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Realism in the
theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perform ...
was a general
movement that began in
19th-century theatre, around the 1870s, and remained present through much of the
20th century
The 20th (twentieth) century began on
January 1, 1901 ( MCMI), and ended on December 31, 2000 ( MM). The 20th century was dominated by significant events that defined the modern era: Spanish flu pandemic, World War I and World War II, nuclear ...
. It developed a set of dramatic and theatrical
conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages). Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences (gods, ghosts, fantastic phenomena) do not occur. Sound and music are
diegetic
Diegesis (; from the Greek from , "to narrate") is a style of fiction storytelling that presents an interior view of a world in which:
# Details about the world itself and the experiences of its characters are revealed explicitly through narra ...
only. Part of
a broader artistic movement, it includes
Naturalism and
Socialist realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is ch ...
.
Russia's first professional playwright,
Aleksey Pisemsky
Aleksey Feofilaktovich Pisemsky (russian: Алексе́й Феофила́ктович Пи́семский) () was a Russian novelist and dramatist who was regarded as an equal of Ivan Turgenev and Fyodor Dostoyevsky in the late 1850s, but whos ...
, along with
Leo Tolstoy
Count Lev Nikolayevich TolstoyTolstoy pronounced his first name as , which corresponds to the romanization ''Lyov''. () (; russian: link=no, Лев Николаевич Толстой,In Tolstoy's day, his name was written as in pre-refor ...
(in his ''
The Power of Darkness
''The Power of Darkness'' (russian: Власть тьмы, Vlast′ t′my) is a five- act drama by Leo Tolstoy. Written in 1886, the play's production was forbidden in Russia until 1902, mainly through the influence of Konstantin Pobedonostsev. I ...
'' of 1886), began a tradition of psychological realism in Russia. A new type of acting was required to replace the declamatory conventions of the
well-made play
The well-made play (french: la pièce bien faite, pronounced ) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely sta ...
with a technique capable of conveying the speech and movements found in the domestic situations of
everyday life. This need was supplied by the innovations of the
Moscow Art Theatre
The Moscow Art Theatre (or MAT; russian: Московский Художественный академический театр (МХАТ), ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ)) was a theatre company in Moscow. It was f ...
, founded by
Konstantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Russian Soviet Fe ...
and
Vladimir Nemirovich-Danchenko
Vladimir Ivanovich Nemirovich-Danchenko (russian: Владимир Иванович Немирович-Данченко; , Ozurgeti – 25 April 1943, Moscow), was a Soviet and Russian theatre director, writer, pedagogue, playwright, producer an ...
.
Whereas the subtle expression of emotion in
Anton Chekhov
Anton Pavlovich Chekhov (; 29 January 1860 Old Style date 17 January. – 15 July 1904 Old Style date 2 July.) was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career ...
's ''
The Seagull
''The Seagull'' ( rus, Ча́йка, r=Cháyka, links=no) is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. ''The Seagull'' is generally considered to be the first of his four major plays. It dramatises t ...
'' through everyday small-talk had initially gone unappreciated in a more traditionally conventional production in St Petersburg, a new staging by the Moscow Art Theatre brought the play and its author, as well as the company, immediate success.
[Esslin (2003), pp. 353-356] A logical development was to take the revolt against theatrical artifice a step further in the direction of naturalism, and Stanislavski, especially in his production of
Maxim Gorky
Alexei Maximovich Peshkov (russian: link=no, Алексе́й Макси́мович Пешко́в; – 18 June 1936), popularly known as Maxim Gorky (russian: Макси́м Го́рький, link=no), was a Russian writer and social ...
's ''
The Lower Depths
''The Lower Depths'' (russian: На дне, translit=Na dne, literally: ''At the bottom'') is a play by Russian dramatist Maxim Gorky written in 1902 and produced by the Moscow Arts Theatre on December 18, 1902 under the direction of Konstantin ...
'', helped this movement achieve international recognition.
[ The Moscow Art Theatre's ground-breaking productions of plays by Chekhov, such as '']Uncle Vanya
''Uncle Vanya'' ( rus, Дя́дя Ва́ня, r=Dyádya Ványa, p=ˈdʲædʲə ˈvanʲə) is a play by the Russian playwright Anton Chekhov. It was first published in 1898, and was first produced in 1899 by the Moscow Art Theatre under the dir ...
'' and ''The Cherry Orchard
''The Cherry Orchard'' (russian: Вишнёвый сад, translit=Vishnyovyi sad) is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by ''Znaniye'' (Book Two, 1904), and came out as a separate edition ...
'', in turn influenced Maxim Gorky
Alexei Maximovich Peshkov (russian: link=no, Алексе́й Макси́мович Пешко́в; – 18 June 1936), popularly known as Maxim Gorky (russian: Макси́м Го́рький, link=no), was a Russian writer and social ...
and Mikhail Bulgakov
Mikhail Afanasyevich Bulgakov ( rus, links=no, Михаил Афанасьевич Булгаков, p=mʲɪxɐˈil ɐfɐˈnasʲjɪvʲɪtɕ bʊlˈɡakəf; – 10 March 1940) was a Soviet writer, medical doctor, and playwright active in the fir ...
. Stanislavski went on to develop his 'system', a form of actor training that is particularly well-suited to psychological realism.
19th-century realism is closely connected to the development of modern drama, which, as Martin Harrison explains, "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playw ...
. Ibsen's realistic drama in prose has been "enormously influential."
In opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
, ''verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini.
''Verismo'' as an ...
'' refers to a post-Romantic Italian tradition that sought to incorporate the Naturalism of Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of ...
and Henrik Ibsen. It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially the life of the lower classes.
Stanislavski's distinction
As part of a strategic argument in his day, Stanislavski used the term "psychological realism" to distinguish his 'system' of acting from his own Naturalistic early stagings of the plays of Anton Chekhov
Anton Pavlovich Chekhov (; 29 January 1860 Old Style date 17 January. – 15 July 1904 Old Style date 2 July.) was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career ...
, Maxim Gorky
Alexei Maximovich Peshkov (russian: link=no, Алексе́й Макси́мович Пешко́в; – 18 June 1936), popularly known as Maxim Gorky (russian: Макси́м Го́рький, link=no), was a Russian writer and social ...
, and others. Jean Benedetti argues that:
Naturalism, for him, implied the indiscriminate reproduction of the surface of life. Realism, on the other hand, while taking its material from the real world and from direct observation, selected only those elements which revealed the relationships and tendencies under the surface. The rest was discarded.[Benedetti (2005), p. 17]
As used in critical literature today, however, the term Naturalism has a broader scope than that within which all of Stanislavski's work falls. In this broader sense, Naturalism or "psychological realism" is distinct both from Socialist realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is ch ...
and the critical realism developed by the epic theatre
Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creati ...
of Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a pl ...
.
See also
* Realism in the arts
* Socialist realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is ch ...
* Chanson réaliste ''Chanson réaliste'' (, ''realist song'') refers to a style of music performed in France primarily from the 1880s until the end of World War II.Sweeney, Regina M. (2001). ''Singing Our Way to Victory: French Cultural Politics and Music During the G ...
References
Sources
*
* Benedetti, Jean (1999). ''Stanislavski: His Life and Art''. Revised edition. Original edition published in 1988. London: Methuen. .
*
*
* Harrison, Martin (1998). ''The Language of Theatre''. New York: Routledge. .
{{Modern drama
Drama
Theatrical genres
19th-century theatre
20th-century theatre
Theatre
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