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Ignudi
The Sistine Chapel ceiling ( it, Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create '' The Last Judgment'', a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoe ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was s ...
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Sistine Chapel
The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, the chapel has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The fame of the Sistine Chapel lies mainly in the frescoes that decorate the interior, most particularly the Sistine Chapel ceiling and '' The Last Judgment'', both by Michelangelo. During the reign of Sixtus IV, a team of Renaissance painters that included Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Rosselli, created a series of frescos depicting the ''Life of Moses'' and the ''Life of Christ'', offset by papal portraits above and ''trompe-l'œil'' dr ...
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Papal Conclave
A papal conclave is a gathering of the College of Cardinals convened to elect a bishop of Rome, also known as the pope. Catholics consider the pope to be the apostolic successor of Saint Peter and the earthly head of the Catholic Church. Concerns around political interference led to reforms after the interregnum of 1268–1271 and Pope Gregory X's decree during the Second Council of Lyons in 1274 that the cardinal electors should be locked in seclusion (Latin for 'with a key') and not permitted to leave until a new pope had been elected. Conclaves are now held in the Sistine Chapel of the Apostolic Palace in Vatican City.John Paul II (22 February 1996)''Universi Dominici gregis''. '' Apostolic constitution''. Vatican City: Vatican Publishing House. Since the Apostolic Age, the bishop of Rome, like other bishops, was chosen by the consensus of the clergy and laity of the diocese.Baumgartner 2003, p. 4. The body of electors was more precisely defined when, in 1059, the ...
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Pier Matteo D'Amelia
Piermatteo de' Manfredi da Amelia (circa 1445 - died 1503/1508) was an Italian painter of the Renaissance period. Biography Piermatteo was born in Amelia, in Umbria. He is first recorded as being part of the circle of Filippo Lippi, active between 1467 and 1469, working on the decoration of the Spoleto Cathedral. From 1479 until 1480 he was in Rome, where he was one of the painters working in the Sistine Chapel; he contributed to the decoration of the stars on the ceiling. From 1480 until 1482 he was active in Orvieto, painting statues and decorating church fixtures and clocks. It was at this time that he did some work for the church of Sant'Agostino; these pieces have since been removed and are scattered among a number of collections. He returned to Rome, but was recalled in 1482 by the Council of Works for the Orvieto Cathedral, and was commissioned to help decorate the ''San Brizio Chapel''. Ultimately this work was later offered to Luca Signorelli. A fresco in Narni ...
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Cappella Sistina, Ricostruzione Dell'interno Prima Degli Interventi Di Michelangelo, Stampa Del XIX Secolo
Cappella may refer to: * Cappella (band), Italian electronic music group * a cappella, unaccompanied singing People with the surname * Felix Cappella (1930-2011), Canadian race walker * Scipione Cappella (fl. 18th century), Italian painter See also * A cappella (other), including "A Cappella" * Capella (other) Capella is a bright star in the constellation of Auriga. Capella may also refer to: Places * Capella, Queensland, a town in the Central Highlands Region, Australia * Capella, Aragon, a municipality in Huesca, Spain * Capella Island, a minor isl ... * Capela (other) {{disambiguation, surname ...
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Illusionism (art)
Illusionism in art history means either the artistic tradition in which artists create a work of art that appears to share the physical space with the viewer"Illusionism," ''Grove Art Online''. Oxford University Press, ccessed 17 March 2008 or more broadly the attempt to represent physical appearances precisely – also called mimesis. The term '' realist'' may be used in this sense, but that also has rather different meanings in art, as it is also used to cover the choice of ordinary everyday subject-matter, and avoiding idealizing subjects. Illusionism encompasses a long history, from the deceptions of Zeuxis and Parrhasius to the works of muralist Richard Haas in the twentieth century, that includes ''trompe-l'œil'', anamorphosis, optical art, abstract illusionism, and illusionistic ceiling painting techniques such as ''di sotto in sù'' and ''quadratura''. Sculptural illusionism includes works, often painted, that appear real from a distance. Other forms, such as the il ...
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Cosimo Rosselli
Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls. Though generally regarded as a lesser talent in comparison to Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio, who were all also active at the Sistine Chapel, Rosselli was still able to win large and important commission throughout his career, a testament to his high level of activity in his native Florence. Important local commissions include a fresco in the cloister of Santissima Annunziata, Florence and those in the Chapel of the Holy Blood in Sant'Ambrogio, Florence. Biography Cosimo Rosselli was born in Florence. In 1453, at the age of fourteen, he became a pupil of Neri di Bicci, who also trained Cosimo's cousin Bernardo di Stefano Rosselli.
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Luca Signorelli
Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–1503) in Orvieto Cathedral are considered his masterpiece. In his early 40s he returned to live in Cortona, after working in Florence, Siena and Rome (1478–84, painting a now lost section of the Sistine Chapel). With an established reputation, he remained based in Cortona for the rest of his life, but often travelled to the cities of the region to fulfill commissions. He was probably trained by Piero della Francesca in Florence, as his cousin Giorgio Vasari wrote, and his Quattrocento style became rather out of date in the new century. Cortona will host a major exhibition in 2023 to celebrate the 500th anniversary of his death. Biography He was born Luca d'Egidio di Ventura in Cortona, Tuscany (some sources call him Luca da Corto ...
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Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser known Perugian painters such as Bonfigli and Fiorenzo di Lorenzo. According to Vasari, Pinturicchio was a paid assistant of Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo Spagna, and a young Raphael may be mistaken, one for the other. In the execution of large frescoes, pupils a ...
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Moses
Moses hbo, מֹשֶׁה, Mōše; also known as Moshe or Moshe Rabbeinu ( Mishnaic Hebrew: מֹשֶׁה רַבֵּינוּ, ); syr, ܡܘܫܐ, Mūše; ar, موسى, Mūsā; grc, Mωϋσῆς, Mōÿsēs () is considered the most important prophet in Judaism and one of the most important prophets in Christianity, Islam, the Druze faith, the Baháʼí Faith and other Abrahamic religions. According to both the Bible and the Quran, Moses was the leader of the Israelites and lawgiver to whom the authorship, or "acquisition from heaven", of the Torah (the first five books of the Bible) is attributed. According to the Book of Exodus, Moses was born in a time when his people, the Israelites, an enslaved minority, were increasing in population and, as a result, the Egyptian Pharaoh worried that they might ally themselves with Egypt's enemies. Moses' Hebrew mother, Jochebed, secretly hid him when Pharaoh ordered all newborn Hebrew boys to be killed in order to reduce the populati ...
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Life Of Christ In Art
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects narrating the events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element. They are often grouped in series or cycles of works in a variety of media, from book illustrations to large cycles of wall paintings, and most of the subjects forming the narrative cycles have also been the subjects of individual works, though with greatly varying frequency. By around 1000, the choice of scenes for the remainder of the Middle Ages became largely settled in the Western and Eastern churches, and was mainly based on the major feasts celebrated in the church calendars. The most common subjects were grouped around the birth and childhood of Jesus, and the Passion of Christ, leading to his Crucifixion and Resurrec ...
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