|
Iemoto
is a Japanese term used to refer to the founder or current Grand Master of a certain school of traditional Japanese art. It is used synonymously with the term when it refers to the family or house that the iemoto is head of and represents. The word is also used to describe a system of familial generations in traditional Japanese arts such as tea ceremony (including ), , Noh, calligraphy, traditional Japanese dance, traditional Japanese music, the Japanese art of incense appreciation (), and Japanese martial arts. and Go once used the system as well. The system is characterized by a hierarchical structure and the supreme authority of the , who has inherited the secret traditions of the school from the previous . Titles An may be addressed by the title or , or by the title or . In English, is often translated as "Grand Master". The 's main roles are to lead the school and protect its traditions, to be the final authority on matters concerning the school, to issue or a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urasenke
is one of the main schools of Japanese tea ceremony. Along with and , it is one of the three lines of the family descending from , which together are known as the - or the "three houses/families" (). The name , literally meaning "rear house/family", came into existence due to the location of the homestead of this line of the family in relation to what was originally the frontmost house (the ) of the estate. The other main schools of Japanese tea ceremony, and , also follow this naming convention, with the former meaning "front house/family", and the latter derived from the street name of the family's homestead, . History The three houses derive from descendants of , who was active during the period and is the most historically important figure within Japanese tea ceremony. 's hometown was , in the province of (in present-day Osaka prefecture). However, as his activities became centered in Kyoto, he kept a house in Kyoto. He also had his adopted son-in-law, , who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hon'inbō School
In the history of Go in Japan, the four Go houses were four major schools of Go instituted, supported, and controlled by the state, at the beginning of the Tokugawa shogunate. (There were also many minor houses.) At roughly the same time shogi was organised into three houses. Here "house" implies an institution run on the recognised lines of the ''iemoto'' system common in all Japanese traditional arts. In particular, the house head had, in three of the four cases, a name handed down: Inoue Inseki, Yasui Senkaku, Hayashi Monnyu. References to these names, therefore, mean to the contemporary head of the house. The four houses were the Honinbo, Hayashi, Inoue, and Yasui. They were originally designed to be on a par with each other, and competed in the official castle games called '' oshirogo''. The houses Hon'inbō The Hon'inbō house (本因家) was easily the strongest school of Go for most of its existence. It was established in 1612 and survived until 1940. Upon the closure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shogi
, also known as Japanese chess, is a strategy board game for two players. It is one of the most popular board games in Japan and is in the same family of games as Western chess, ''chaturanga, Xiangqi'', Indian chess, and '' janggi''. ''Shōgi'' means general's (''shō'' ) board game (''gi'' ). Western chess is sometimes called (''Seiyō Shōgi'' ) in Japan. Shogi was the earliest chess-related historical game to allow captured pieces to be returned to the board by the capturing player. This drop rule is speculated to have been invented in the 15th century and possibly connected to the practice of 15th century mercenaries switching loyalties when captured instead of being killed. The earliest predecessor of the game, chaturanga, originated in India in the sixth century, and the game was likely transmitted to Japan via China or Korea sometime after the Nara period."Shogi". ''Encyclopædia Britannica''. 2002. Shogi in its present form was played as early as the 16th century, while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dōshu
The Aikikai is the original school of Aikido. It is centered on the Aikikai Foundation in Japan, and its figurehead is the Doshu (the family heir of the founder of Aikido). It is represented globally through the International Aikido Federation. Aikikai Foundation The is the original aikido organization. It has been an incorporated entity in Japan since 1940 under the name , then re-registered under the name "Aikikai" after the ban on Aikido practice was lifted by the GHQ in 1948. It is headed by the doshu, the living successor of the founder of aikido. In its name, ''Kai'' (会) simply means assembly or club. The Aikikai Foundation operates Hombu dojo, which is also named Aikido World Headquarters. It is sometimes called the Aikikai Hombu to distinguish it from the headquarters of later aikido organisations. It is located in Tokyo. The term "Hombu" may sometimes be used loosely to refer to the upper echelons of instructors at Hombu dojo, or to the Aikikai Foundation itself. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōke
, pronounced , is a Japanese term that means "the head family ouse" In the realm of Japanese traditional arts, it is used synonymously with the term ''iemoto''. Thus, it is often used to indicate "headmaster" (or sometimes translated as "head of the family" or even " grand master"). The English translation of ''sōke'' as "grand master" is not a literal translation but it does see use by some Japanese sources. It can mean one who is the leader of any school or the master of a style, but it is most commonly used as a highest level Japanese title, referring to the singular leader of a school or style of martial art. The term, however, is not limited to the genre of martial arts. Sōke is sometimes mistakenly believed to mean "founder of a style" because many modern sōke are the first generation headmasters of their art (''shodai sōke''; 初代宗家), and are thus both sōke and founder. However, the successors to the ''shodai sōke'' are also sōke themselves. Sōke are generall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Tea Ceremony
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sencha Tea Ceremony
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikebana
is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. reached its first zenith in the 16thcentury under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology is from the Japanese and . Possible translations include "giving life to flowers" and "arranging flowers". History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Budd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikenobō
is the oldest and largest school of ''ikebana'', the Japanese art of floral design. It was founded in the 15th century by the Buddhist monk Senno. The school is based at the Rokkaku-dō temple in Kyoto. The name is derived from a pond (''ike'') where Prince Shōtoku (聖徳太子) was bathing. History The custom of placing flowers on the altar began when Buddhism was introduced to Japan by way of emissaries to China in about 538. In Japan people tried to give deeper meaning to the thoughts accompanying flower arranging. In other words, they wished to arrange flowers (''tateru'', to arrange stems in an upright or standing manner), rather than casually placing them in a vase. An earlier attitude of passive appreciation developed into a more deeply considered approach. Early forms of Ikebana referred to as ''tatehana'' were arranged. The Rokkaku-dō in Kyoto is the site of the birth and earliest development of ''ikebana''. The name ''Rokkaku'' refers to the hexagonal shape o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Shogunate
The Tokugawa shogunate (, Japanese 徳川幕府 ''Tokugawa bakufu''), also known as the , was the military government of Japan during the Edo period from 1603 to 1868. Nussbaum, Louis-Frédéric. (2005)"''Tokugawa-jidai''"in ''Japan Encyclopedia'', p. 978.Nussbaum"''Edo-jidai''"at p. 167. The Tokugawa shogunate was established by Tokugawa Ieyasu after victory at the Battle of Sekigahara, ending the civil wars of the Sengoku period following the collapse of the Ashikaga shogunate. Ieyasu became the ''shōgun,'' and the Tokugawa clan governed Japan from Edo Castle in the eastern city of Edo (Tokyo) along with the ''daimyō'' lords of the ''samurai'' class.Nussbaum"Tokugawa"at p. 976. The Tokugawa shogunate organized Japanese society under the strict Tokugawa class system and banned most foreigners under the isolationist policies of ''Sakoku'' to promote political stability. The Tokugawa shoguns governed Japan in a feudal system, with each ''daimyō'' administering a ''han'' (f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ohara-ryū
is a school of ''Ikebana'', or Japanese floral art. History Ohara Unshin (小原雲心) (1861–1916) started his own Ikebana school in 1895 when Japan opened up its economy to the West and began to import European flowers. The official founding date was in 1912. For the purpose of this art form, he developed shallow, circular, ceramic vases, which became known as the ''moribana'' style. Ohara's son Koun (小原光雲) (1880–1938) invented a descriptive teaching method and moved from individual lessons to group classes. For the first time, teaching certificates were awarded to women. Under Houn's guidance, the school grew. Its headquarters were in Tokyo and Kobe, with other centers in New York and São Paulo. He developed the typical landscape style, as well as the ''rimpa'' and '' bunjin'' floral arrangements. The inspirations for ''rimpa'' came to him from rolling picture scrolls, screens (''byōbu'') and painted subjects of the 17th century. Chinese poetry became the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2007 06 19 Maria Kaczynska 01
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
