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Method Actress
Method acting, informally known as The Method, is a range of training and rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian actor and director Konstantin Stanislavski and captured in his books ''An Actor Prepares'', ''Building a Character'', and ''Creating a Role''. Among those who have contributed to the development of the Method*, three teachers are associated with "having set the standard of its success", each emphasizing different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).Krasner (2000b, 129). The approach was first developed when they worked together at the Group Theatre in New York and later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marlon Brando In 'Streetcar Named Desire' Trailer
Marlon is a masculine given name. According to the ''Oxford Dictionary of First Names'', the popularity of Marlon Brando led to general awareness of the name (his father was also named Marlon), though the origin of the name is not known. Speculation places the name's origin in France as a derivative of Marc. The name may refer to: Given name or nickname Arts and entertainment *Marlon Brando (1924–2004), American actor *Marlon Jackson (born 1957), American singer, a member of ''The Jackson 5'' *Marlon Klein (born 1957), German music producer *Marlon Riggs (1957–1994), American filmmaker, educator, poet and gay rights activist *Marley Marl (born 1962), American rapper *Marlon Mullen (born 1964), American painter *Marlon James (novelist) (born 1970), Jamaican writer, winner of the 2015 Man Booker Prize * Marlon Jordan (born 1970), American jazz trumpeter, composer and bandleader * Marlon Fletcher (1971–2003), American rapper and hip hopper known by his stage name Big DS *Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twentieth-century Theatre
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism. Throughout the century, the artistic reputation of theatre improved after being derided throughout the 19th century. However, the growth of other media, especially film, has resulted in a diminished role within the culture at large. In light of this change, theatrical artists have been forced to seek new ways to engage with society. The various answers offered in response to this have prompted the transformations that make up its modern history. Developments in ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will (philosophy)
Will, within philosophy, is a faculty of the mind. Will is important as one of the parts of the mind, along with reason and understanding. It is considered central to the field of ethics because of its role in enabling deliberate action. One of the recurring questions discussed in the Western philosophical tradition is that of free will - and the related, but more general notion of fate - which asks how the will can be truly free if a person's actions have either natural or divine causes which determine them. In turn, this is directly connected to discussions on the nature of freedom and to the problem of evil. Classical philosophy The classical treatment of the ethical importance of will is to be found in the ''Nicomachean Ethics'' of Aristotle, in Books III (chapters 1–5), and Book VII (chapters 1-10). These discussions have been a major influence in the development of ethical and legal thinking in Western civilization. In Book III Aristotle divided actions into three cate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consciousness
Consciousness, at its simplest, is sentience and awareness of internal and external existence. However, the lack of definitions has led to millennia of analyses, explanations and debates by philosophers, theologians, linguisticians, and scientists. Opinions differ about what exactly needs to be studied or even considered consciousness. In some explanations, it is synonymous with the mind, and at other times, an aspect of mind. In the past, it was one's "inner life", the world of introspection, of private thought, imagination and volition. Today, it often includes any kind of cognition, experience, feeling or perception. It may be awareness, awareness of awareness, or self-awareness either continuously changing or not. The disparate range of research, notions and speculations raises a curiosity about whether the right questions are being asked. Examples of the range of descriptions, definitions or explanations are: simple wakefulness, one's sense of selfhood or sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Shchepkin
, birth_date = , birth_place = Krasnoe, Kursk Province, Russian Empire , death_date = (aged 64) , death_place = Yalta, Russian Empire , resting_place = , occupation = Actor , language = Russian , nationality = Russian , period = 19th-century theatre , movement = Realism , notablework = ''Memoirs'' , spouse = , children = , relatives = , awards = , signature = , signature_alt = , years_active = 1805—1863 , module = , website = , portaldisp = Mikhail Semyonovich Shchepkin (russian: Михаи́л Семёнович Ще́пкин, , the village Krasnoe, Oboyan county, Kursk Province — ) was the most famous Russian Empire actor of the 19th century. He is considered the "father" of realist acting in Russia and, via the influence of his student, Glikeriya Fedotova, a major influence on the development of the 'system' of Konstantin Stanislavski (who was born in the year in which Shchepkin died). Shchepkin's significance to the Thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Representation
The "art of representation" (russian: представление, predstavlenie) is a critical term used by the seminal Russian theatre practitioner Konstantin Stanislavski to describe a method of acting. It comes from his acting manual '' An Actor Prepares'' (1936). Stanislavski defines his own approach to acting as "experiencing the role" and contrasts it with the "art of representation". It is on the basis of this formulation that the American Method acting teacher Uta Hagen defines her recommended Stanislavskian approach as ' presentational' acting, as opposed to ' representational' acting. This use, however, directly contradicts mainstream critical use of these terms. Despite the distinction, Stanislavskian theatre, in which actors 'experience' their roles, remains ' representational' in the broader critical sense. 'Experiencing' and 'representing' In "When Acting is an Art", having watched his students' first attempts at a performance, Stanislavski's fictional persona Torts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diagram Of Stanislavski's 'system'
A diagram is a symbolic representation of information using visualization techniques. Diagrams have been used since prehistoric times on walls of caves, but became more prevalent during the Enlightenment. Sometimes, the technique uses a three-dimensional visualization which is then projected onto a two-dimensional surface. The word ''graph'' is sometimes used as a synonym for diagram. Overview The term "diagram" in its commonly used sense can have a general or specific meaning: * ''visual information device'' : Like the term "illustration", "diagram" is used as a collective term standing for the whole class of technical genres, including graphs, technical drawings and tables. * ''specific kind of visual display'' : This is the genre that shows qualitative data with shapes that are connected by lines, arrows, or other visual links. In science the term is used in both ways. For example, Anderson (1997) stated more generally: "diagrams are pictorial, yet abstract, representat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Antoine
André Antoine (31 January 185823 October 1943) was a French actor, theatre manager, film director, author, and critic who is considered the father of modern mise en scène in France. Biography André Antoine was a clerk at the Paris Gas Utility and worked in the Archer Theatre when he asked to produce a dramatization of a novel by Émile Zola. The amateur group refused it, so he decided to create his own theatre to realize his vision of the proper development of dramatic art. Antoine founded the Théâtre Libre in Paris in 1887. This was a ''théâtre d'essai'', a workshop theatre, where plays were produced whether they would perform at the box office or not. It was also a stage for new writing whose subject matter or form had been rejected in other theatres. Over a seven-year period, until 1894, the Théâtre Libre staged some 111 plays. His work had enormous influence on the French stage, as well as on similar companies elsewhere in Europe, such as the Independent Theatre S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naturalism (theatre)
Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies. Interest in naturalism especially flourished with the French playwrights of the time, but the most successful example is Strindberg's play ''Miss Julie'', which was written with the intention to abide by both his own particular version of naturalism, and also the version described by the French novelist and literary theoretician, Emile Zola. Zola's term for naturalism is ''la nouvelle formule''. The three primary principles of naturalism (''faire vrai, faire grand'' and ''faire simple'') are first, that the play should be realistic, and the result of a careful study of human behaviour and psychology. The characters should be flesh and blood; their motivations and actions should be grounded in their heredity and environment. The presentation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maly Theatre (Moscow)
Maly Theatre (, literally ''Small Theatre'' as opposed to nearby Bolshoi, or ''Grand'', opera theatre) is a theatre in Moscow, Russia, principally associated with the production of plays. Established in 1806Londre, Margot p. 307 and operating on its present site on the Theatre Square since 1824, the theatre traces its history to the Moscow University drama company, established in 1756. In the 19th century, Maly was "universally recognized in Russia as the leading dramatic theatre of the century", and was the home stage for Mikhail Shchepkin and Maria Yermolova. 40 of Alexander Ostrovsky's 54 plays premiered at Maly, and the theatre was known as The House of Ostrovsky.Londre, Margot p. 306 The Maly Theatre in Moscow and Alexandrinsky Theatre in Saint Petersburg "to a great extent determined the development of Russian theatre during the 19th and 20th century". Maly Theatre positions itself as a traditional drama theatre that produces classical heritage plays. For example, the 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (theatre)
Realism in the theatre was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages). Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences (gods, ghosts, fantastic phenomena) do not occur. Sound and music are diegetic only. Part of a broader artistic movement, it includes Naturalism and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiningen Ensemble
The Meiningen Ensemble, also known as the Meiningen Company, was the court theatre of the German state of Saxe-Meiningen, led by George II, Duke of Saxe-Meiningen. Its principal director was Ludwig Chronegk. The Ensemble was a great influence on Ibsen, Antoine, and Stanislavski. The Duke admired Charles Kean's attempts to stage Shakespeare's plays in a manner that was historically accurate for the place and period in which each drama was set. The Ensemble that he created, which toured Germany and Europe in 1874–1890, became famous across Europe for its detailed, archeologically authentic reproductions of locations and its realistic, fully individuated crowd scenes. Its productions offered a model of an integrated, unified theatrical aesthetic and a demonstration of the potential of a tightly controlled, director Director may refer to: Literature * ''Director'' (magazine), a British magazine * ''The Director'' (novel), a 1971 novel by Henry Denker * ''The Director'' (play), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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