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Metre (hymn)
A hymn metre (''US:'' meter) indicates the number of syllables for the lines in each stanza of a hymn. This provides a means of marrying the hymn's text with an appropriate hymn tune for singing. Hymn and poetic metre In the English language poetic metres and hymn metres have different starting points but there is nevertheless much overlap. The hymn ''Amazing Grace'' is used as an example: :Amazing grace, how sweet the sound :that saved a wretch like me. :I once was lost, but now am found, :was blind, but now I see. Analyzing this, a poet would see couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. A musician would more likely count eight syllables in the first line and six in the second. This would be described as 8.6.8.6 (or 86.86). The words of ''Amazing Grace'' can therefore be set to any tune that has the 8.6.8.6 metre, for example ''The House of the Rising Sun''. Conventionally most hymns in this 86.86 pattern are iam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (hymn)
A hymn metre (''US:'' meter) indicates the number of syllables for the lines in each stanza of a hymn. This provides a means of marrying the hymn's text with an appropriate hymn tune for singing. Hymn and poetic metre In the English language poetic metres and hymn metres have different starting points but there is nevertheless much overlap. The hymn ''Amazing Grace'' is used as an example: :Amazing grace, how sweet the sound :that saved a wretch like me. :I once was lost, but now am found, :was blind, but now I see. Analyzing this, a poet would see couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. A musician would more likely count eight syllables in the first line and six in the second. This would be described as 8.6.8.6 (or 86.86). The words of ''Amazing Grace'' can therefore be set to any tune that has the 8.6.8.6 metre, for example ''The House of the Rising Sun''. Conventionally most hymns in this 86.86 pattern are ia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hymnal 1982
''The Hymnal 1982'' is the primary hymnal of the Episcopal Church in the United States of America. It is one in a series of seven official hymnals of the Episcopal Church, including ''The Hymnal 1940''. Unlike many Anglican churches (including the Church of England) the Episcopal Church requires that the words of hymns be from officially approved sources, making the official hymnals perhaps more important than their counterparts elsewhere. ''The Hymnal 1940'' was originally compiled with input from the Joint Commission on Church Music of the Episcopal Church, which was founded in 1919. ''The Hymnal 1982'' was put together based on the Joint Commission's work by the Standing Commission on Church Music. ''The Hymnal 1982'' had a much expanded service music and chant section, which became necessary with the introduction of the 1979 edition of the ''Book of Common Prayer''.Temperley, 10. North America and Australasia. ''The Hymnal 1982'' was approved by both houses of General Conventio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Book Of Worship
The ''Lutheran Book of Worship'' (''LBW'') is a worship book and hymnal used by several Lutheran denominations in North America. Additional hymns and service music are contained in the companions, ''Hymnal Supplement 1991'' and ''With One Voice'' (''WOV''). The ''LBW'' is sometimes called the "green book", as opposed to ''With One Voice'', which is bound in blue; or '' Service Book and Hymnal'', which is bound in red; or ''The Lutheran Hymnal'', which is also bound in red, with a simple gold cross. History When Lutheran churches were first established in North America, the immigrants from Germany, Sweden, Norway, Finland, and other non-English-speaking countries retained services in their native languages. However, as the children and grandchildren of these immigrants began speaking English in their everyday lives and the various Lutheran denominations began uniting, many felt that the North American Lutheran churches needed a common English-language liturgy and hymns. Alth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Croft
William Croft (baptised 30 December 1678 – 14 August 1727) was an English composer and organist. Life Croft was born at the Manor House, Nether Ettington, Warwickshire. He was educated at the Chapel Royal under the instruction of John Blow, and remained there until 1698. Two years after this departure, he became organist of St. Anne's Church, Soho and he became an organist and 'Gentleman extraordinary' at the Chapel Royal. He shared that post with his friend Jeremiah Clarke.Dennis Shrock In 1700, Croft, in collaboration with "an Italian Master", probably Gottfried Finger, published six sonatas for violin, flute, harpsichord and viol, in the newly fashionable Italian style. In 1707, he took over the Master of the Children of the Chapel Royal post, which had been left vacant by the suicide of Jeremiah Clarke. The following year, Croft succeeded Blow (who had lately died) as organist of Westminster Abbey. He composed works for the funeral of Queen Anne (1714) and for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Heinrich Rinck Johann Christian Heinrich Rinck (18 February 1770 – 23 July 1846) was a German composer and organist of the late classical and early romantic eras. Life and career Rinck was born in Elgersburg (in present-day Thuringia), and died in Darmstadt, aged 76. He studied with Johann Christian Kittel (1732–1809), (a pupil of Johann Sebastian Bach), and eventually became Kantor at the music school in Darmstadt, where he was also a court organist from 1813. He composed prolifically, and an organ primer of his enjoyed wide popularity. Among his works is a set of Variations on ‘Ah! vous dirai-je, Maman’, Opus 90, published by Simrock in 1828. It is based on a tune made familiar by Mozart ( K. 265) (and generally associated with the words ''Twinkle Twinkle Little Star''). Notable students include composer Georg Vierling and Benedict Jucker (1811-1876). Works Piano works * XXX zweistimmige Übungen durch alle Tonarten (30 Exercices à deux parties dans tous les tons) op. 67. V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |