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Jugendstil
''Jugendstil'' ("Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal '' Jugend'', founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration. Its major centers of activity were Munich and Weimar and the Darmstadt Artists' Colony founded in Darmstadt in 1901. Important figures of the movement included the Swiss graphic artist Hermann Obrist, Otto Eckmann, and the Belgian architect and decorator Henry van de Velde. In its earlier years, the style was influenced by Modern Style (British Art Nouveau style). It was also influenced by Japanese prints. Later, under the Secessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Riemerschmid
Richard Riemerschmid (20 June 1868 – 13 April 1957) was a German architect, painter, designer and city planner from Munich. He was a major figure in ''Jugendstil'', the German form of Art Nouveau, and a founder of architecture in the style. A founder member of both the ''Vereinigte Werkstätte für Kunst im Handwerk'' (United Workshops for Art in Handcrafts) and the Deutscher Werkbund and the director of art and design institutions in Munich and Cologne, he prized craftsmanship but also pioneered machine production of artistically designed objects. Life and career Riemerschmid was born in Munich, the sixth of nine children of Eduard Riemerschmid, who headed the Munich distillery founded by his father Anton Riemerschmid,Winfried Nerdinger, ''Richard Riemerschmid, vom Jugendstil zum Werkbund: Werke und Dokumente. Eine Ausstellung der Architektursammlung der Technischen Universität München, des Münchner Stadtmuseums und des Germanischen Nationalmuseums Nürnberg'', Ausste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darmstadt
Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it the fourth largest city in the state of Hesse after Frankfurt am Main, Wiesbaden, and Kassel. Darmstadt holds the official title "City of Science" (german: link=no, Wissenschaftsstadt) as it is a major centre of scientific institutions, universities, and high-technology companies. The European Organisation for the Exploitation of Meteorological Satellites (EUMETSAT) and the European Space Operations Centre (ESOC) are located in Darmstadt, as well as Gesellschaft für Schwerionenforschung, GSI Centre for Heavy Ion Research, where several chemical elements such as bohrium (1981), meitnerium (1982), hassium (1984), darmstadtium (1994), roentgenium (1994), and copernicium (1996) were discovered. The existence of the following elements were also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jugend (magazine)
''Jugend'' (German: "Youth") (1896–1940) was an influential German arts magazine. Founded in Munich by Georg Hirth who edited it until his death in 1916, the weekly was originally intended to showcase German Arts and Crafts, but became famous for showcasing the German version of Art Nouveau instead. It was also famed for its "shockingly brilliant covers and radical editorial tone" and for its avant-garde influence on German arts and culture for decades, ultimately launching the eponymous Jugendstil ("Youth Style") movement in Munich, Weimar and Germany's Darmstadt Artists' Colony. The magazine, along with several others that launched more or less concurrently, including '' Pan, Simplicissimus'', ''Dekorative Kunst'' ("Decorative Art") and ''Deutsche Kunst und Dekoration'' ("German Art and Decoration") collectively roused interest among wealthy industrialists and the artistocracy, which further spread interest in Jugendstil from 2D art (graphic design) to 3D art (architecture), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Van De Velde
Henry Clemens van de Velde (; 3 April 1863 – 15 October 1957) was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium.'''' He worked in Paris with Samuel Bing, the founder of the first gallery of Art Nouveau in Paris. Van de Velde spent the most important part of his career in Germany and became a major figure in the German Jugendstil. He had a decisive influence on German architecture and design at the beginning of the 20th century. Early life Van de Velde was born in Antwerp, where he studied painting under Charles Verlat at the famous Royal Academy of Fine Arts, Antwerp. He then went on to study with the painter Carolus-Duran in Paris. As a young painter he was strongly influenced by Paul Signac and Georges Seurat and soon adopted a neo-impressionist style, and pointillism. In 1889 he became a member of the Brussels-based artist group "Les XX". After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Behrens
Peter Behrens (14 April 1868 – 27 February 1940) was a leading German architect, graphic and industrial designer, best known for his early pioneering AEG Turbine Hall in Berlin in 1909. He had a long career, designing objects, typefaces, and important buildings in a range of styles from the 1900s to the 1930s. He was a foundation member of the German Werkbund in 1907, when he also began designing for AEG, pioneered corporate design,graphic design, producing typefaces, objects, and buildings for the company. In the next few years, he became a successful architect, a leader of the rationalist / classical German Reform Movement of the 1910s. After WW1 he turned to Brick Expressionism, designing the remarkable Hoechst Administration Building outside Frankfurt, and from the mid 1920s increasingly to New Objectivity. He was also an educator, heading the architecture school at Academy of Fine Arts Vienna from 1922 to 1936. As a well known architect he produced design across Germany, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Christiansen (artist)
Hans Christiansen (6 March 1866 in Flensburg – 5 January 1945 in Wiesbaden) was a German craftsman and painter of the Jugendstil ''Jugendstil'' ("Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of .... He was one of the founders of the Darmstadt artist colony. References External links 1866 births 1945 deaths German artists Art Nouveau artists {{Germany-artist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Hirth
Georg Hirth (13 July 1841 in Tonna – 28 March 1916 in Tegernsee) was a German writer, journalist and publisher. He is best known for founding the cultural magazine '' Jugend'' in 1896, which was instrumental in popularizing Art Nouveau. Biography Hirth was born in Tonna, present-day Thuringia in 1841, studied to be an economist in Gotha and in Leipzig, and after a career working as a journalist he founded the magazine '' Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben'' (''Youth: the illustrated weekly magazine of art and lifestyle of Munich''). This publication, which reflected the modernist ideals that were circulating at the time among artists, was instrumental in promoting the style of Art Nouveau in Germany. As a result, the magazine's name was adopted as the most common German-language term for the movement: ''Jugendstil'' ("''Jugend''-style"). Hirth also coined the term "Secession" to represent the spirit of the various modern and reactionary mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Eckmann
Otto Eckmann (19 November 1865 – 11 June 1902) was a German painter and graphic artist. He was a prominent member of the "floral" branch of Jugendstil. He created the Eckmann typeface, which was based on Japanese calligraphy and medieval font design. Biography Otto Eckmann was born in Hamburg, Germany in 1865. He studied at the Kunstgewerbeschule in Hamburg and Nuremberg and at the academy in Munich. In 1894, Eckmann gave up painting (and auctioned off his works) in order to concentrate on applied design. He began producing graphic work for the magazines Pan in 1895 and Jugend which had roughly 20,000 readers every week in 1896. He also designed book covers for the publishers Cotta, Diederichs, Scherl and Seemann, as well as the logo for the publishing house S. Fischer Verlag. Eckmann used woodblock print for his work on Jugend magazine similar to japanese woodblock prints and later-adapted French styles. Eckmann's work differed from others in the art nouveau movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Obrist
Hermann Obrist (23 May 1862 at Kilchberg (near Zürich), Switzerland – 26 February 1927, Munich, Germany) was a Swiss sculptor of the Jugendstil and Art Nouveau movement. He studied Botany and History in his youth; the influence of those subjects is detected in his later work in the field of applied arts. As a teacher, Hermann Obrist exerted a seminal influence on the rise and subsequent development of Jugendstil in Germany. Biography Hermann Obrist was the son of Doctor Carl Kaspar Obrist, of Zurich, and Alice Jane Grant Duff, sister of the British politician and statesman Mountstuart Grant Duff. He studied natural sciences and medicine in Heidelberg, and made several trips during which he had visions that determined his artistic vocation. After deciding in 1887 to follow this path, he enrolled at the School of Applied Arts in Karlsruhe to study art techniques. He received an award for his ceramics and furniture at the Paris Exposition of 1889. In 1890, he entered the scul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darmstadt Artists' Colony
The Darmstadt Artists’ Colony refers both to a group of Jugendstil artists as well as to the buildings in Mathildenhöhe in Darmstadt in which these artists lived and worked in the late 19th and early 20th centuries. The artists were largely financed by patrons and worked together with other members of the group who ideally had concordant artistic tastes. UNESCO recognized the Mathildenhöhe artists' colony in Darmstadt as a World Heritage Site in 2021, because of its testimony to early modern architecture and landscape design, and its influence in the reform movements of the early 20th century. Founding The artists’ colony was founded in 1899 by Ernest Ludwig, Grand Duke of Hesse. His motto was: "" ("My Hessian land shall flourish and in it, the art"), and he expected the combination of art and trade to provide economic impulses for his land. The artists’ goal was to be the development of modern and forward-looking forms of construction and living. To this end, Ernst Lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (magazine)
''Pan'' (1895-1915) was a Berlin-based German arts magazine, published by the PAN co-operative of artists, poets and critics. Focused on literature, theatre and music, the magazine published more than 20 issues "without reference to commercial, moral, personal or polemical questions, appreciating only the purely aesthetic viewpoint.” The magazine's mission was democratic in its commitment to '' Gesamtkunstwerk'' ("synthesized artwork"), and providing support to young artists of all kinds. To that end, the magazine sold tiered subscriptions: standard and luxury, and quickly "became the most expensive German art magazine of its era. Its artists-first commitment also led to its becoming one of the best representations of pan-European art in the early days of Abstract and Expressionist art. History Co-founded by Richard Dehmel and published from 1895 to 1900 in Berlin by Otto Julius Bierbaum and Julius Meier-Graefe, the group only ended up publishing three issues. In 1910, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
