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Jōdan-no-kamae
, also known as ''jōdan-gamae'', and frequently shortened simply to ''jōdan'', is a basic ''kenjutsu'' posture. Jōdan-no-kamae means upper-level posture (lit. 'high/upper degree posture'). Kendo Jōdan-no-kamae is one of the five stances in kendo: ''jōdan'', ''chūdan'', ''gedan'', '' hassō'' and '' waki''. In jōdan-no-kamae, the sword is raised above the head with the tip (''kissaki''; 切先) pointing back and the blade facing up, in readiness to strike. It is the most aggressive stance of the five. There are commonly two types of jōdan-no-kamae, left (''hidari''; 左) and right (''migi''; 右), referring to which foot is out in front. As a more rare case, only one hand is used to hold the sword. Even rarer, the positions of the hands on the hilt of the sword may be reversed. In normal practice or competitions, left (''hidari'') jōdan-gamae is the most common. Its advantage is the reach of the strike, the intimidating posture and the speed of the strike. Its dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hassō-no-kamae
, frequently shortened simply to ''hassō'' and occasionally called ''hassō-gamae'', is one of the five stances in kendo: ''jōdan'', ''chūdan'', ''gedan'', ''hassō'', and '' waki''. It is an offensive stance, named for one's ability to respond to a situation in any direction. ''Waki'' and ''hassō'' are not commonly used in modern kendo, except in kata. In ''hassō-no-kamae'', the left foot is forward, and the sword is held pointing upright with the hilt in front of the right shoulder. The blade should slope slightly to the rear. When cutting, the sword is raised above the head, as in ''jōdan''.上野 靖之 (1966) ''剣道教典 (Educational Model Fencing)'' 尚武館刊. p317 ''Hassō-no-kamae'' is used by uchidachi in the 4th kendo kata, opposite shidachi's ''waki-gamae''. This posture is also used in Naginata. It is also used in Kashima Shinden Jikishinkage-ryū's kata. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chūdan-no-kamae
, occasionally ''Chūdan-gamae'', or simply ''Chūdan'' as it is shortened to in many Japanese martial arts schools that instruct in the use of the katana (sword). Chūdan-no-kamae translates to "middle-level posture", it is also called Seigan-no-kamae (正眼之構) that can be translated to "right posture". In most traditional schools of swordsmanship, and in the practice of kendo, chūdan-no-kamae is the most basic posture. It provides a balance between attacking and defensive techniques. Kendo Chūdan-no-kamae is one of the five stances in kendo: ''jōdan'', ''chūdan'', ''gedan'', '' hassō'' and '' waki''. This is the most basic stance in kendo which balances attack and defence. If correctly assumed, the trunk (''do'') and right wrist (''migi-kote'') are hidden from the opponent. The throat is visible, but the extended tip of the sword threatens a thrusting enemy with a likely counter-thrust. The head (''men'') is the only clearly open target, but this too is easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waki-gamae
, sometimes shortened to ''waki'', is one of the five stances in kendo: ''jōdan'', ''chūdan'', ''gedan'', '' hassō'' and ''waki'', as well as other related and older martial arts involving Japanese sword. ''Waki-gamae'' is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent. This stance was common when there was no standard length of sword and was often used as a deterrent to any opponents who did not know the range of the sword being hidden and could be used as a sort of bluff technique. It also serves to conceal the orientation of the blade to one's opponent, as to give him no hint about your own intention for the next attack. Other Koryū schools may define "Waki-gamae" differently from its current form in Kendo. ''Waki-gamae'' is also known as the in the five elements classification and the in the Ittō-ryū teachings. 上野 靖之 (1966) ''剣道教典 (Educational Model Fencing)'' 尚武館 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aiki-ken
Aiki-ken (Kanji: 合気剣 Hiragana: あいきけん) is the name given specifically to the set of Japanese sword techniques practiced according to the principles of aikido, taught first by Morihei Ueshiba (aikido's founder), then further developed by Morihiro Saito, one of Ueshiba's most prominent students. Currently, Iwama Shin-Shin Aiki Shuren-kai is the main proponent organization. Development Much of the aiki-ken syllabus was developed by Morihei Ueshiba (植芝 盛平 ''Ueshiba Morihei'', 1883–1969) at his dojo in Iwama, Japan, at the same time he developed aikido's staff training (called ''aiki-jō''). It is well documented that Ueshiba studied several different styles of ''kenjutsu'' (Japanese swordsmanship), but the aiki-ken techniques are predominantly based upon the teachings of the Kashima Shintō-ryu. The practice of aiki-ken is not pervasive. Some schools of aikido incorporate weapons training that is unrelated to aiki-ken, and others forego weapons trainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamae
is a Japanese term used in martial arts and traditional theater. It translates approximately to "posture". The Kanji of this word means "base". The implied meaning is 'readiness' or 'be ready'. Kamae is to be differentiated from the word , used in Japanese martial arts to mean stance. While ''tachi'' (pronounced ''dachi'' when used in a compound) refers to the position of the body from the waist down, kamae refers to the posture of the entire body, as well as encompassing one's mental posture (i.e., one's attitude). These connected mental and physical aspects of readiness may be referred to individually as and , respectively. Although it is a generic term, context may mean there's a default specific posture which is being implicitly referred to. e.g. many modern styles use ''kamae'' by itself as shorthand usually for the style's basic stance for sparring or self-defense. As a further note, there are also related verbs, and adding ''te'' to the end of kamae makes the command f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gedan-no-kamae
, frequently shortened simply to ''gedan'', occasionally shortened to ''gedan-gamae'', is one of the five stances in kendo: ''jōdan'', ''chūdan'', ''gedan'', hassō, and '' waki''. ''Gedan-no-kamae'' means "lower-level posture." This position is adopted when the sword is held out in front of the body pointing at the waist in kendo, or at the knee or sometimes the ankle in ''kenjutsu''. It is considered a variant of ''chūdan-no-kamae'' and therefore appearing as a defensive posture, but instead it is used to deflect blows and create striking opportunities. This stance is used as a transition from ''chūdan-no-kamae'' to a ''tsuki'' (突き; thrust). It is called the {{nihongo, Kamae of Earth, 地の構え, chi-no-kamae in Yagyū Shinkage-ryū.上野 靖之 (1966) 剣道教典 (Educational Model Fencing) 尚武館刊. p.317 European schools of swordsmanship The German school of fencing refers to this stance as ''alber'' "Fool's guard"; as it serves to bait the foolish with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Longsword
A longsword (also spelled as long sword or long-sword) is a type of European sword characterized as having a cruciform hilt with a grip for primarily two-handed use (around ), a straight double-edged blade of around , and weighing approximately . The "longsword" type exists in a morphological continuum with the medieval knightly sword and the Renaissance-era Zweihänder. It was prevalent during the late medieval and Renaissance periods (approximately 1350 to 1550), with early and late use reaching into the 12th and 17th centuries. Names English The longsword has many names in the English language, which, aside from variant spellings, include terms such as "bastard sword" and "hand-and-a-half sword." Of these, "bastard sword" is the oldest, its use being contemporaneous with the weapon's heyday. The French ' and the English "bastard sword" originate in the 15th or 16th century, originally in the general sense of "irregular sword, sword of uncertain origin", but by the mid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian School Of Swordsmanship
The term Italian school of swordsmanship is used to describe the Italian style of fencing and edged-weapon combat from the time of the first extant Italian swordsmanship treatise (1409) to the days of Classical Fencing (up to 1900). Although the weapons and the reason for their use changed dramatically throughout these five centuries, a few fundamental traits have remained constant in the Italian school. Some of these are the preference for certain guards, the preoccupation with time (or "tempo") in fencing as well as many of the defensive actions. Of especial influence was the Dardi school of fencing with the ''spada da lato'' in the 16th to early 17th centuries, which gave rise to the classical early modern style of fencing with the rapier, including Elizabethan Fencing in England and the French school of fencing in the 18th century (which in turn developed into modern sport fencing). Renaissance to Baroque period One of the earliest known Italian treatises on swordsmanshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German School Of Swordsmanship
The German school of fencing (') is a system of combat taught in the Holy Roman Empire during the Late Middle Ages, Late Medieval, German Renaissance, and Early Modern periods. It is described in the contemporary Fechtbuch, Fechtbücher ("fencing books") written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the ', or the ''"Art of Fighting"''. The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, Messer (weapon), messers (with or without a buckler), and the stick fighting, staff, as well as describing mounted combat and unarmed grappling (''ringen''). Most authors of writings on the system are, or claim to be, in the tradition of the 14th-century master Johannes Liechtenauer. The earliest surviving treatise on Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinkage-ryū
' meaning "new shadow school", is a traditional school ('' koryu'') of Japanese martial arts, founded by Kamiizumi Ise-no-Kami Fujiwara-no-Hidetsuna, later Kamiizumi Ise-no-Kami Nobutsuna Friday, Karl ''Legacies of the sword'', page 24. University of Hawaii Press, . (上泉 伊勢守 信綱, 1508–1578) in the mid-sixteenth century. Shinkage-ryū is primarily a school of swordsmanship (''kenjutsu'' and ''iaijutsu'') and is a synthesis of Nobutsuna's studies in the school of Kage-ryū (Aizu). Shinkage-ryu can also refer to Kashima-derived schools such as Kashima Shinden Jikishinkage Ryu and Kashima Shin Ryu. History Until the 16th century in Japan, martial techniques were concerned with effectiveness in real battle. At the time of the founder of Shinkage-ryū, Kamiizumi Hidetsuna, the superiority of a school was determined through duels. Basic postures were very distinct; very low, in the protection of the body. The idea of winning at any price was deeply ingrained in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yagyū Shinkage-ryū
is one of the oldest Japanese schools of swordsmanship (''kenjutsu''). Its primary founder was Kamiizumi Nobutsuna, who called the school Shinkage-ryū. In 1565, Nobutsuna bequeathed the school to his greatest student, Yagyū Munetoshi, who added his own name to the school. Today, the Yagyū Shinkage-ryū remains one of the most renowned schools of Japanese swordsmanship. Its name roughly means ''Yagyū New Shadow School''. Feudal Japan and birth of the Shinkage school At the time of the school's founding by Kamiizumi Nobutsuna, the superiority of a school was determined through duels. Basic postures were distinct; a very low stance was maintained, in the interest of protecting the body. The idea of winning at any price was deeply ingrained in the schools of the time, as were the concepts of ''Isatsu-no-tachi'' (the school of the sword that kills only once) or ''Ichi-no-tachi'' (the sword of only one cut). A great deal of importance was placed on the technology of swords an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Martial Arts
Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (''budō'', ''bujutsu'', and ''bugei'') are used interchangeably with the English phrase Japanese martial arts. The usage of the term ''budō'' (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms ''bujutsu'' (武術) and ''bugei'' (武芸) have different meanings from ''budō'', at least historically speaking. ''Bujutsu'' refers specifically to the practical application of martial tactics and techniques in actual combat. ''Bugei'' refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. History The historical origin of Japanese martial arts can be found in the warrior traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
