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Jugend (magazine)
''Jugend'' (German: "Youth") (1896–1940) was an influential German arts magazine. Founded in Munich by Georg Hirth who edited it until his death in 1916, the weekly was originally intended to showcase German Arts and Crafts, but became famous for showcasing the German version of Art Nouveau instead. It was also famed for its "shockingly brilliant covers and radical editorial tone" and for its avant-garde influence on German arts and culture for decades, ultimately launching the eponymous Jugendstil ("Youth Style") movement in Munich, Weimar and Germany's Darmstadt Artists' Colony. The magazine, along with several others that launched more or less concurrently, including '' Pan, Simplicissimus'', ''Dekorative Kunst'' ("Decorative Art") and ''Deutsche Kunst und Dekoration'' ("German Art and Decoration") collectively roused interest among wealthy industrialists and the artistocracy, which further spread interest in Jugendstil from 2D art (graphic design) to 3D art (architecture), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schoenberner
Franz Schoenberner (December 18, 1892April 11, 1970) was a German editor and writer. Life and works Franz Schoenberner grew up as the eleventh child of a pastor in Berlin. From 1911 to 1914, he studied literature and art history in Berlin and Munich. From 1923–25, he was editor of the ''Auslandpost'', the literary supplement of the '' Allgemeine Zeitung'' and the weekly radio '' Süddeutscher Rundfunk''. In 1927, he was the successor of Georg Hirth as editor of the Art Nouveau journal ''Jugend''. Schoenberner became an associate of Thomas Theodor Heine and from November 1929 to March 1933, the last editor of ''Simplicissimus'', before Hitler's seizure of power. The editors and authors of ''Simplicissimus'' came into conflict with the Nazi's and many fled Germany for their lives. Schoenberner and his wife, novelist Ellie Nerac, followed Heine on 20 March 1933 to exile in Switzerland and then to France where he lived in Roquebrune-Cap-Martin on the French Riviera. During this ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Raders
Ludwig may refer to: People and fictional characters * Ludwig (given name), including a list of people and fictional characters * Ludwig (surname), including a list of people * Ludwig Ahgren, or simply Ludwig, American YouTube live streamer and content creator Arts and entertainment * ''Ludwig'' (cartoon), a 1977 animated children's series * ''Ludwig'' (film), a 1973 film by Luchino Visconti about Ludwig II of Bavaria * '' Ludwig: Requiem for a Virgin King'', a 1972 film by Hans-Jürgen Syberberg about Ludwig II of Bavaria * "Ludwig", a 1967 song by Al Hirt Other uses * Ludwig (crater), a small lunar impact crater just beyond the eastern limb of the Moon * Ludwig, Missouri, an unincorporated community in the United States * Ludwig Canal, an abandoned canal in southern Germany * Ludwig Drums, an American manufacturer of musical instruments * ''Ludwig'' (ship), a steamer that sank in 1861 after a collision with the '' Stadt Zürich'' See also * Ludewig * Ludvig * Ludwik * Ludwick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Eckmann
Otto Eckmann (19 November 1865 – 11 June 1902) was a German painter and graphic artist. He was a prominent member of the "floral" branch of Jugendstil. He created the Eckmann typeface, which was based on Japanese calligraphy and medieval font design. Biography Otto Eckmann was born in Hamburg, Germany in 1865. He studied at the Kunstgewerbeschule in Hamburg and Nuremberg and at the academy in Munich. In 1894, Eckmann gave up painting (and auctioned off his works) in order to concentrate on applied design. He began producing graphic work for the magazines Pan in 1895 and Jugend which had roughly 20,000 readers every week in 1896. He also designed book covers for the publishers Cotta, Diederichs, Scherl and Seemann, as well as the logo for the publishing house S. Fischer Verlag. Eckmann used woodblock print for his work on Jugend magazine similar to japanese woodblock prints and later-adapted French styles. Eckmann's work differed from others in the art nouveau movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; grc, wikt:Πάν, Πάν, Pán) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in Romanticism, the Romantic movement of western Europe and also in the 20th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan Pipe
A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory. Name The pan flute is named after Pan, the Greek god of nature and shepherds often depicted with such an instrument. The pan flute has become widely associated with the character Peter Pan created by Sir James Matthew Barrie, whose name was inspired by the god Pan. In Greek mythology, Syrinx (Σύριγξ) was a forest nymph. In her attempt to escape the affection of god Pan (a creature half goat and half man), she was transformed into a water-reed or calamos (cane-reed). Then, Pan cut several reeds, placed them in parallel one next to the other, and bound them together to make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden Secession
The Dresdner Sezession (Dresden Secession) was an art group aligned with German Expressionism founded by Otto Schubert, Conrad Felixmüller and his pupil Otto Dix in Dresden, during a period of political and social turmoil in the aftermath of World War I. The group's activity spanned from 1919 until its final collective exhibition in 1925. During its heyday, the group consisted of some of the most influential and prominent expressionist artists of their generations, including Will Heckrott, Lasar Segall, Otto Schubert and Constantin von Mitschke-Collande, as well as the architect Hugo Zehder and writers Walter Rheiner, Heinar Schilling, and Felix Stiemer. Much of what is considered by many art historians to be the true peak of German expressionist art occurred in the first decades of the twentieth century just prior to World War I. German expressionism of that period noted for its humourless and vicious criticism of the German government and upper classes, and was dominated by tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin Secession
The Berlin Secession was an art movement established in Germany on May 2, 1898. Formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded," demonstrating against the standards of academic or government-endorsed art. The movement is classified as a form of German Modernism, and came on the heels of several other secessions in Germany, including Jugendstil and the Munich Secession. History Rise and reign of the Secession The upheavals that led to the formation of the Berlin Secession began in 1891 on the occasion of the Great International Art Exhibition in Berlin. A dispute began after the commission of the Association of Berlin Artists rejected images done by Edvard Munch. In May 1898, under the leadership of Walter Leistikow, Franz Skarbina and Max Liebermann, various artists converged to form a "free association for the organization of artistic exhibitions". This group was governed b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich Secession
The Munich Secession was an association of visual artists who broke away from the mainstream Munich Artists' Association in 1892, to promote and defend their art in the face of what they considered official paternalism and its conservative policies. They acted as a form of cooperative, using their influence to assure their economic survival and obtain commissions. In 1901, the association split again when some dissatisfied members formed the group Phalanx. Another split occurred in 1913, with the founding of the New Munich Secession. Background By the end of the nineteenth century, more artists lived in Munich than lived in Vienna and Berlin put together. However, the art community there was dominated by the conservative attitudes of the Munich Artists' Association and its supporters in the government. These attitudes found expression in the official "mission statements", written by the so-called "Prince of Painters" (''Malerfürst'') Franz von Lenbach. Matters came to a head ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Secession
The Vienna Secession (german: Wiener Secession; also known as ''the Union of Austrian Artists'', or ''Vereinigung Bildender Künstler Österreichs'') is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession Building designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called '' Ver Sacrum'' (''Sacred Spring'', in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
