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Mille-fleur
Millefleur, millefleurs or mille-fleur ( French mille-fleurs, literally "thousand flowers") refers to a background style of many different small flowers and plants, usually shown on a green ground, as though growing in grass. It is essentially restricted to European tapestry during the late Middle Ages and early Renaissance, from about 1400 to 1550, but mainly about 1480–1520. The style had a notable revival by Morris & Co. in 19th century England, being used on original tapestry designs, as well as illustrations from his Kelmscott Press publications. The millefleur style differs from many other styles of floral decoration, such as the arabesque, in that many different sorts of individual plants are shown, and there is no regular pattern. The plants fill the field without connecting or significantly overlapping. In that it also differs from the plant and floral decoration of Gothic page borders in illuminated manuscripts. There is also a rather different style known as millefl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady And The Unicorn
''The Lady and the Unicorn'' (french: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of ("thousand flowers") and woven in Flanders from wool and silk, from designs (" cartoons") drawn in Paris around 1500. The set, on display in the Musée de Cluny in Paris, is often considered one of the greatest works of art of the Middle Ages in Europe. Five of the tapestries are commonly interpreted as depicting the five senses – taste, hearing, sight, smell, and touch. The sixth displays the words . The tapestry's intended meaning is obscure, but has been interpreted as representing love or understanding. Each of the six tapestries depicts a noble lady with the unicorn on her left and a lion on her right; some include a monkey in the scene. History The tapestries were rediscovered in 1841 by Prosper Mérimée in Boussac castle (owned at the time by the subprefect of the Creuse) where they had been suffering damage from their stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fates Tapestry -460755563
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would weave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishop Of Salzburg
The Roman Catholic Archdiocese of Salzburg ( la, Archidioecesis Salisburgensis) is an archdiocese of the Latin Rite of the Roman Catholic Church in Austria. The archdiocese is one of two Austrian archdioceses, serving alongside the Archdiocese of Vienna. The Archbishopric of Salzburg was a prince-bishopric of the Holy Roman Empire until 1803, when it was secularized as the Electorate of Salzburg. The archdiocese was reestablished in 1818 without temporal power. Suffragan dioceses * Feldkirch * Graz–Seckau * Gurk * Innsbruck Episcopal Ordinaries Abbot-Bishops of Iuvavum c. 300s – c. 482 * St. Maximus of Salzburg, died 476. ''Abandoned after c. 482'' Bishops of Iuvavum (from 755, Salzburg) *St. Ruprecht, born c. 543 ''or'' c. 698 – c. 718. *Vitalis *Erkenfried *Ansologus *Ottokar *Flobrigis *Johann I * St. Virgil, c. 745 ''or'' c. 767 – c. 784 Archbishops of Salzburg, 798–1213 * Arno 784–821 * Adalram 821–836 * Leutram 836–859 * Adalwin 859–873 * Adalbert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi (tapestry)
''The Adoration of the Magi'' is a Morris & Co. tapestry depicting the story in Christianity of the Three Kings who were guided to the birthplace of Jesus by the star of Bethlehem. It is sometimes called ''The Star of Bethlehem'' or simply ''The Adoration.'' Commission The original tapestry was commissioned in 1886 by John Prideaux Lightfoot, rector of Exeter College, Oxford, for the Gothic revival chapel built for the college in the 1850s by George Gilbert Scott. Lightfoot approached William Morris and Edward Burne-Jones, both former students at Exeter, and suggested the subject matter for the tapestry, to which Morris agreed readily in a letter to Lightfoot dated 4 September 1886.Wildman, pp. 293–294Parry 1996, pp. 292–293 The overall composition and the figures were designed by Edward Burne-Jones, who completed a 26 × 38 inch modello or design in watercolour and bodycolour heightened with gold in 1887. Large-scale cartoons for the tapestry wea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Justice Of Trajan And Herkinbald
''The Justice of Trajan and Herkinbald'' was a set of four large panels painted by the Flemish painter Rogier van der Weyden that decorated one wall of a court-room in the Town Hall of Brussels. They represented the Justice of Trajan, a Roman emperor, and the Justice of Herkinbald, a legendary Duke of Brabant. The panels were intended as a reminder to judges to dispense impartial justice and were admired by generations of visitors, including Albrecht Dürer. They were destroyed when the city was bombarded by the French in 1695 and are now known only from descriptions and from a tapestry copy in the Historical Museum of Bern.Campbell (2004), p. 8Stechow, p. 9 The work is thought to have preoccupied van der Weyden for several years, and is believed to have been, in conception and execution, on a scale and breadth and skill to equal Jan van Eyck's ''Ghent Altarpiece''. The panels were recorded and described in a number of sources until the 17th century; especially detailed are the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devonshire Hunting Tapestries
The Devonshire Hunting Tapestries are a group of four magnificent "Flemish tapestries", in fact probably made in Arras in Artois, France, dating from around 1430 to 1450. These enormous works, each over 3 metres wide, depict men and women in fashionable dress of the early fifteenth century hunting in a forest. The tapestries formerly belonged to the Dukes of Devonshire, but in 1957 were accepted by HM Government in lieu of tax payable on the estate of the 10th Duke of Devonshire and allocated to the Victoria and Albert Museum, where they remain. The 6th Duke described using his 'spare' tapestry to insulate the Long Gallery at Hardwick Hall in the 1840s, a practice which saved these rare Gothic hangings from being discarded. The tapestries depict a ''Deer Hunt'', ''Falconry'', a ''Swan and Otter Hunt'' and a ''Boar and Bear Hunt''. The hunt was a particularly powerful theme and would have been a familiar pastime to many of the high-born individuals and families who owned tapestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apocalypse Tapestry
The ''Apocalypse Tapestry'' is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382. It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.Campbell and Ainsworth, 15 It is the most significant, and almost the only, survival from the first decades of the great period of tapestry, when the industry developed large workshops and represented the most effective art form for exhibiting the magnificence of royal patrons, not least because large tapestries were hugely expensive. The period began in about 1350, and then lasted until at least the 17th century, as tapestry was gradually overtaken in importance by paintings. At this early point relatively few tapestries were made to designs specified by the patron, which seems clearly to have been t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bern Historical Museum
french: Musée d’Histoire de Berne , image = Historic museum Bern1.jpg , image_upright = , alt = , caption = The Museum entrance on Helvetiaplatz , map_type = Switzerland Bern downtown#Canton of Bern#Switzerland , map_relief = , map_size = , map_caption = , coordinates = , former_name = , established = , dissolved = , location = Helvetiaplatz, Bern, Switzerland , type = History , accreditation = , key_holdings = , collections = , collection_size = 500,000 , visitors = , founder = , executive_director = , leader_type = , leader = , director = Jakob Messerli , president = , ceo = , chairperson = , curator = , architect = André Lambert , historian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles The Bold
Charles I (Charles Martin; german: Karl Martin; nl, Karel Maarten; 10 November 1433 – 5 January 1477), nicknamed the Bold (German: ''der Kühne''; Dutch: ''de Stoute''; french: le Téméraire), was Duke of Burgundy from 1467 to 1477. Charles's main objective was to be crowned king by turning the growing Burgundian State into a territorially continuous kingdom. He declared himself and his lands independent, bought Upper Alsace and conquered Zutphen, Guelders and Lorraine, uniting at last Burgundian northern and southern possessions. This caused the enmity of several European powers and triggered the Burgundian Wars. Charles's early death at the Battle of Nancy at the hands of Swiss mercenaries fighting for René II, Duke of Lorraine, was of great consequence in European history. The Burgundian domains, long wedged between the Kingdom of France and the Habsburg Empire, were divided, but the precise disposition of the vast and disparate territorial possessions involved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartoon
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a '' cartoonist'', and in the second sense they are usually called an '' animator''. The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in ''Punch'' magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Brussels Hoofdstedelijk Gewest), is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region (within which it forms an enclave) and the Walloon Region. Brussels is the most densely populated region in Belgium, and although it has the highest GDP per capita, it has the lowest available income per household. The Brussels Region covers , a relatively small area compared to the two other regions, and has a population of over 1.2 million. The five times larger metropolitan area of Brusse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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