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Johanne Brun
Johanne Marie Emilie Brun née Prieme (1874–1954) was a Danish operatic soprano. She made her début at the Royal Danish Theatre in 1896 as the Queen of the Night in ''The Magic Flute''. In 1916, after being honoured with the title of Royal Chamber Singer, she sang at opera houses in Germany, becoming a favourite of the Nuremberg opera and later performing in Aachen and Danzig. In 1924 she returned to Denmark where she had to cope with financial difficulties. Biography Born on 23 August 1874 in the Frederiksberg district of Copenhagen, Johanne Marie Emilie Prieme was the daughter of the commercial traveller Niels Lorenz Emil Prieme (1841–1882) and his wife Johanne Dorthea née Henriksen (1836–1907). In 1893, she married the opera singer Frederik Carl Christian Brun (1852–1919). Their daughter Gertrud was born in 1894. The marriage was dissolved in 1906. When she was seven, she entered the Royal Danish Ballet school, singing in a children's chorus in ''Carmen'' when she w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Heise
Peter Heise (11 February 1830 – 12 September 1879) was a Danish composer, best known for the opera ''Drot og Marsk'' (''King and Marshal''). Heise's parents tried to press him into becoming a lawyer, but he scored highly in music at school, so he changed direction. He began writing songs at the age of 19. As a young man he collected several hundred folk songs directly from ordinary people. He used these tunes in ''Tornerose'' (Sleeping Beauty) and ''Bergliot'' (A Danish historical romance). He studied under Niels Wilhelm Gade, who was a major influence on his style. From 1857 to 1865 he was a teacher and organist at Sorø Academy. He did a setting of Hans Christian Andersen's poem ''Jylland mellem tvende Have'' (Jutland between two seas) in 1860. The opera ''Drot og Marsk'' tells the story of the murder of a medieval king, and contains some folk ballads. It shows a Wagnerian influence. His setting of the Shakespeare song ''When I was and a little tiny boy'' and ''Five Eroti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Würzburg
Würzburg (; Main-Franconian: ) is a city in the region of Franconia in the north of the German state of Bavaria. Würzburg is the administrative seat of the ''Regierungsbezirk'' Lower Franconia. It spans the banks of the Main River. Würzburg is situated approximately east-southeast of Frankfurt am Main and approximately west-northwest of Nuremberg (). The population (as of 2019) is approximately 130,000 residents. The administration of the ''Landkreis Würzburg'' ( district of Würzburg) is also located in the town. The regional dialect is East Franconian. History Early and medieval history A Bronze Age (Urnfield culture) refuge castle, the Celtic Segodunum,Koch, John T. (2020)CELTO-GERMANIC Later Prehistory and Post-Proto-Indo-European vocabulary in the North and West p. 131 and later a Roman fort, stood on the hill known as the Leistenberg, the site of the present Fortress Marienberg. The former Celtic territory was settled by the Alamanni in the 4th or 5th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western States of Germany, state of North Rhine-Westphalia (NRW) and the List of cities in Germany by population, fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 million people in the Cologne Bonn Region, urban region. Centered on the left bank of the Rhine, left (west) bank of the Rhine, Cologne is about southeast of NRW's state capital Düsseldorf and northwest of Bonn, the former capital of West Germany. The city's medieval Catholic Cologne Cathedral (), the third-tallest church and tallest cathedral in the world, constructed to house the Shrine of the Three Kings, is a globally recognized landmark and one of the most visited sights and pilgrimage destinations in Europe. The cityscape is further shaped by the Twelve Romanesque churches of Cologne, and Cologne is famous for Eau de Cologne, that has been produced in the city since 1709, and "col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augsburg
Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ''Regierungsbezirk'' Schwaben with an impressive Altstadt (historical city centre). Augsburg is an urban district and home to the institutions of the Landkreis Augsburg. It is the third-largest city in Bavaria (after Munich and Nuremberg) with a population of 300,000 inhabitants, with 885,000 in its metropolitan area. After Neuss, Trier, Cologne and Xanten, Augsburg is one of Germany's oldest cities, founded in 15 BC by the Romans as Augsburg#Early history, Augusta Vindelicorum, named after the Roman emperor Augustus. It was a Free Imperial City from 1276 to 1803 and the home of the patrician (post-Roman Europe), patrician Fugger and Welser families that dominated European banking in the 16th century. According to Behringer, in the sixteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuremberg
Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest city in Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms with the neighbouring cities of Fürth, Erlangen and Schwabach a continuous conurbation with a total population of 800,376 (2019), which is the heart of the urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metropolitan Region has approximately 3.6 million inhabitants. The city lies about north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period ... refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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