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Metalepsis
Metalepsis (from grc-gre, μετάληψις) is a figure of speech in which a word or a phrase from figurative speech is used in a new context. Examples *"I've got to catch the worm tomorrow." **"The early bird catches the worm" is a common maxim, advising an early start on the day to achieve success. The subject, by referring to this maxim, is compared to the bird; tomorrow, the speaker will awake early in order to achieve success. In Icelandic literature The word ''twikent'' (twice-kenned) is used for once-removed metalepsis involving kennings.Faulkes (1999), p. 5/12. If a kenning has more than three elements, it is said to be ''rekit'' ("extended"). Kennings of up to seven elements are recorded in skaldic verse. Snorri Sturluson characterises five-element kennings as an acceptable license but cautions against more extreme constructions: ''Níunda er þat at reka til hinnar fimtu kenningar, er ór ættum er ef lengra er rekit; en þótt þat finnisk í fornskálda verka, þ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept. Etymology The words ''metonymy'' and ''metonym'' come from grc, μετωνυμία, 'a change of name', from , 'after, post, beyond' and , , a suffix that names figures of speech, from , or , 'name'. Background Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy. Both metonymy and metaphor involve the substitution of one term for another. In metaphor, this substitution is based on some specific analogy between two things, whereas in metonymy the substitution is based on some understood association or contiguity. American literary theorist Kenneth Burke considers metonymy as one of four "master tropes": metaphor, metonymy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept. Etymology The words ''metonymy'' and ''metonym'' come from grc, μετωνυμία, 'a change of name', from , 'after, post, beyond' and , , a suffix that names figures of speech, from , or , 'name'. Background Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy. Both metonymy and metaphor involve the substitution of one term for another. In metaphor, this substitution is based on some specific analogy between two things, whereas in metonymy the substitution is based on some understood association or contiguity. American literary theorist Kenneth Burke considers metonymy as one of four "master tropes": metaphor, metonymy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figure Of Speech
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use in order to produce a rhetorical effect. Figures of speech are traditionally classified into '' schemes,'' which vary the ordinary sequence of words, and '' tropes,'' where words carry a meaning other than what they ordinarily signify. An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as something that it clearly is not in order to lead the mind to compare them, in "All the world's a stage." Four rhetorical operations Classical rhetoricians classified figures of speech into four categories or :Jansen, Jeroen (2008) Imitatio'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pale Fire
''Pale Fire'' is a 1962 novel by Vladimir Nabokov. The novel is presented as a 999-line poem titled "Pale Fire", written by the fictional poet John Shade, with a foreword, lengthy commentary and index written by Shade's neighbor and academic colleague, Charles Kinbote. Together these elements form a narrative in which both fictional authors are central characters. Nabokov wrote ''Pale Fire'' in 1960–61, after the success of ''Lolita'' had made him financially independent, allowing him to retire from teaching and return to Europe. It was commenced in Nice and completed in Montreux, Switzerland. ''Pale Fire'' has spawned a wide variety of interpretations and a large body of written criticism, which Finnish literary scholar estimated in 1995 as more than 80 studies. The Nabokov authority Brian Boyd has called it "Nabokov's most perfect novel", and the critic Harold Bloom called it "the surest demonstration of his own genius ... that remarkable tour de force". It was ranke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetorical Techniques
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. Rhetorical devices evoke an emotional response in the audience through use of language, but that is not their primary purpose. Rather, by doing so, they seek to make a position or argument more compelling than it would otherwise be. Modes of persuasion Originating from Aristotle's ''Rhetoric'', the four modes of persuasion in an argument are as follows: ;Logos : is an appeal to logic using intellectual reasoning and argument structure such as giving claims, sound reasons for them, and supporting evidence.Selzer, J. (2004). Rhetorical Analysis: Understanding How Texts Persuade Readers. In C. Bazerman & P. Prior (Eds.), ''What Writing Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenning
A kenning ( Icelandic: ) is a figure of speech in the type of circumlocution, a compound that employs figurative language in place of a more concrete single-word noun. Kennings are strongly associated with Old Norse-Icelandic and Old English poetry. They continued to be a feature of Icelandic poetry (including ''rímur'') for centuries, together with the closely related heiti. A kenning has two parts: a base-word (also known as a head-word) and a determinant. For example, the base-word of the kenning "íss rauðra randa" ('icicle of red shields' WORD Einarr Skúlason: ''Øxarflokkr'' 9) is ''íss'' ('ice, icicle') and the determinant is ''rǫnd'' ('rim, shield-rim, shield'). The thing, person, place or being to which the kenning refers is known as its referent (in this case a sword). Although kennings are sometimes hyphenated in English translation, Old Norse poetry did not require kennings to be in normal word order, nor do the parts of the kenning need to be side-by-side. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catachresis
Catachresis (from Greek , "abuse"), originally meaning a semantic misuse or error—e.g., using "militate" for "mitigate", "chronic" for "severe", "travesty" for "tragedy", "anachronism" for "anomaly", "alibi" for "excuse", etc.—is also the name given to many different types of figures of speech in which a word or phrase is being applied in a way that significantly departs from conventional (or traditional) usage. Variant definitions There are various characterizations of catachresis found in the literature. Examples Dead people in a graveyard being referred to as inhabitants is an example of catachresis. Example from Alexander Pope's ''Peri Bathous, Or the Art of Sinking in Poetry'': Masters of this atachresiswill say, :Mow the beard, :Shave the grass, :Pin the plank, :Nail my sleeve. Use in literature Catachresis is often used to convey extreme emotion or alienation. It is prominent in baroque literature and, more recently, in dadaist and surrealist literature. Use i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Characters In Search Of An Author
''Six Characters in Search of an Author'' ( it, Sei personaggi in cerca d'autore, link=no ) is an Italian play by Luigi Pirandello, written and first performed in 1921. An absurdist fiction, absurdist metatheatrical, metatheatric play about the relationship among authors, their characters, and theatre practitioners, it premiered at the Teatro Valle in Rome to a mixed reception, with shouts from the audience of "''Manicomio''!" ("Madhouse!") and "''Incommensurabile''!" ("Off the scale!"), a reaction to the play's illogical progression. Reception improved at subsequent performances, especially after Pirandello provided for the play's third edition, published in 1925, a foreword clarifying its structure and ideas. The play was given in an English translation in the West End theatre, West End of London in February 1922, and had its American premiere in October of that year at the Princess Theatre, New York City, Princess Theatre, New York. Characters The characters are: *The Fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic
Diegesis (; from the Greek from , "to narrate") is a style of fiction storytelling that presents an interior view of a world in which: # Details about the world itself and the experiences of its characters are revealed explicitly through narrative. # The story is told or recounted, as opposed to shown or enacted. # There is a presumed detachment from the story of both the speaker and the audience. In diegesis, the narrator ''tells'' the story. The narrator presents the actions (and sometimes thoughts) of the characters to the readers or audience. In a rather different usage, diegetic elements are part of the fictional world ("part of the story"), as opposed to non-diegetic elements which are stylistic elements of how the narrator tells the story ("part of the storytelling"). Diegesis and mimesis according to the Greeks ''Diegesis'' (Greek διήγησις "narration") and '' mimesis'' (Greek μίμησις "imitation") have been contrasted since Plato's and Aristotle's time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
