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Makhai
In Greek mythology, the Machae or Machai (; Ancient Greek: Μάχαι ''Mákhai'', "battles"; singular: ''Mákhē'') were the daemons (spirits) of battle and combat. Family The Machai were the children of Eris and siblings to other vicious personifications like the Hysminai, the Androktasiai, and the Phonoi. : And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath. Mythology The daemons Homados (Battle-Noise), Alala (War-Cry), Proioxis (Onrush), Palioxis (Backrush) and Kydoimos (Confusion)Hesiod, ''Shield of Heracles'' 139 ff. were closely associated with the Machai. T ...
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Theogony
The ''Theogony'' (, , , i.e. "the genealogy or birth of the gods") is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed . It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Descriptions Hesiod's ''Theogony'' is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing. Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the authority u ...
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Limos
Limos (; Ancient Greek: Λιμός means 'starvation'), Roman Fames , is the "sad" goddess or god of starvation, hunger and famine in ancient Greek religion. They were opposed by Demeter, goddess of grain and the harvest with whom Ovid wrote Limos could never meet, and Plutus, the god of wealth and the bounty of rich harvests. Family According to Hesiod's ''Theogony'', Limos is the child of the goddess Eris ("Discord"), who was the daughter of Nyx ("Night"). Limos' siblings include Toil (Ponos), Forgetfulness (Lethe), Stories (Logoi), Lies (Pseudea), Oaths (Horkos), Quarrels (Neikea), Disputes (Amphillogiai), Manslaughters (Androktasiai), Battles (Hysminai) and Wars (Makhai), Anarchy ( Dysnomia), Pains (Algea), and Ruin (Ate). : And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrel ...
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Phonoi
In Greek mythology, the Phonoi (Ancient Greek: ; singular: Phonos) were the "ghastly-faced" male personifications of murder. Family Hesiod in the ''Theogony'' named the Phonoi's mother as Eris ("Discord"), and their siblings as: the Hysminai (Battles), the Makhai (Wars), the Androktasiai (Manslaughters) and other malevolent daemons. : "And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath." Mythology In the epic poem the ''Shield of Heracles'', attributed to Hesiod, Phonos (singular) was one of the many figures, depicted on Heracles' shield. Aeschylus' accounts ". ...
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Neikea
In Greek mythology, the Neikea (Ancient Greek: Νείκεα; singular: Neikos "quarrels") were spirits of arguments, feuds, quarrels and grievances. Their Roman counterpart was Altercatio. Family Hesiod's account In Hesiod's ''Theogony'' identifies the Neikea as children of Eris (Strife) through parthenogenesis and siblings of Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders") and Androktasiai (Manslaughters"). : "And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath." Hyginus' account In another account, Neikos/ Altercatio was the offspring of the prim ...
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Amphillogiai
In Greek mythology, the Amphillogiai (Ancient Greek: ; singular: Amphillogia) were goddesses of disputes and altercations. Their Roman counterpart was Altercatio. Family Hesiod's account In Hesiod's ''Theogony'' identifies the Amphillogiai as daughters of Eris (Strife) through parthenogenesis and siblings of Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders") and Androktasiai (Manslaughters"). : "And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath." Hyginus' account In another account, Amphillogiai/ Altercatio was the offspring of the primordial deities ...
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Eris (mythology)
Eris (; grc-gre, Ἔρις ', "Strife") is the Greek goddess of strife and discord. Her Roman equivalent is Discordia, which means the same. Eris's Greek opposite is Harmonia, whose Roman counterpart is Concordia. Homer equated her with the war-goddess Enyo, whose Roman counterpart is Bellona. The dwarf planet Eris is named after the goddess. She had no temples in ancient Greece and functions essentially as a personification, as which she appears in Homer and many later works. Etymology ''Eris'' is of uncertain etymology; connections with the verb , 'to raise, stir, excite', and the proper name have been suggested. R. S. P. Beekes rejects these derivations and suggested a Pre-Greek origin. Characteristics in Greek mythology In Hesiod's ''Works and Days'' 11–24, two different goddesses named Eris are distinguished: So, after all, there was not one kind of Strife alone, but all over the earth there are two. As for the one, a man would praise her when he came to unde ...
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Wrath Of The Titans
''Wrath of the Titans'' is a 2012 action fantasy film and a sequel to the 2010 film '' Clash of the Titans''. The film stars Sam Worthington, Rosamund Pike, Bill Nighy, Édgar Ramírez, Toby Kebbell, Danny Huston, Ralph Fiennes, and Liam Neeson, with Jonathan Liebesman directing a screenplay by Dan Mazeau and David Leslie Johnson from a story by them and Greg Berlanti. ''Wrath of the Titans'' takes place a decade after the events of the preceding film as the gods lose control over the imprisoned Titans (thanks to humanity's lack of prayers which also is draining their immortality) and Perseus is called, this time to rescue his father Zeus, overthrow the Titans, and save mankind. Talk of a sequel began with the release of ''Clash of the Titans'' in March 2010. Writers Dan Mazeau and David Leslie Johnson were hired in June 2010 and director Jonathan Liebesman was brought on board in August 2010. The majority of the casting took place between January and February 2011. Principal photo ...
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Polemos
In Greek mythology, Polemos or Polemus ( grc-gre, Πόλεμος ''Pólemos''; "war") was a daemon; a divine personification or embodiment of war. No cult practices or myths are known for him, and as an abstract representation he figures mainly in allegory and philosophical discourse. The Roman counterpart of this figure was Bellum. Literature Pindar says that Polemos is the father of Alala, goddess of the war-cry. According to Quintus Smyrnaeus, Polemos was the brother of the war goddess Enyo. Other Greek personifications of war and the battlefield include Ares, Eris, the Makhai, the Hysminai, the Androktasiai, the Phonoi and the Keres. In Aesop's fable of "War and his Bride", told by Babrius and numbered 367 in the Perry Index, it is related how Polemos drew Hubris (insolent arrogance) as his wife in a marriage lottery. So fond has he become of her that the two are now inseparable. Therefore, Babrius warns, "Let not Insolence ever come among the nations or cities of men, ...
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Kydoimos
In Greek mythology, Kydoimos or Cydoemus (Ancient Greek: Κυδοιμός ''Kudoimós'') was the personification of the din of battle, confusion, uproar and hubbub. He was probably numbered amongst the Makhai, daimones of the battlefield. Kydoimos appears in Aristophanes' ''Peace'' as a character. Mythology In the epic poem the ''Shield of Heracles'', attributed to Hesiod, Proioxis was one of the many figures, depicted on Heracles' shield. In his hands he (Herakles) took his shield, all glittering : no one ever broke it with a blow or crushed it. And a wonder it was to see . . . In the centre was Phobos (Fear) worked in adamant, unspeakable, staring backwards with eyes that glowed with fire. His mouth was full of teeth in a white row, fearful and daunting, and upon his grim brow hovered frightful Eris (Battle-Strife) who arrays the throng of men: pitiless she, for she took away the mind and senses of poor wretches who made war against the son of Zeus . . . Upon the shield Pro ...
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Palioxis
In Greek mythology, Palioxis (Ancient Greek: Παλίωξις) was the personification of backrush, flight and retreat in battle (as opposed to Proioxis). She and her sister Proioxis (Onrush) presided over the surge of battle. Palioxis was probably numbered amongst the Makhai, daimones of the battlefield. Mythology In the epic poem the ''Shield of Heracles'', attributed to Hesiod, Palioxis was one of the many figures, depicted on Heracles' shield: In his hands he (Herakles) took his shield, all glittering : no one ever broke it with a blow or crushed it. And a wonder it was to see . . . In the centre was Phobos (Fear) worked in adamant, unspeakable, staring backwards with eyes that glowed with fire. His mouth was full of teeth in a white row, fearful and daunting, and upon his grim brow hovered frightful Eris (Battle-Strife) who arrays the throng of men: pitiless she, for she took away the mind and senses of poor wretches who made war against the son of Zeus . . . Upon the shie ...
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Proioxis
In Greek mythology, Proioxis (Ancient Greek: Προΐωξις) was the personification of onrush or pursuit in battle (as opposed to Palioxis). She and her sister Palioxis (Backrush) presided over the surge of battle. They were probably numbered amongst the Makhai, daimones of the battlefield. Proioxis was probably the same as Ioke. Mythology In the epic poem the ''Shield of Heracles'', attributed to Hesiod, Proioxis was one of the many figures, depicted on Heracles' shield. In his hands he (Herakles) took his shield, all glittering : no one ever broke it with a blow or crushed it. And a wonder it was to see . . . In the centre was Phobos (Fear) worked in adamant, unspeakable, staring backwards with eyes that glowed with fire. His mouth was full of teeth in a white row, fearful and daunting, and upon his grim brow hovered frightful Eris (Battle-Strife) who arrays the throng of men: pitiless she, for she took away the mind and senses of poor wretches who made war against the s ...
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Alala
Alala (Ancient Greek: (alalá); "battle-cry" or "war-cry") was the personification of the war cry in Greek mythology. Her name derives from the onomatopoeic Greek word (alalḗ), hence the verb (alalázō), "to raise the war-cry". Greek soldiers attacked the enemy with this cry in order to cause panic in their lines and it was asserted that Athenians adopted it to emulate the cry of the owl, the bird of their patron goddess Athena. According to Pindar, Alala was the daughter of Polemos, the personification of war, and was characterised by the poet as "Prelude of spears, to whom soldiers are sacrificed for their city’s sake in the holy sacrifice of death". Her aunt was the war goddess Enyo and her uncle was the war god Ares, whose poetic epithet is ''Alaláxios'' (). As such she is one of the attendants of Ares out on the battlefield, along with the rest of his entourage: Phobos and Deimos (his sons); Eris/Discordia, with the Androktasiai, Makhai, Hysminai, and the ...
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