Saga Go-ryū
   HOME
*



picture info

Saga Go-ryū
is a school of ''ikebana'', the Japanese traditional art of flower arrangement. The school is also known as ''Saga-ryū''. History The history goes back to Emperor Saga, who ruled from 809-823 CE during the Heian period. The emperor resided at a villa in Kyoto, and had a large pond with gardens arranged at it. This Ōsawa Pond is around 2.4 hectares large and is supposed to reflect the outlines of Dongting Lake in China, which has a special significance in Chinese culture. The style is known as ''chisen-shuyu'', which is a garden meant to be seen from a boat, similar to the imperial Chinese gardens of the period. The lake was created by damming a stream which came from the Nakoso waterfall. At the north end of the pond are two islands, one large and one small - the small island being known as Chrysanthemum Island. Between the two islands are several small rocky islets, meant to resemble Chinese junks at anchor. On a hillside north of the lake is what appears to be a dry cascad ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Taishō Era
The was a period in the history of Japan dating from 30 July 1912 to 25 December 1926, coinciding with the reign of Emperor Taishō. The new emperor was a sickly man, which prompted the shift in political power from the old oligarchic group of elder statesmen (or ) to the Imperial Diet of Japan and the democratic parties. Thus, the era is considered the time of the liberal movement known as Taishō Democracy; it is usually distinguished from the preceding chaotic Meiji era and the following militaristic-driven first part of the Shōwa era. Etymology The two kanji characters in Taishō () were from a passage of the Classical Chinese ''I Ching'': (Translated: "Great prevalence is achieved through rectitude, and this is the Dao of Heaven.") The term could be roughly understood as meaning "great rectitude", or "great righteousness". Meiji legacy On 30 July 1912, Emperor Meiji died and Crown Prince Yoshihito succeeded to the throne as Emperor of Japan. In his coronation ad ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Kenzan
A ''kenzan'' (剣山), also called spiky frog, is a specific device used in the Japanese art of flower arrangement ikebana for fixing the flowers in the container. It consists of a heavy lead plate with erected brass needles where the stipes are fixed. The name ''kenzan'' (剣山) literally means ''sword mountain''. It was introduced by the Moribana style of ikebana. Another flower holder without spikes but only holes is called ''shippo dome'' (七宝留め) and is used by the Saga Go-ryū school and sometimes other schools. References {{Reflist See also *Flower frog A flower frog is a device used to help arrange flowers. Some, such as the Japanese '' kenzan'', are utilitarian metal devices that fit into a vase or bowl and fix the stems by metal needles. Other designs use a number of holes or guides that st ... Ikebana Floristry ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bunjinbana
is a style of ikebana that is inspired by traditional Chinese landscapes. It developed from the '' Bunjinga'' (文人画 "literati painting") movement among different Japanese artists of the late Edo period, who however all shared an admiration for traditional Chinese culture and paintings. The style is also known as ''bunjinka''. ''Morimono'' (盛り物) is counted as a sub-form of ''bunjinbana'' by some school. See also * ''Moribana ''Moribana'' (盛り花, 盛花) is one of the expressions of Japanese flower arrangement ''Ikebana''. The word ''Moribana'' means "full bloom flowers". History This style was introduced by Unshin Ohara around 1890 after the Meiji Restoratio ...'' * '' Senchadō'' References External links Ikebana {{Japan-culture-stub ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Tokonoma
A , or simply , is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed. In English, a could be called an alcove. History There are two theories about the predecessor of : the first is that it derives from the room structure of the , which flourished in the Heian period (794–1185) and declined in the Muromachi period (1336–1573); the second is that it derives from the room structure of Zen monasteries in the Kamakura period (1185–1333). In the room of the monastery, there was a board called which displayed Buddhist altar fittings such as candlesticks, incense burners and vases. On the wall behind was a hanging scroll with a Buddhist theme. The second theory is that the and the back wall developed into a -style in the Muromachi period. In , an architectural style developed in the Muromachi period, came to be used as room decoration, and the owner of the house sat in front of decorated with various things to m ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Shinshōka
is a form of ''ikebana''. Written with the same ''kanji'' characters, it is also pronounced and known as ''Shōka''. History The painter Sōami and the art patron and ''shōgun'' Ashikaga Yoshimasa were supporters of the style as early as the 15th century. It reached its peak of popularity and artistic development in the 18th century and was formalised in the late Edo period. Works that were published include the ''Sōka Hyakki'' (挿花百規), a collection of 100 drawings of ''shōka'' works by the 40th headmaster Ikenobō Senjō (池坊専定). Senjō himself selected these works published in 1820. The original drawings were made by Matsumura Keibun and Yokoyama Seiki, painters of the Shijō school. The ''Senshō Risshōkashū'' (専正立生華集) is a collection of 100 drawings of ''rikka'' and ''shōka'' works by the 42nd headmaster Ikenobō Senshō (池坊専正). In the West, ''Japanese flower arrangement (Ike-bana) applied to Western needs'' is a book written by ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Moribana
''Moribana'' (盛り花, 盛花) is one of the expressions of Japanese flower arrangement ''Ikebana''. The word ''Moribana'' means "full bloom flowers". History This style was introduced by Unshin Ohara around 1890 after the Meiji Restoration of 1868. ''Moribana'' is not only an expression of Unshin Ohara’s creative departure from '' Ikenobo'', but was also a strong sign of the Western influence in Japan. The arranged flowers may be placed in Western-style rooms and entranceways, not just in the ''tokonoma'' alcove found in traditional Japanese-style rooms. While distinctly a hallmark of the Ohara school, ''moribana'' has become one of the standard forms learned and created by ''Ikebana'' practitioners regardless of school or style affiliation. ''Moribana'' is often associated with '' nageire'', and although the two styles share similarities, their historic development is different, ''nageire'' being older. Description ''Moribana'' uses one or more clusters of arrangemen ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Heika
''Nageirebana'' (抛入花), also known as simply ''nageire'' (抛入 "thrown in"), is a style of ''ikebana''. It is also known as ''Heika'' (瓶花). History It is associated with the legendary story of a samurai. The legend states that a ''samurai'', bored on a hot summer day, threw plant material into the small opening of a tall, deep vase on the opposite corner of the room. Thus this style received its name. This form utilizes fresh and spontaneous designs that adhere only loosely to the classical principles of triangular structure and color harmony. Therefore, ''nageirebana'' is less formal than ''rikka'', which was developing around the same time. ''Nageirebana'' was also practiced and around the time that ''chabana'' and ''seika'' were developing. ''Chabana'' is considered by some as another form of ''nageirebana'' since the principles of the casual style are similar. At some point later the term was shortened to just ''nageire''. ''Nageire'' is sometimes associated w ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Seika
is a form of ''ikebana''. Written with the same ''kanji'' characters, it is also pronounced and known as ''Shōka''. History The painter Sōami and the art patron and ''shōgun'' Ashikaga Yoshimasa were supporters of the style as early as the 15th century. It reached its peak of popularity and artistic development in the 18th century and was formalised in the late Edo period. Works that were published include the ''Sōka Hyakki'' (挿花百規), a collection of 100 drawings of ''shōka'' works by the 40th headmaster Ikenobō Senjō (池坊専定). Senjō himself selected these works published in 1820. The original drawings were made by Matsumura Keibun and Yokoyama Seiki, painters of the Shijō school. The ''Senshō Risshōkashū'' (専正立生華集) is a collection of 100 drawings of ''rikka'' and ''shōka'' works by the 42nd headmaster Ikenobō Senshō (池坊専正). In the West, ''Japanese flower arrangement (Ike-bana) applied to Western needs'' is a book written by ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Shōgonka
is a form of ''ikebana''. History The origins go back to Buddhist offerings of flowers, which are placed upright in vases. This style was established in the Muromachi period (1333–1568). The term came to be a popular synonym for in the 15th century, when ''rikka'' became a distinctive element of interior decoration in the reception rooms at the residences of the military leaders, nobility, and priests of the time. It enjoyed a revival in the 17th century, and was used as a decorative technique for ceremonial and festive occasions. One of the proponents was Senkei Ikenobō . The essence of the direction of the rite was clarified by Sen'ō Ikenobō (, 1482–1543) in the manuscript . Today it is still practiced by the ''Ikenobō'' school of flower arranging. later developed into a less-formal style. It was eventually supplanted by the ''shōka'' style, which had a classical appearance but was asymmetrical in structure. The ''Saga Go-ryū'' school has Buddhist roots ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Omotesenke
Omotesenke (表千家) is one of the schools of Japanese tea ceremony. Along with Urasenke and Mushakōjisenke, it is one of the three lines of the Sen family descending from Sen no Rikyū, which together are known as the san-Senke or "three Sen houses/families" (三千家). The name "Omotesenke", literally meaning "front Sen house/family," came into being as a natural occurrence, because of the location of the homestead of this line of the family in relation to that of the line of the family at what originally was the rear (ura) of the Sen estate. The name "Mushakōjisenke" for the other of the three lines of the family derives from the fact that the family's homestead is located along Mushakōji street. History The Omotesenke estate, known by the name of its representative tea room, the "Fushin-an" (不審庵), was where Sen no Rikyū's son-in-law, Sen Shōan, reestablished the Kyoto Sen household after Rikyū's death. It is located on Ogawa street in the Kamigyō ward of K ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Order Of The Rising Sun
The is a Japanese order, established in 1875 by Emperor Meiji. The Order was the first national decoration awarded by the Japanese government, created on 10 April 1875 by decree of the Council of State. The badge features rays of sunlight from the rising sun. The design of the Rising Sun symbolizes energy as powerful as the rising sunEmbassy of Japan in Australia
in parallel with the "rising sun" concept of Japan ("Land of the Rising Sun"). The Order of the Rising Sun is awarded to people who have rendered distinguished service to the state in various fields except military service. Since there is no order for military achievements under the current Japanese system,
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]