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19th-century Theatre
Nineteenth-century theatre describes a wide range of movements in the Theatre, theatrical culture of Europe and the United States in the 19th century. In the Western culture, West, they include Romanticism, melodrama, the well-made plays of Eugène Scribe, Scribe and Victorien Sardou, Sardou, the farces of Georges Feydeau, Feydeau, the problem plays of Naturalism (theatre), Naturalism and Realism (theatre), Realism, Richard Wagner, Wagner's operatic ''Gesamtkunstwerk'', Gilbert and Sullivan's plays and operas, Oscar Wilde, Wilde's drawing-room comedies, Symbolism (arts), Symbolism, and proto-Expressionism in the late works of August Strindberg and Henrik Ibsen. Melodrama Beginning in France after the theatre monopolies were abolished during the French Revolution, melodrama became the most popular theatrical form of the century. Melodrama itself can be traced back to classical Greece, but the term ''mélodrame'' did not appear until 1766 and only entered popular usage sometime af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's '' Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Clothes
Stage clothes is a term for any clothes used by performers on stage. The term is sometimes used only for those clothes which are specially made for the stage performance by a costume designer or picked out by a costume coordinator. Theatrical costumes can help actors portray characters' age, gender role, profession, social class, personality, and even information about the historical period/era, geographic location, time of day, as well as the season or weather of the theatrical performance. Stage clothes may be used to portray a historical look or they can be used to exaggerate some aspect of a character. Description Any clothing used by performers (singers, actors, or dancers) on stage may be referred to as stage clothes. More specifically, the term is sometimes used only for those clothes which are specially made for the stage performance by a costume designer or picked out by a costume coordinator. However, many performers also pick up regular clothes and make them thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haussmann's Renovation Of Paris
Haussmann's renovation of Paris was a vast public works programme commissioned by Emperor Napoleon III and directed by his prefect of Seine, Georges-Eugène Haussmann, between 1853 and 1870. It included the demolition of medieval neighbourhoods that were deemed overcrowded and unhealthy by officials at the time; the building of wide avenues; new parks and squares; the annexation of the suburbs surrounding Paris; and the construction of new sewers, fountains and aqueducts. Haussmann's work was met with fierce opposition, and he was finally dismissed by Napoleon III in 1870; but work on his projects continued until 1927. The street plan and distinctive appearance of the centre of Paris today are largely the result of Haussmann's renovation. Overcrowding, disease, crime and unrest in the centre of the old Paris In the middle of the 19th century, the centre of Paris was viewed as overcrowded, dark, dangerous, and unhealthy. In 1845, the French social reformer Victor Consideran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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