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Devonshire Hunting Tapestries
The Devonshire Hunting Tapestries are a group of four magnificent "Flemish tapestries", in fact probably made in Arras in Artois, France, dating from around 1430 to 1450. These enormous works, each over 3 metres wide, depict men and women in fashionable dress of the early fifteenth century hunting in a forest. The tapestries formerly belonged to the Dukes of Devonshire, but in 1957 were accepted by HM Government in lieu of tax payable on the estate of the 10th Duke of Devonshire and allocated to the Victoria and Albert Museum, where they remain. The 6th Duke described using his 'spare' tapestry to insulate the Long Gallery at Hardwick Hall in the 1840s, a practice which saved these rare Gothic hangings from being discarded. The tapestries depict a ''Deer Hunt'', ''Falconry'', a ''Swan and Otter Hunt'' and a ''Boar and Bear Hunt''. The hunt was a particularly powerful theme and would have been a familiar pastime to many of the high-born individuals and families who owned tapestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boar And Bear Hunt
The wild boar (''Sus scrofa''), also known as the wild swine, common wild pig, Eurasian wild pig, or simply wild pig, is a suid native to much of Eurasia and North Africa, and has been introduced to the Americas and Oceania. The species is now one of the widest-ranging mammals in the world, as well as the most widespread suiform. It has been assessed as least concern on the IUCN Red List due to its wide range, high numbers, and adaptability to a diversity of habitats. It has become an invasive species in part of its introduced range. Wild boars probably originated in Southeast Asia during the Early Pleistocene and outcompeted other suid species as they spread throughout the Old World. , up to 16 subspecies are recognized, which are divided into four regional groupings based on skull height and lacrimal bone length. The species lives in matriarchal societies consisting of interrelated females and their young (both male and female). Fully grown males are usually solitary outsid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boar-spear
A boar spear is a spear used for boar hunting. It is relatively short and heavy and has two " lugs" or "wings" on the spearsocket behind the blade, which act as a barrier to prevent the spear from penetrating too deeply into the quarry where it might get stuck or break, and to stop an injured and furious boar from working its way up the shaft of the spear to attack the hunter. See also *Bear spear *Bohemian earspoon *Ahlspiess The ahlspiess (or awl pike) was a thrusting spear developed and used primarily in Germany and Austria from the 15th to 16th centuries. The ahlspiess consisted of a long thin spike of square cross section measuring up to about a metre (39 inches) ... References External links Sunrise River Custom Knives€”Jim Casselman's account of a boar hunt with spears. Spears Hunting equipment Boar hunting {{Polearm-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animals In Art
Human uses of animals (non-human species) include both practical uses, such as the production of food and clothing, and symbolic uses, such as in art, literature, mythology, and religion. All of these are elements of culture, broadly understood. Animals used in these ways include fish, crustaceans, insects, molluscs, mammals and birds. Economically, animals provide meat, whether farmed or hunted, and until the arrival of mechanised transport, terrestrial mammals provided a large part of the power used for work and transport. Animals serve as models in biological research, such as in genetics, and in drug testing. Many species are kept as pets, the most popular being mammals, especially dogs and cats. These are often anthropomorphised. Animals such as horses and deer are among the earliest subjects of art, being found in the Upper Paleolithic cave paintings such as at Lascaux. Major artists such as Albrecht DĂĽrer, George Stubbs and Edwin Landseer are known for their portrai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapestries
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collections Of The Victoria And Albert Museum
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Devonshire Hunting Tapestries; Boar And Bear Hunt - Google Art Project
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Devonshire Hunting Tapestries; Swan And Otter Hunt - Google Art Project
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgundian Netherlands
In the history of the Low Countries, the Burgundian Netherlands (french: Pays-Bas bourguignons, nl, Bourgondische Nederlanden, lb, Burgundeschen Nidderlanden, wa, Bas Payis borguignons) or the Burgundian Age is the period between 1384 and 1482, during which a growing part of the Low Countries was ruled by the Dukes of Burgundy. Within their Burgundian State, which itself belonged partly to the Holy Roman Empire and partly to the Kingdom of France, the dukes united these lowlands into a political union that went beyond a personal union as it gained central institutions for the first time (such as the States General). The period began with Duke Philip the Bold taking office as count of Flanders and Artois in 1384 and lasted until the death of Duchess Mary of Burgundy in 1482 after which the Burgundian State was dissolved, and the Low Countries came under the rule of the Habsburg monarchy by inheritance. In the 15th century, it was customary to refer to the Low Countries wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Burgundy
The Duchy of Burgundy (; la, Ducatus Burgundiae; french: Duché de Bourgogne, ) emerged in the 9th century as one of the successors of the ancient Kingdom of the Burgundians, which after its conquest in 532 had formed a constituent part of the Frankish Empire. Upon the 9th-century partitions, the French remnants of the Burgundian kingdom were reduced to a ducal rank by King Robert II of France in 1004. Robert II's son and heir, King Henry I of France, inherited the duchy but ceded it to his younger brother Robert in 1032. Other portions had passed to the Imperial Kingdom of Burgundy-Arles, including the County of Burgundy (Franche-Comté). Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted to King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loom
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same. Etymology and usage The word "loom" derives from the Old English ''geloma'', formed from ''ge-'' (perfective prefix) and ''loma'', a root of unknown origin; the whole word ''geloma'' meant a utensil, tool, or machine of any kind. In 1404 "lome" was used to mean a machine to enable weaving thread into cloth. By 1838 "loom" had gained the additional meaning of a machine for interlacing thread. Weaving Weaving is done by intersecting the longitudinal threads, the warp, i.e. "that which is thrown across", with the transverse threads, the weft, i.e. "that which is woven". The major components of the loom are the warp beam, heddles, harnesses or shafts (as few as two, four is common, sixteen not unheard of), s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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