Italian School Of Swordsmanship
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Italian School Of Swordsmanship
The term Italian school of swordsmanship is used to describe the Italian style of fencing and edged-weapon combat from the time of the first extant Italian swordsmanship treatise (1409) to the days of Classical Fencing (up to 1900). Although the weapons and the reason for their use changed dramatically throughout these five centuries, a few fundamental traits have remained constant in the Italian school. Some of these are the preference for certain guards, the preoccupation with time (or "tempo") in fencing as well as many of the defensive actions. Of especial influence was the Dardi school of fencing with the ''spada da lato'' in the 16th to early 17th centuries, which gave rise to the classical early modern style of fencing with the rapier, including Elizabethan Fencing in England and the French school of fencing in the 18th century (which in turn developed into modern sport fencing). Renaissance to Baroque period One of the earliest known Italian treatises on swordsmanshi ...
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Flos Duellatorum
The Flos Duellatorum is the name given to one of the manuscript versions of Fiore dei Liberi's illuminated manuscript fight book, written in 1410 (dated to 1409 in the old reckoning). There are five other surviving recensions, under the title Fior di Battaglia. Both ''Flos Duellatorum'' and ''Fior di Battaglia'' translate into English roughly as "The Flower of Battle," from Latin and Italian respectively. Manuscripts The manuscript dated to 1409 was considered lost, and is now known to be kept in a private collection. It is referred to as the Pisani-Dossi manuscript for the last collection it was a part of before its disappearance. The information contained within survives in the form of a 1902 facsimile by the Italian historian Francesco Novati. Because of this, the Flos Duellatorum is also known as the Novati Manuscript, or the Novati Edition. The other two surviving manuscripts are the Getty-Ludwig ("Getty's copy", Los Angeles, MS Ludwig XV13) and the Pierpont Morgan Libr ...
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Spada Da Lato
The ''spada da lato'' (Italian) or ''side-sword'' is a type of sword popular during the late 16th century. It is a continuation of the medieval knightly sword, and the immediate predecessor (or early form) of the rapier A rapier () or is a type of sword with a slender and sharply-pointed two-edged blade that was popular in Western Europe, both for civilian use (dueling and self-defense) and as a military side arm, throughout the 16th and 17th centuries. Impor ... of the early modern period. Its use was taught in the Dardi school of Italian fencing, and was influential on the classical rapier fencing of the 17th century. The equivalent Spanish term, ''espada ropera'' ("dress sword") is the origin of the term ''rapier''. Italian antiquarians use the term ''spada da lato'' for rapiers typical of the period of c. 1560–1630, the Italian term for the fully developed rapier of the later 17th century is ''spada da lato striscia'', or just ''spada striscia'' "strip-sword". ...
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Halberd
A halberd (also called halbard, halbert or Swiss voulge) is a two-handed pole weapon that came to prominent use during the 13th, 14th, 15th, and 16th centuries. The word ''halberd'' is cognate with the German word ''Hellebarde'', deriving from Middle High German ''halm'' (handle) and ''barte'' (battleaxe) joined to form ''helmbarte''. Troops that used the weapon were called halberdiers. The halberd consists of an axe blade topped with a spike mounted on a long shaft. It always has a hook or thorn on the back side of the axe blade for grappling mounted combatants. It is very similar to certain forms of the voulge in design and usage. The halberd was usually 1.5 to 1.8 metres (5 to 6 feet) long. The word has also been used to describe a weapon of the Early Bronze Age in Western Europe. This consisted of a blade mounted on a pole at a right angle. History The halberd was inexpensive to produce and very versatile in battle. As the halberd was eventually refined, its point was mo ...
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De Arte Gladiatoria Dimicandi
''De Arte Gladiatoria Dimicandi'' was written by Italian fencing master Filippo Vadi between 1482 and 1487. It consists of an opening prologue describing the art of fencing followed by colored plates illustrating specific techniques for the longsword, dagger, pollaxe, spear and club. While much of what he describes closely follows the work of Fiore dei Liberi, author of ''Flos Duellatorum'', Vadi's work also differs in some respects, including his footwork and several original techniques of his own. Little is known about the author, a native of Pisa, other than that he appears to have been a mid to late 15th-century fencing master linked in some way to the tradition of Fiore dei Liberi and that he dedicated a fencing book to the Dukes of Urbino, in the last quarter of the 15th century. However, a man of the same name appears as a governor of Reggio under the Estense family in the mid- to late 15th century.
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Spear
A spear is a pole weapon consisting of a shaft, usually of wood, with a pointed head. The head may be simply the sharpened end of the shaft itself, as is the case with fire hardened spears, or it may be made of a more durable material fastened to the shaft, such as bone, flint, obsidian, iron, steel, or bronze. The most common design for hunting or combat spears since ancient times has incorporated a metal spearhead shaped like a triangle, lozenge, or leaf. The heads of fishing spears usually feature barbs or serrated edges. The word '' spear'' comes from the Old English '' spere'', from the Proto-Germanic ''speri'', from a Proto-Indo-European root ''*sper-'' "spear, pole". Spears can be divided into two broad categories: those designed for thrusting as a melee weapon and those designed for throwing as a ranged weapon (usually referred to as javelins or darts). The spear has been used throughout human history both as a hunting and fishing tool and as a weapon. Along ...
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Pollaxe
The poleaxe (also pollaxe, pole-axe, pole axe, poleax, polax) is a European polearm that was widely used by medieval infantry. Etymology Most etymological authorities consider the ''poll''- prefix historically unrelated to "pole", instead meaning "head". However, some etymologists, including Eric Partridge, believe that the word is derived from "pole". Types of poleaxe The poleaxe design arose from the need to breach the plate armour of men at arms during the 14th and 15th centuries. Generally, the form consisted of a wooden haft some long, mounted with a steel head. It seems most schools of combat suggested a haft length comparable to the height of the wielder, but in some cases hafts appear to have been created up to in length. The design of the head varied greatly with a variety of interchangeable parts and rivets. Generally, the head bore an axe blade or hammer head upon the damaging 'face', with a spike, hammer, or fluke on the reverse. In addition, there was a s ...
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Longsword
A longsword (also spelled as long sword or long-sword) is a type of European sword characterized as having a cruciform hilt with a grip for primarily two-handed use (around ), a straight double-edged blade of around , and weighing approximately . The "longsword" type exists in a morphological continuum with the medieval knightly sword and the Renaissance-era Zweihänder. It was prevalent during the late medieval and Renaissance periods (approximately 1350 to 1550), with early and late use reaching into the 12th and 17th centuries. Names English The longsword has many names in the English language, which, aside from variant spellings, include terms such as "bastard sword" and "hand-and-a-half sword." Of these, "bastard sword" is the oldest, its use being contemporaneous with the weapon's heyday. The French ' and the English "bastard sword" originate in the 15th or 16th century, originally in the general sense of "irregular sword, sword of uncertain origin", but by the mid ...
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Short Sword
The English language terminology used in the classification of swords is imprecise and has varied widely over time. There is no historical dictionary for the universal names, classification or terminology of swords; a sword was simply a double edged knife. Historical terms without a universal consensus of definition (i.e. "arming sword", "broadsword", "long sword", etc.) were used to label weapons of similar appearance but of different historical periods, regional cultures and fabrication technology. These terms were often described in relation to other unrelated weapons, without regard to their intended use and fighting style. In modern history, many of these terms have been given specific, often arbitrary meanings that are unrelated to any of their historical meanings. Terminology Some of these terms originate contemporaneously with the weapons which they describe. Others are modern or early modern terms used by antiquarians, curators, and modern-day sword enthusiasts for hi ...
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Dagger
A dagger is a fighting knife with a very sharp point and usually two sharp edges, typically designed or capable of being used as a thrusting or stabbing weapon.State v. Martin, 633 S.W.2d 80 (Mo. 1982): This is the dictionary or popular-use definition of a dagger, which has been used to describe everything from an ice pick to a folding knife with pointed blade as a 'dagger'. The Missouri Supreme Court used the popular definition of 'dagger' found in Webster's New Universal Dictionary ("a short weapon with a sharp point used for stabbing") to rule that an ordinary pointed knife with four-to-five inch blade constitutes a 'dagger' under the Missouri criminal code.California Penal Code 12020(a)(24):"dagger" means a ''knife or other instrument'' with or without a handguard that is ''capable of ready use as a stabbing weapon'' that may inflict great bodily injury or death. The State of California and other jurisdictions have seized upon the popular-use definition of a dagger to clas ...
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Kampfringen
''Ringen'' is the German language term for grappling (wrestling). In the context of the German school of historical European martial arts during the Late Middle Ages and the German Renaissance, ''Ringen'' refers to unarmed combat in general, including grappling techniques used as part of swordsmanship. The German tradition has records of a number of master-''Ringer'' of the 15th to 16th centuries specializing in unarmed combat, such as Ott Jud. Medieval and early Renaissance wrestling treatises present both sport and combat techniques together as one art. The distinction is made more frequently by modern practitioners than is present in historical sources, but in a select few examples the terms for sportive grappling or ''geselliges Ringen'' and earnest unarmed combat or ''Kampfringen'' (where ''Kampf'' is the Early Modern German term for "war" or ''battle'') were used to describe specific techniques which were only suitable for one scenario or the other. There are no known so ...
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Sport Fencing
Fencing is a group of three related combat sports. The three disciplines in modern fencing are the Foil (fencing), foil, the épée, and the Sabre (fencing), sabre (also ''saber''); winning points are made through the weapon's contact with an opponent. A fourth discipline, singlestick, appeared in the 1904 Olympics but was dropped after that and is not a part of modern fencing. Fencing was one of the first sports to be played in the Olympics. Based on the traditional skills of swordsmanship, the modern sport arose at the end of the 19th century, with the Italy, Italian school having modified the Historical European martial arts, historical European martial art of classical fencing, and the France, French school later refining the Italian system. There are three forms of modern fencing, each of which uses a different kind of weapon and has different rules; thus the sport itself is divided into three competitive scenes: foil, épée, and sabre. Most competitive fencers choose to ...
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French School Of Fencing
The known history of fencing in France begins in the 16th century, with the adoption of Italian styles of fencing. There are medieval predecessors, such as the Burgundian '' Le jeu de la hache'' ("The Play of the Axe") of ca. 1400, but the history of the classical French school begins with the foundation of the ''Académie des Maistres en faits d’armes de l’Académie du Roy'' (also known as the ''École française d’Escrime'') by Charles IX of France in December 1567. One master produced by this school was Henry de Saint-Didier, author of a 1573 treatise titled ''Traicté contenant les secrets du premier livre'' (Treatise containing the secrets of the first book on the single sword), dedicated to Charles IX. Rapier treatises are known from the early seventeenth century, such as François Dancie's ''Discours des armes et methode pour bien tirer de l'espée et poignard'' (c.1610) and ''L'espée de combat'' (1623) and André Desbordes' ''Discours de la théorie et de l ...
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