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Invalides
The Hôtel des Invalides ( en, "house of invalids"), commonly called Les Invalides (), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the , the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon. History Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and disabled () soldiers. The initial archi ...
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Invalides Aerial View
The Hôtel des Invalides ( en, "house of invalids"), commonly called Les Invalides (), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the , the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon. History Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and disabled () soldiers. The initial archi ...
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Napoleon's Tomb
Napoleon's tomb is the monument erected at Les Invalides in Paris to keep the mortal remains of Napoleon following their repatriation to France from Saint Helena in 1840, or , at the initiative of Louis Philippe I and his minister Adolphe Thiers. While the tomb's planning started in 1840, it was only completed two decades later and inaugurated by Napoleon III on 2 April 1861, after its promoter Louis Philippe I, architect Louis Visconti and main sculptors James Pradier and Pierre-Charles Simart had all died in the meantime. Background In early 1840, the government led by Adolphe Thiers appointed a twelve-member committee () to decide on the location and outline of the funerary monument and select its architect. The committee was chaired by politician Charles de Rémusat and included writers and artists such as Théophile Gautier, David d'Angers and Jean-Auguste-Dominique Ingres. In April 1840, the organized a competition in which 81 architects participated, whose projects ...
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Musée De L'Armée
The Musée de l'Armée (; "Army Museum") is a national military museum of France located at Les Invalides in the 7th arrondissement of Paris. It is served by Paris Métro stations Invalides, Varenne and La Tour-Maubourg The Musée de l'Armée was created in 1905 with the merger of the Musée d'Artillerie and the Musée Historique de l'Armée. The museum's seven main spaces and departments contain collections that span the period from antiquity through the 20th century. History The Musée de l'Armée was created in 1905 with the merger of the Musée d'Artillerie and the Musée Historique de l'Armée. The ''Musée de l'artillerie'' (Museum of Artillery - "''artillerie''" meaning all things related to weapons) was founded in 1795 in the aftermath of the French Revolution, and expanded under Napoleon. It was moved into the Hôtel des Invalides in 1871, immediately following the Franco-Prussian War and the proclamation of the Third Republic. Another institution called the ''Musée ...
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7th Arrondissement Of Paris
The 7th arrondissement of Paris (''VIIe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as ''le septième''. The arrondissement, called Palais-Bourbon in a reference to the seat of the National Assembly, includes some of the major and well-known tourist attractions of Paris, such as the Eiffel Tower, the Hôtel des Invalides (Napoleon's resting place), the Chapel of Our Lady of the Miraculous Medal, as well as a concentration of museums such as the Musée d'Orsay, Musée Rodin and the Musée du Quai Branly – Jacques Chirac. Situated on the Rive Gauche—the "Left" bank of the River Seine—this central arrondissement, which includes the historical aristocratic neighbourhood of Faubourg Saint-Germain, contains a number of French national institutions, among them the National Assembly and numerous government ministries. It is also home to many foreign diplomatic embassies, some of them occupy ...
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Hyacinthe Rigaud
Jacint Rigau-Ros i Serra (; 18 July 1659 – 29 December 1743), known in French as Hyacinthe Rigaud (), was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility. Biography Rigaud was born in Perpignan, then part of the Crown of Aragon, a few months before Spain ceded the city to France under the Treaty of the Pyrenees (7 November 1659). His family, the ''Rigau'', were Catalan; he was the son of a tailor, the grandson of painter-gilders from Roussillon, and the elder brother of another painter ( Gaspard). Rigaud was baptised with his Catalan name in the old Cathédrale Saint-Jean-Baptiste de Perpignan on 20 July 1659, two days after his birth at rue de la Porte-d'Assaut. His baptismal name was ''Jyacintho Rigau or Jacint Rigau i Ros'' This is sometimes transliterated as ''Híacint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau'' After the Roussillon and the Cerdanya were ceded to France the following 7 ...
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Pierre-Denis Martin (1663–1742)
Pierre-Denis Martin (1663 – 1742) was a French people, French Painting, painter of historical subjects, battles, hunts, and architectural views, particularly of royal residences, such as the Palace of Versailles and the Château de Compiègne. He was also known as Martin the Younger (''le jeune'') or Martin des Gobelins (because he was employed at the Gobelins Manufactory)."Martin, Pierre Denis" in Benezit 2006, vol. 9, p. 372. Background P.-D. Martin was born in Paris, and according to d'Argenville, he was the cousin of Jean-Baptiste Martin, while Pierre-Jean Mariette says he was Martin's nephew and pupil. He is also said to have been the pupil of Adam François van der Meulen and the Parrocel. Work He produced a series of paintings at the Château de Choisy, which are now in the Versailles Museum. The dictionary of artists by Bellier de la Chavignerie and Auvray incorrectly attributes several paintings by Pierre-Denis Martin in the Versailles Museum to Jean-Baptiste Martin ...
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Illusionistic Ceiling Painting
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andr ...
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Charles De La Fosse
Charles de La Fosse (or Lafosse; 15 June 1636 – 13 December 1716) was a French painter born in Paris. Life He was one of the most noted and least servile pupils of Le Brun, under whose direction he shared in the chief of the great decorative works undertaken in the reign of Louis XIV. Leaving France in 1662, he spent two years in Rome and three in Venice. The influence of his prolonged studies of Veronese is evident in his ''Finding of Moses'' (Louvre), and in his ''Rape of Proserpine'' (Louvre), which he presented to the Royal Academy as his diploma picture in 1673. He was at once named assistant professor, and in 1674 the full responsibilities of the office devolved on him, but his engagements did not prevent his accepting in 1689 the invitation of Lord Montagu to decorate Montagu House, situated in Bloomsbury. He visited London twice, remaining on the second occasion—together with Jacques Rousseau and Jean-Baptiste Monnoyer more than two years. William III vainly st ...
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Charles Le Brun
Charles Le Brun (baptised 24 February 1619 – 12 February 1690) was a French painter, physiognomist, art theorist, and a director of several art schools of his time. As court painter to Louis XIV, who declared him "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he worked under Poussin, adapting the latter's theories of art. While in Rome, Le Brun studie ...
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Seine
The Seine ( , ) is a river in northern France. Its drainage basin is in the Paris Basin (a geological relative lowland) covering most of northern France. It rises at Source-Seine, northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank). It is navigable by ocean-going vessels as far as Rouen, from the sea. Over 60 percent of its length, as far as Burgundy, is negotiable by large barges and most tour boats, and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the river banks in the capital city, Paris. There are 37 bridges in Paris across the Seine (the most famous of which are the Pont Alexandre III and the Pont Neuf) and dozens more outside the city. A notable bridge, which is also the last along the course of the river, is the Pont de Normandie, the ninth longest cable-stayed bridge in the world, wh ...
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Absolute Monarchy
Absolute monarchy (or Absolutism as a doctrine) is a form of monarchy in which the monarch rules in their own right or power. In an absolute monarchy, the king or queen is by no means limited and has absolute power, though a limited constitution may exist in some countries. These are often  hereditary monarchies. On the other hand, in constitutional monarchies, in which the authority of the head of state is also bound or restricted by the constitution, a legislature, or unwritten customs, the king or queen is not the only one to decide, and their entourage also exercises power, mainly the prime minister. Absolute monarchy in Europe declined substantially following the French Revolution and World War I, both of which led to the popularization of theories of government based on the notion of popular sovereignty. Absolute monarchies include Brunei, Eswatini, Oman, Saudi Arabia, Vatican City, and the individual emirates composing the United Arab Emirates, which itself i ...
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Allan Braham
Allan John Witney Braham (19 August 19373 March 2011) was an English art historian, architectural historian, author and art gallery curator. He was Deputy Director at the National Gallery, London. Biography Braham was born in Croydon, Surrey, to Dudley Braham and Florence (née Mears). He studied at Dulwich College in south London, then at the Courtauld Institute of Art, University of London, gaining a BA in 1960 and a PhD (on François Mansart's drawings for the Louvre) in 1967. Photographs contributed by Allan Braham to the Courtauld Institute of Art's Conway Library are currently being digitised as part of the Courtauld Connects project. Braham worked at the National Gallery, National Gallery, London, first as Assistant Keeper (1962-1973), then as Deputy Keeper (1973-1978), then as Keeper (1978-1989) and Deputy Director (1978-1992). Braham coordinated numerous exhibitions, and contributed to the accompanying catalogues. He was sole or co-author on books on art and architec ...
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