Pindar, Alala was the daughter of Polemos, the personification of war, and was characterised by the poet as "Prelude of spears, to whom soldiers are sacrificed for their city’s sake in the holy sacrifice of death". Her aunt was the war goddess Enyo and her uncle was the war god Ares, whose poetic epithet is ''Alaláxios'' (). As such she is one of the attendants of Ares out on the battlefield, along with the rest of his entourage: Phobos and Deimos (his sons); Eris/Discordia, with the Androktasiai, Makhai, Hysminai, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polis
''Polis'' (, ; grc-gre, πόλις, ), plural ''poleis'' (, , ), literally means "city" in Greek. In Ancient Greece, it originally referred to an administrative and religious city center, as distinct from the rest of the city. Later, it also came to mean the body of citizens under a city's jurisdiction. In modern historiography, the term is normally used to refer to the ancient Greek city-states, such as Classical Athens and its contemporaries, and thus is often translated as "city-state". The ''poleis'' were not like other primordial ancient city-states like Tyre or Sidon, which were ruled by a king or a small oligarchy; rather, they were political entities ruled by their bodies of citizens. The Ancient Greek ''poleis'' developed during the Archaic period as the ancestor of the Ancient Greek city, state and citizenship and persisted (though with decreasing influence) well into Roman times, when the equivalent Latin word was '' civitas'', also meaning "citizenhood", whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysos
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dicaeopolis
''The Acharnians'' or ''Acharnians'' (Ancient Greek: ''Akharneîs''; Attic: ) is the third play — and the earliest of the eleven surviving plays — by the Athenian playwright Aristophanes. It was produced in 425 BC on behalf of the young dramatist by an associate, Callistratus, and it won first place at the Lenaia festival. ''The Acharnians'' is about an Athenian citizen, Dikaiopolis, who miraculously obtains a private peace treaty with the Spartans and enjoys the benefits of peace in spite of opposition from some of his fellow Athenians. The play is notable for its absurd humour, its imaginative appeal for an end to the Peloponnesian War, and for the author's spirited response to condemnations of his previous play, ''The Babylonians'', by politicians such as Cleon, who had reviled it as a slander against the Athenian polis. In ''The Acharnians'', Aristophanes reveals his resolve not to yield to attempts at political intimidation. Along with the other surviving plays of Aristo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keres (mythology)
In Greek mythology, the Keres (; Ancient Greek: Κῆρες), singular Ker (; Κήρ), were female death-spirits. They were the goddesses who personified violent death and who were drawn to bloody deaths on battlefields. Although they were present during death and dying, they did not have the power to kill. All they could do was wait and then feast on the dead. The Keres were daughters of Nyx, and as such the sisters of beings such as Moirai, who controlled the fate of souls, and Thanatos, the god of peaceful death. Some later authorities, such as Cicero, called them by a Latin name, ''Tenebrae'' ("the Darknesses"), and named them daughters of Erebus and Nyx. Etymology The Greek word κήρ means "death" or "doom" and appears as a proper noun in the singular and plural as Κήρ and Κῆρες to refer to divinities. Homer uses ''Κῆρες'' in the phrase ''κήρες θανάτοιο'', "Keres of death". By extension the word may mean "plague, disease" and in prose "ble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Acharnians
''The Acharnians'' or ''Acharnians'' (Ancient Greek: ''Akharneîs''; Attic: ) is the third play — and the earliest of the eleven surviving plays — by the Athenian playwright Aristophanes. It was produced in 425 BC on behalf of the young dramatist by an associate, Callistratus, and it won first place at the Lenaia festival. ''The Acharnians'' is about an Athenian citizen, Dikaiopolis, who miraculously obtains a private peace treaty with the Spartans and enjoys the benefits of peace in spite of opposition from some of his fellow Athenians. The play is notable for its absurd humour, its imaginative appeal for an end to the Peloponnesian War, and for the author's spirited response to condemnations of his previous play, ''The Babylonians'', by politicians such as Cleon, who had reviled it as a slander against the Athenian polis. In ''The Acharnians'', Aristophanes reveals his resolve not to yield to attempts at political intimidation. Along with the other surviving plays of Aristo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside seem to have existed in the 6th century BC and ear ... Kydathenaion ( la, Cydathenaeum), was a comedy, comic playwright or comedy-writer of Classical Athens, ancient Athens and a poet of Ancient Greek comedy, Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Ancient Greek comedy, Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubris
Hubris (; ), or less frequently hybris (), describes a personality quality of extreme or excessive pride or dangerous overconfidence, often in combination with (or synonymous with) arrogance. The term ''arrogance'' comes from the Latin ', meaning "to feel that one has a right to demand certain attitudes and behaviors from other people". To ''arrogate'' means "to claim or seize without justification... To make undue claims to having", or "to claim or seize without right... to ascribe or attribute without reason". The term ''pretension'' is also associated with the term ''hubris'', but is not synonymous with it. According to studies, hubris, arrogance, and pretension are related to the need for victory (even if it does not always mean winning) instead of reconciliation, which "friendly" groups might promote. Hubris is usually perceived as a characteristic of an individual rather than a group, although the group the offender belongs to may suffer collateral consequences from wrong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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