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Parametric Stereo
Parametric Stereo (abbreviated as PS) is an audio compression algorithm used as an audio coding format for digital audio. It is considered an Audio Object Type of MPEG-4 Part 3 (MPEG-4 Audio) that serves to enhance the coding efficiency of low bandwidth stereo audio media. Parametric Stereo digitally codes a stereo audio signal by storing the audio as monaural alongside a small amount of extra information. This extra information (defined as "parametric overhead") describes how the monaural signal will behave across both stereo channels, which allows for the signal to exist in true stereo upon playback. History Background Advanced Audio Coding Low Complexity (AAC LC) combined with Spectral Band Replication (SBR) and Parametric Stereo (PS) was defined as HE-AAC v2. An HE-AAC v1 decoder will only give mono sound when decoding an HE-AAC v2 bitstream. Parametric Stereo performs sparse coding in the spatial domain, somewhat similar to what SBR does in the frequency domain. An AAC HE ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Coding Format
An audio coding format (or sometimes audio compression format) is a content representation format for storage or transmission of digital audio (such as in digital television, digital radio and in audio and video files). Examples of audio coding formats include MP3, AAC, Vorbis, FLAC, and Opus. A specific software or hardware implementation capable of audio compression and decompression to/from a specific audio coding format is called an audio codec; an example of an audio codec is LAME, which is one of several different codecs which implements encoding and decoding audio in the MP3 audio coding format in software. Some audio coding formats are documented by a detailed technical specification document known as an audio coding specification. Some such specifications are written and approved by standardization organizations as technical standards, and are thus known as an audio coding standard. The term "standard" is also sometimes used for ''de facto'' standards as well as forma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio
Digital audio is a representation of sound recorded in, or converted into, digital form. In digital audio, the sound wave of the audio signal is typically encoded as numerical samples in a continuous sequence. For example, in CD audio, samples are taken 44,100 times per second, each with 16-bit sample depth. Digital audio is also the name for the entire technology of sound recording and reproduction using audio signals that have been encoded in digital form. Following significant advances in digital audio technology during the 1970s and 1980s, it gradually replaced analog audio technology in many areas of audio engineering, record production and telecommunications in the 1990s and 2000s In a digital audio system, an analog electrical signal representing the sound is converted with an analog-to-digital converter (ADC) into a digital signal, typically using pulse-code modulation (PCM). This digital signal can then be recorded, edited, modified, and copied using computer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-4 Part 3
MPEG-4 Part 3 or MPEG-4 Audio (formally ISO/IEC 14496-3) is the third part of the ISO/IEC MPEG-4 international standard developed by Moving Picture Experts Group. It specifies audio coding methods. The first version of ISO/IEC 14496-3 was published in 1999. The MPEG-4 Part 3 consists of a variety of audio coding technologies – from lossy speech coding (HVXC, CELP), general audio coding (AAC, TwinVQ, BSAC), lossless audio compression (MPEG-4 SLS, Audio Lossless Coding, MPEG-4 DST), a Text-To-Speech Interface (TTSI), Structured Audio (using SAOL, SASL, MIDI) and many additional audio synthesis and coding techniques. MPEG-4 Audio does not target a single application such as real-time telephony or high-quality audio compression. It applies to every application which requires the use of advanced sound compression, synthesis, manipulation, or playback. MPEG-4 Audio is a new type of audio standard that integrates numerous different types of audio coding: natural sound and synthetic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advanced Audio Coding
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achieves higher sound quality than MP3 encoders at the same bit rate. AAC has been standardized by ISO and IEC as part of the MPEG-2 and MPEG-4 specifications.ISO (2006ISO/IEC 13818-7:2006 - Information technology -- Generic coding of moving pictures and associated audio information -- Part 7: Advanced Audio Coding (AAC), Retrieved on 2009-08-06ISO (2006, Retrieved on 2009-08-06 Part of AAC, HE-AAC ("AAC+"), is part of MPEG-4 Audio and is adopted into digital radio standards DAB+ and Digital Radio Mondiale, and mobile television standards DVB-H and ATSC-M/H. AAC supports inclusion of 48 full-bandwidth (up to 96 kHz) audio channels in one stream plus 16 low frequency effects ( LFE, limited to 120 Hz) channels, up to 16 "coupling" or dialog channels, and up to 16 data streams. The quality for stereo is satisf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectral Band Replication
Spectral band replication (SBR) is a technology to enhance audio or speech codecs, especially at low bit rates and is based on harmonic redundancy in the frequency domain. It can be combined with any audio compression codec: the codec itself transmits the lower and midfrequencies of the spectrum, while SBR replicates higher frequency content by transposing up harmonics from the lower and midfrequencies at the decoder. Some guidance information for reconstruction of the high-frequency spectral envelope is transmitted as side information. When needed, it also reconstructs or adaptively mixes in noise-like information in selected frequency bands in order to faithfully replicate signals that originally contained no or fewer tonal components. The SBR idea is based on the principle that the psychoacoustic part of the human brain tends to analyse higher frequencies with less accuracy; thus harmonic phenomena associated with the spectral band replication process needs only be accurate in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HE-AAC
High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO/IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized for low-bitrate applications such as streaming audio. The usage profile HE-AAC v1 uses spectral band replication (SBR) to enhance the modified discrete cosine transform (MDCT) compression efficiency in the frequency domain. The usage profile HE-AAC v2 couples SBR with Parametric Stereo (PS) to further enhance the compression efficiency of stereo signals. HE-AAC is used in digital radio standards like HD Radio, DAB+ and Digital Radio Mondiale. History The progenitor of HE-AAC was developed by Coding Technologies by combining MPEG-2 AAC-LC with a proprietary mechanism for spectral band replication (SBR), to be used by XM Radio for their satellite radio service. Subsequently, Coding Technologies submitted their SBR mechanism to MPEG as a basis of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transparency (data Compression)
In data compression and psychoacoustics, transparency is the result of lossy data compression accurate enough that the compressed result is perceptually indistinguishable from the uncompressed input, i.e. perceptually lossless. A transparency threshold is a given value at which transparency is reached. It is commonly used to describe compressed data bitrates. For example, the transparency threshold for MP3 to linear PCM audio is said to be between 175 and 245 kbit/s, at 44.1 kHz, when encoded as VBR MP3 (corresponding to the -V3 and -V0 settings of the highly popular LAME MP3 encoder). This means that when an MP3 that was encoded at those bitrates is being played back, it is indistinguishable from the original PCM, and the compression is transparent to the listener. The term ''transparent compression'' can also refer to a filesystem feature that allows compressed files to be read and written just like regular ones. In this case, the compressor is typically a general- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philips
Koninklijke Philips N.V. (), commonly shortened to Philips, is a Dutch multinational conglomerate corporation that was founded in Eindhoven in 1891. Since 1997, it has been mostly headquartered in Amsterdam, though the Benelux headquarters is still in Eindhoven. Philips was formerly one of the largest electronics companies in the world, but is currently focused on the area of health technology, having divested its other divisions. The company was founded in 1891 by Gerard Philips and his father Frederik, with their first products being light bulbs. It currently employs around 80,000 people across 100 countries. The company gained its royal honorary title (hence the ''Koninklijke'') in 1998 and dropped the "Electronics" in its name in 2013, due to its refocusing from consumer electronics to healthcare technology. Philips is organized into three main divisions: Personal Health (formerly Philips Consumer Electronics and Philips Domestic Appliances and Personal Care), Connecte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coding Technologies
Coding Technologies AB was a Swedish technology company that pioneered the use of spectral band replication in Advanced Audio Coding. Its MPEG-2 AAC-derived codec, called aacPlus, was published in 2001 and submitted to the MPEG for standardization. The codec would become the MPEG-4 High-Efficiency AAC (HE-AAC) profile in 2003. XM Satellite Radio used aacPlus for its streams. aacPlus with Parametric stereo, called enhanced aacPlus, would become MPEG-4 HE-AACv2. Coding Technologies was acquired by Dolby Laboratories in 2007 for $250 million in cash. Since then it was renamed to ''Dolby International AB''. The company was founded in Stockholm, Sweden, in 1997 by Lars Liljeryd. A German subsidiary was formed in 2000 as Coding Technologies GmbH (later renamed Dolby Germany GmbH) with support from the research organization Fraunhofer IIS. The company also had offices in the United States and China. Lars Liljeryd, Kristofer Kjörling, and Martin Dietz received the IEEE Masaru Ibuka Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Conference On Digital Audio Effects
The annual International Conference on Digital Audio Effects or DAFx Conference is a meeting of enthusiasts working in research areas on Digital audio, audio signal processing, acoustics, and music related disciplines, who come together to present and discuss their findings. The conference evolved from an EU-COST-G6 project “Digital Audio Effects” in 1998. The acronym DAFx stands for ''Digital Audio Effects'' and is also the name of a book which was written by people in the community around the conference A list of past and upcoming conferences together with an archive of all proceedings can be found at the website. Scheduled and past conferences DAFX, 2020 - Vienna, AustriaDAFX, 2019 - Birmingham, UKDAFX, 2018 - Aveiro, PortugalDAFX, 2017 - Edinburgh, UK [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
