Ogier
   HOME
*



picture info

Ogier
Ogier the Dane (french: ; da, ) is a legendary paladin of Charlemagne who appears in many Old French '' chansons de geste''. In particular, he features as the protagonist in ''La Chevalerie Ogier'' (ca. 1220), which belongs to the ''Geste de Doon de Mayence'' ("cycle of the rebellious vassals"). The first part of this epic, the ''enfance'' 's''(childhood exploits) of Ogier, is marked by his duel against a Saracen from whom he obtains the sword Cortain, followed by victory over another Saracen opponent from whom he wins the horse Broiefort. In subsequent parts, Ogier turns into a rebel with cause, seeking refuge with the King of Lombardy and warring with Charlemagne for many years, until he is eventually reconciled when a dire need for him emerges after another Saracen incursion. His character is a composite based on an historical Autcharius Francus who was aligned with king Desiderius of Lombardy against Charlemagne. The legend of a certain Othgerius buried in Meaux is also inc ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Cortain
Cortain (also spelled Courtain, Cortana, Curtana, Cortaine, etc.) is a legendary short sword in the legend of Ogier the Dane. This name is the accusative case declension of Old French ''corte'', meaning "short". The tradition that Ogier had a short sword is quite old. There is an entry for "Oggero ''spata curta''" ("Ogier of the short sword") in the (c. 1065–1075), and this is taken as a nickname derived from his sword-name Cortain. The sword name does not appear in the oldest extant copy of ''The Song of Roland'' (Oxford manuscript), only in versions postdating the ''Nota''. and According to the first part (''enfances'') of ''Le Chevalerie Ogier'', the sword, which once belonged to Brumadant the Savage, was remade more than twenty times; finally it was tested on a block of marble and broke about a palm's length. It was reforged and named Corte or Cortain, meaning "short". This became the weapon of a chivalric-minded Saracen named Karaheut, who gives it to Ogier so he can fight B ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Kronborg
Kronborg is a castle and stronghold in the town of Helsingør, Denmark. Immortalized as Elsinore in William Shakespeare's play ''Hamlet'', Kronborg is one of the most important Renaissance castles in Northern Europe and was inscribed on the UNESCO's World Heritage List in 2000. The castle is situated on the extreme northeastern tip of the island of Zealand at the narrowest point of the Øresund, the sound between present Denmark and the provinces of present Sweden that were also Danish at the time the castle was built. In this part, the sound is only wide, hence the strategic importance of maintaining a coastal fortification at this location commanding one of the few outlets of the Baltic Sea. The castle's story dates back to a stronghold, ''Krogen'', built by King Eric VII in the 1420s. Along with the fortress Kärnan in Helsingborg on the opposite coast of Øresund, it controlled the entranceway to the Baltic Sea. From 1574 to 1585, King Frederick II had the medieval fortr ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Morgan Le Fay
Morgan le Fay (, meaning 'Morgan the Fairy'), alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings ( cy, Morgên y Dylwythen Deg, kw, Morgen an Spyrys), is a powerful and ambiguous Magician (fantasy), enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fairy , fay, a Witchcraft , witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as legends developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the ''Lancelot-Grail'' and the Post-Vulgate Cycle. A significant aspect in many of Morgan's Middle Ages, medieval and later iterations is the unpredictab ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE