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Meiningen Ensemble
The Meiningen Ensemble, also known as the Meiningen Company, was the court theatre of the German state of Saxe-Meiningen, led by George II, Duke of Saxe-Meiningen. Its principal director was Ludwig Chronegk. The Ensemble was a great influence on Ibsen, Antoine, and Stanislavski. The Duke admired Charles Kean's attempts to stage Shakespeare's plays in a manner that was historically accurate for the place and period in which each drama was set. The Ensemble that he created, which toured Germany and Europe in 1874–1890, became famous across Europe for its detailed, archeologically authentic reproductions of locations and its realistic, fully individuated crowd scenes. Its productions offered a model of an integrated, unified theatrical aesthetic and a demonstration of the potential of a tightly controlled, director Director may refer to: Literature * ''Director'' (magazine), a British magazine * ''The Director'' (novel), a 1971 novel by Henry Denker * ''The Director'' (play), a ...
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Meiningen
Meiningen () is a town in the southern part of the state of Thuringia, Germany. It is located in the region of Franconia and has a population of around 25,000 (2021).

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Jahresrückblick 2021 (year review), PDF (4,4 MB).
Meiningen is the capital and the largest town of the Schmalkalden-Meiningen district. From 1680 to 1920, Meiningen was the capital of the Duchy (and briefly of the Free State) of Saxe-Meiningen. Meiningen is considered the cultural, judicial and financial centre of southern Thuringia and thus hosts the state theatre, justice center, state archives, bank buildings and many museums. It is economically reliant on mechanical engineering, high-tech industry and tourism. The dialect ...
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Constantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation and opene ...
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19th-century Theatre
Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic ''Gesamtkunstwerk'', Gilbert and Sullivan's plays and operas, Wilde's drawing-room comedies, Symbolism, and proto-Expressionism in the late works of August Strindberg and Henrik Ibsen. Melodrama Beginning in France after the theatre monopolies were abolished during the French Revolution, melodrama became the most popular theatrical form of the century. Melodrama itself can be traced back to classical Greece, but the term ''mélodrame'' did not appear until 1766 and only entered popular usage sometime after 1800. The plays of August von Kotzebue and René Charles Guilbert de Pixérécourt established melodrama as the dominant dramatic form of the early 19th c ...
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Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ...
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Aesthetic
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exac ...
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Gesamtkunstwerk
A ''Gesamtkunstwerk'' (, literally 'total artwork', translated as 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so. The term is a German loanword accepted in English as a term in aesthetics. Background The term was developed by the German writer and philosopher K. F. E. Trahndorff in his 1827 essay ''Ästhetik oder Lehre von Weltanschauung und Kunst'' (or 'Aesthetics, or Theory of Philosophy of Art'). The German opera composer Richard Wagner used the term in two 1849 essays, and the word has become particularly associated with his aesthetic ideals. It is unclear whether Wagner knew of Trahndorff's essay. In the 20th century, some writers applied the term to some forms of architecture, while others applied it to film and mass media.For discussions of architecture as Gesamtkunstwerk, see the relevant section o ...
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William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ...
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Charles Kean
Charles John Kean (18 January 181122 January 1868), was an English actor and theatre manager, best known for his revivals of Shakespearean plays. Life Kean was born at Waterford, Ireland, a son of actor Edmund Kean and actress Mary Kean (''nee'' Chambers). After preparatory education at Worplesdon and at Greenford, near Harrow, he was sent to Eton College, where he remained three years. In 1827, he was offered a cadetship in the East India Company's service, which he was prepared to accept if his father would settle an income of £400 on his mother. The elder Kean refused to do this, and his son determined to become an actor. He made his first appearance at Drury Lane on 1 October 1827 as Norval in Home's ''Douglas'', but his continued failure to achieve popularity led him to leave London in the spring of 1828 for the provinces. In Glasgow, on 1 October in that year, father and son acted together in Arnold Payne's ''Brutus'', the elder Kean in the title-part and his son as Tit ...
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André Antoine (actor)
André Antoine (31 January 185823 October 1943) was a French actor, theatre manager, film director, author, and critic who is considered the father of modern mise en scène in France. Biography André Antoine was a clerk at the Paris Gas Utility and worked in the Archer Theatre when he asked to produce a dramatization of a novel by Émile Zola. The amateur group refused it, so he decided to create his own theatre to realize his vision of the proper development of dramatic art. Antoine founded the Théâtre Libre in Paris in 1887. This was a ''théâtre d'essai'', a workshop theatre, where plays were produced whether they would perform at the box office or not. It was also a stage for new writing whose subject matter or form had been rejected in other theatres. Over a seven-year period, until 1894, the Théâtre Libre staged some 111 plays. His work had enormous influence on the French stage, as well as on similar companies elsewhere in Europe, such as the Independent Theatre So ...
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Noble Court
A royal court, often called simply a court when the royal context is clear, is an extended royal household in a monarchy, including all those who regularly attend on a monarch, or another central figure. Hence, the word "court" may also be applied to the coterie of a senior member of the nobility. Royal courts may have their seat in a designated place, several specific places, or be a mobile, itinerant court. In the largest courts, the royal households, many thousands of individuals comprised the court. These courtiers included the monarch or noble's camarilla and retinue, household, nobility, clergy, those with court appointments, bodyguards, and may also include emissaries from other kingdoms or visitors to the court. Foreign princes and foreign nobility in exile may also seek refuge at a court. Near Eastern and Far Eastern courts often included the harem and concubines as well as eunuchs who fulfilled a variety of functions. At times, the harem was walled off and separate ...
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Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include ''Brand'', '' Peer Gynt'', '' An Enemy of the People'', ''Emperor and Galilean'', ''A Doll's House'', ''Hedda Gabler'', '' Ghosts'', ''The Wild Duck'', ''When We Dead Awaken'', ''Rosmersholm'', and ''The Master Builder''. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and ''A Doll's House'' was the world's most performed play in 2006. Ibsen's early poetic and cinematic play ''Peer Gynt'' has strong surreal elements. After ''Peer Gynt'' Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later wo ...
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Ludwig Chronegk
Ludwig Chronegk (3 November 1837, Brandenburg an der Havel – 8 July 1891, Meiningen) was a German actor and director. He headed the Meiningen Ensemble and reformed theatre direction principles. Life Chronegk came from a mercantile family and was educated in the gymnasiums in Berlin and Potsdam before going to study the French theatre in Paris for a year. On his return to Germany, he was inspired to begin a career on the stage by Karl August Görner. He acted his first role in 1856 at the Krollschen Theater in Berlin. A member of the Meininger Hoftheater until 1866, Chronegk also appeared in or at Liegnitz and Görlitz, various theatres in Berlin, the Hamburg Thalia, the theatres in Pest, Breslau, Königsberg and the Leipzig Stadttheater. In 1874 Chronegk officially began work as a director. He gave up his acting work in 1877 – he had been seen in all the comic roles - to devote himself to being a director. That same year he became Chief Director and Head (and, from 1884 ...
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