Kwadril
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Kwadril
In French West Indies#French Caribbean, French Caribbean culture, especially of the Lesser Antilles, the term ''kwadril'' is a Creole term referring to a folk dance derived from the ''quadrille''. Saint Lucia quadrille On the island of Saint Lucia, kwadrils are social occasions held in private homes; Lucian kwadrils were formerly viewed as old-fashioned, but are increasingly being adopted as a symbol of Lucian culture. These ''kwadrils'' are very formalized, and are accompanied by a Cuatro (instrument), cuatro, Rattle (percussion instrument), rattle, Shak-shak, chak-chak, violin, banjo and bones (instrument), bones (zo). It consists of five separate dances: the ''pwémyé fidji'', ''dézyèm fidji'', ''twazyèm fidji'', ''katwiyèm fidji'' (also ''avantwa'' or ''lanmen dwèt'') and ''gwan won'' (also ''grande rond''). The musicians may also use a ''lakonmèt'' (mazurka), schottische or polka; the ''lakonmèt'', also called the ''mazouk'', is especially popular and is the only cl ...
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Music Of Saint Lucia
The music of Saint Lucia is home to many vibrant oral and folk traditions and is based on elements derived from the music of Africa, especially rhythmically, and Western Europe, dances like the quadrille, polka and waltz. The banjo and cuatro are iconic Lucian folk instruments, especially a four-stringed banjo called the . Celebratory songs called show lyricism, and rhythmic complexity. The most important of the Afro-Lucian Creole folk dances is the . Music is an integral part of Lucian folk holidays and celebrations, as well as the good-natured rivalry between the La Rose and La Marguerite societies. There is little Western classical music on Saint Lucia, and the country's popular music industry is only nascent. There are few recording opportunities, though live music and radio remain a vital part of Lucian culture. Popular music from abroad, especially Trinidadian styles like calypso and soca, is widespread. Music education has long been a part of Lucian public education in the ...
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Music Of Dominica
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called ''bouyon'', which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include ''WCK'' (Windward Caribbean Kulture), Native musicians in various forms, such as reggae ( Nasio Fontaine, Lazo, Brother Matthew Luke), kadans (Ophelia Marie, (Exile One, Grammacks) and calypso (The Wizzard), have also become stars at home and abroad. There is also "Cadence-lypso", the Dominica kadans, which has set the stage for some of the region's most significant musical developments such as zouk and bouyon (another Dominican creation). Like the other Francophone musics of the Lesser Antilles, Dominican folk music is a hybrid ...
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Jing Ping
Jing Ping is a kind of folk music originated on the slave plantations of Dominica, also known colloquially as an accordion band. Dominican folk music, jing ping bands accompany a circle dance called the flirtation, as well as the Dominican quadrille. Origin The Dominican quadrille generally has four figures, the ''pastouwèl'', ''lapoul'', ''lété'' and ''latrinitez''. Some regions of Dominica, such as Petite Savanne, are home to local variants such as the ''caristo''. Many quadrilles are found across Dominica under a wide variety of names. In addition to the standard quadrille, the lancer is also an important Dominican dance. Accompaniment for the quadrille is provided by a four instrument ensemble called a ''jing ping'' band. Jing ping bands are made up of a ''boumboum'' ( boom pipe), ''syak'' or ''gwaj'' (scraper- rattle), ''tambal'' or ''tanbou'' (tambourine) and accordion. The double bass, violin, banjo and guitar are also sometimes used. Bamboo flutes led the jing ping en ...
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Balakadri
Balakadri (called balkadri or kadri) is a traditional quadrille music that was performed for balls on the Caribbean island of Guadeloupe. History Guadeloupean balakadri persisted into the 20th century and, despite disruption after World War II, made a comeback in the 1980s. The Guadeloupean-administered island of Marie-Galante has also had a vital and well-documented balakadri tradition. As in Martinique (and the Creole-speaking islands of St Lucia and Dominica), kwadril dances are in sets consisting of proper quadrilles, plus creolized versions of 19th-century couple dances: biguines, mazouks and valses Créoles. To save the Balakadri, an association was created: F.R.E.G.A.Q.(Regional Federation of Guadeloupe Activities Quadrille). Its purpose is to promote, transmit, store Balakadri which is part of the cultural patrimoine Guadeloupe. The first musicians to record on vinyl balakadri are: * Ariste Ramier * Commander Abel Marcille * Salt Iphano * Commander Grévius. Instrumenta ...
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Music Of Martinique
The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe.Ledesma and Scaramuzzo, pgs. 289–303 Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa. Folk music Carnival is a very important festival, known as Vaval on Martinique. Music plays a vital role, with Martinican big bands marching across the island. Vaval declined following World War II, bouncing back with new band formats and new traditions only in the 1980s. Like Guadeloupe, Martinique features particip ...
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Music Of Guadeloupe
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of Zouk (musical movement), zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique.Ledesma and Scaramuzzo, pgs. 289-303 Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso music, calypso tradition. Folk music Caribbean Carnival, Carnival is a very important festival in Guadeloupe and Martinique. Music plays a vital role, with Guadeloupean gwo ka ensembles, Zouk (musical movement), zouk music and guadeloupean big bands marching across the island, and travelling and performing music known as C (or just ''videé'') in a manner akin to Brazilian samba schools. Carnival in both islands declined following World War II, bouncing back with new b ...
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Tibwa
Historically, idiophones (percussion instruments without membranes or strings) have been widespread throughout the Caribbean music area, which encompasses the islands and coasts of the Caribbean Sea. Some areas of South America that are not geographically part of the Caribbean, but are culturally associated with its traditions, such as Guyana, Suriname, French Guiana and parts of Brazil are also taken into account. Although some idiophones such as the mayohuacán and probably the maraca already existed among the indigenous Taíno population of the Greater Antilles before the Spanish colonization of the Americas, most idiophones were introduced in the Caribbean between the 17th and 19th centuries by enslaved Africans, which were ethnically diverse (Yoruba, Ewe, Fon, Igbo, Efik, Mandinka and Kongo, among others). Because of the different materials present in the islands, African slaves had to construct their instruments differently, and thus new instruments began to be develop ...
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Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ...
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Martinique
Martinique ( , ; gcf, label=Martinican Creole, Matinik or ; Kalinago: or ) is an island and an overseas department/region and single territorial collectivity of France. An integral part of the French Republic, Martinique is located in the Lesser Antilles of the West Indies in the eastern Caribbean Sea. It has a land area of and a population of 364,508 inhabitants as of January 2019.Populations légales 2019: 972 Martinique
INSEE
One of the , it is directly north of Saint Lucia, northwest of

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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ...
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Biguine
Biguine ( , ; gcf, label=Antillean Creole, bigin) is a rhythm-centric style of music that originated from Saint Pierre, Martinique in the 19th century. It fuses Bèlè and 19th-century French ballroom dance steps with African rhythms. History Two main types of French antillean biguine can be identified based on the instrumentation in contemporary musical practice, called the ''drum biguine'' and the ''orchestrated biguine''. Each of these refers to characteristics of a specific origin. The drum biguine, or ''bidgin bèlè'' in Creole, comes from a series of bèlè dances performed since early colonial times by the slaves who inhabited the great sugar plantations. Musically, the bidgin bèlè can be distinguished from the orchestrated biguine in the following ways: its instrumentation (cylindrical single-membraned drum (bèlè) and the rhythm sticks (tibwa); the call-and-response singing style; the soloist's improvisation, and the nasal voice quality. According to a study by Ros ...
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