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Nageirebana
''Nageirebana'' (抛入花), also known as simply ''nageire'' (抛入 "thrown in"), is a style of ''ikebana''. It is also known as ''Heika'' (瓶花). History It is associated with the legendary story of a samurai. The legend states that a ''samurai'', bored on a hot summer day, threw plant material into the small opening of a tall, deep vase on the opposite corner of the room. Thus this style received its name. This form utilizes fresh and spontaneous designs that adhere only loosely to the classical principles of triangular structure and color harmony. Therefore, ''nageirebana'' is less formal than ''rikka'', which was developing around the same time. ''Nageirebana'' was also practiced and around the time that ''chabana'' and ''seika'' were developing. ''Chabana'' is considered by some as another form of ''nageirebana'' since the principles of the casual style are similar. At some point later the term was shortened to just ''nageire''. ''Nageire'' is sometimes associated w ...
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Ikebana
is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. reached its first zenith in the 16thcentury under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology is from the Japanese and . Possible translations include "giving life to flowers" and "arranging flowers". History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Budd ...
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Mishō-ryū
is a school of ''Ikebana'', or Japanese floral art. History It was established by Mishōsai Ippo in 1807 in the late Edo period in Osaka. He established the defining philosophy and style of the school. At the time of its establishment, the culture of the townspeople was greatly developed, and many disciples gathered from there. Over the years that followed, there was a period of decline, but Mishō-ryū became known throughout western Japan with its activities mainly in the Kinki region. In the modern Shōwa era, the city was proud of its prosperity before the war, but was caught up in World War II and declined. After the war, it was a force to be reckoned with again. The founder Mishōsai Ippo initially practiced ''kadō'', and in doing so, he turned the religious ideas of Confucianism, Taoism, and Buddhism into his fundamental ideas. In addition, the idea of finding peace of mind through flower arranging was integrated into the philosophy of the school. Styles The tradi ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ...
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Samurai
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the '' daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the '' bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of ...
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Rikka
is a form of ''ikebana''. History The origins go back to Buddhist offerings of flowers, which are placed upright in vases. This style was established in the Muromachi period (1333–1568). The term came to be a popular synonym for in the 15th century, when ''rikka'' became a distinctive element of interior decoration in the reception rooms at the residences of the military leaders, nobility, and priests of the time. It enjoyed a revival in the 17th century, and was used as a decorative technique for ceremonial and festive occasions. One of the proponents was Senkei Ikenobō . The essence of the direction of the rite was clarified by Sen'ō Ikenobō (, 1482–1543) in the manuscript . Today it is still practiced by the ''Ikenobō'' school of flower arranging. later developed into a less-formal style. It was eventually supplanted by the ''shōka'' style, which had a classical appearance but was asymmetrical in structure. The ''Saga Go-ryū'' school has Buddhist roots ...
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Chabana
''Chabana'' (茶花, literally "tea flowers") is a generic term for the arrangement of flowers put together for display at a Japanese tea ceremony, and also for the wide variety of plants conventionally considered as appropriate material for such use, as witnessed by the existence of such encyclopedic publications as the ''Genshoku Chabana Daijiten'' ll-color encyclopedia of chabanaGenshoku Chabana Daijiten, supervising editor Tsukamoto Yōtarō. . The method of arranging the flowers is according to the ''nageire'', or thrown in, style of flower arranging.Genshoku Chadō Daijiten, Iguchi Kaisen et al., ed. (Kyoto: Tankosha Pub. Co., 10th printing, 1975). (in Japanese) Entry for "chabana". In turn, nageire is recognized as a certain stylistic category of Kadō, the Japanese "Way of Flowers". These all developed from ikebana, which had its origin in early Buddhist flower offerings (kuge).Kodansha Encyclopedia of Japan (1983, 1st ed.), entry for "flower arrangement". Chabana, how ...
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Seika
is a form of ''ikebana''. Written with the same ''kanji'' characters, it is also pronounced and known as ''Shōka''. History The painter Sōami and the art patron and ''shōgun'' Ashikaga Yoshimasa were supporters of the style as early as the 15th century. It reached its peak of popularity and artistic development in the 18th century and was formalised in the late Edo period. Works that were published include the ''Sōka Hyakki'' (挿花百規), a collection of 100 drawings of ''shōka'' works by the 40th headmaster Ikenobō Senjō (池坊専定). Senjō himself selected these works published in 1820. The original drawings were made by Matsumura Keibun and Yokoyama Seiki, painters of the Shijō school. The ''Senshō Risshōkashū'' (専正立生華集) is a collection of 100 drawings of ''rikka'' and ''shōka'' works by the 42nd headmaster Ikenobō Senshō (池坊専正). In the West, ''Japanese flower arrangement (Ike-bana) applied to Western needs'' is a book written by ...
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Moribana
''Moribana'' (盛り花, 盛花) is one of the expressions of Japanese flower arrangement ''Ikebana''. The word ''Moribana'' means "full bloom flowers". History This style was introduced by Unshin Ohara around 1890 after the Meiji Restoration of 1868. ''Moribana'' is not only an expression of Unshin Ohara’s creative departure from '' Ikenobo'', but was also a strong sign of the Western influence in Japan. The arranged flowers may be placed in Western-style rooms and entranceways, not just in the ''tokonoma'' alcove found in traditional Japanese-style rooms. While distinctly a hallmark of the Ohara school, ''moribana'' has become one of the standard forms learned and created by ''Ikebana'' practitioners regardless of school or style affiliation. ''Moribana'' is often associated with '' nageire'', and although the two styles share similarities, their historic development is different, ''nageire'' being older. Description ''Moribana'' uses one or more clusters of arrangemen ...
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Ohara-ryū
is a school of ''Ikebana'', or Japanese floral art. History Ohara Unshin (小原雲心) (1861–1916) started his own Ikebana school in 1895 when Japan opened up its economy to the West and began to import European flowers. The official founding date was in 1912. For the purpose of this art form, he developed shallow, circular, ceramic vases, which became known as the ''moribana'' style. Ohara's son Koun (小原光雲) (1880–1938) invented a descriptive teaching method and moved from individual lessons to group classes. For the first time, teaching certificates were awarded to women. Under Houn's guidance, the school grew. Its headquarters were in Tokyo and Kobe, with other centers in New York and São Paulo. He developed the typical landscape style, as well as the ''rimpa'' and '' bunjin'' floral arrangements. The inspirations for ''rimpa'' came to him from rolling picture scrolls, screens (''byōbu'') and painted subjects of the 17th century. Chinese poetry became the fo ...
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Saga Go-ryū
is a school of ''ikebana'', the Japanese traditional art of flower arrangement. The school is also known as ''Saga-ryū''. History The history goes back to Emperor Saga, who ruled from 809-823 CE during the Heian period. The emperor resided at a villa in Kyoto, and had a large pond with gardens arranged at it. This Ōsawa Pond is around 2.4 hectares large and is supposed to reflect the outlines of Dongting Lake in China, which has a special significance in Chinese culture. The style is known as ''chisen-shuyu'', which is a garden meant to be seen from a boat, similar to the imperial Chinese gardens of the period. The lake was created by damming a stream which came from the Nakoso waterfall. At the north end of the pond are two islands, one large and one small - the small island being known as Chrysanthemum Island. Between the two islands are several small rocky islets, meant to resemble Chinese junks at anchor. On a hillside north of the lake is what appears to be a dry cascad ...
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Moribana
''Moribana'' (盛り花, 盛花) is one of the expressions of Japanese flower arrangement ''Ikebana''. The word ''Moribana'' means "full bloom flowers". History This style was introduced by Unshin Ohara around 1890 after the Meiji Restoration of 1868. ''Moribana'' is not only an expression of Unshin Ohara’s creative departure from '' Ikenobo'', but was also a strong sign of the Western influence in Japan. The arranged flowers may be placed in Western-style rooms and entranceways, not just in the ''tokonoma'' alcove found in traditional Japanese-style rooms. While distinctly a hallmark of the Ohara school, ''moribana'' has become one of the standard forms learned and created by ''Ikebana'' practitioners regardless of school or style affiliation. ''Moribana'' is often associated with '' nageire'', and although the two styles share similarities, their historic development is different, ''nageire'' being older. Description ''Moribana'' uses one or more clusters of arrangemen ...
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