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Gorgoneion
In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used by the Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant,. and often are depicted wearing it. It established their descent from earlier deities considered to remain powerful. Among other attributes, it was assumed by rulers of the Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. Origin According to Marija Gimbutas, ''gorgoneia'' represent certain aspects of the Mother Goddess cult associated with "dynamic life energy" and asserts that the images may be related to a cultural continuity persisting since the Neolithic period defining the ''gorgoneion'' as a quintessentially European image. Jane Ellen Harrison, on the other hand, claims that many primitive cultures use similar ritual masks in order to scare the owner fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgoneion Cdm Paris 320
In Ancient Greece, the Gorgoneion (Greek language, Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used by the Olympian gods, Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant,. and often are depicted wearing it. It established their Family tree of the Greek gods, descent from earlier deities considered to remain powerful. Among other attributes, it was assumed by rulers of the Hellenistic period, Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. Origin According to Marija Gimbutas, ''gorgoneia'' represent certain aspects of the Mother Goddess cult associated with "dynamic life energy" and asserts that the images may be related to a cultural continuity persisting since the Neolithic period defining the ''gorgoneion'' as a quintessentially European image. Jane Ellen Harrison, on the other hand, claims th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medusa Rondanini
The over-lifesize ''Medusa Rondanini'', the best late Hellenistic or Augustan Roman marble copy of the head of Medusa, is rendered more humanized and beautiful than the always grotesque apotropaic head of Medusa that appeared as the ''Gorgoneion'' on the aegis of Athena. The ''Medusa Rondanini'' is located in the Glyptothek in Munich, Germany, having been purchased by the art-loving king Ludwig of Bavaria from the heirs of the marchese Rondanini, during his Grand Tour of Italy as a prince. History The Medusa Rondanini was formerly exhibited in Palazzo Rondanini in the upper end of via del Corso, Rome, where it was overlooked by the great art historian Johann Joachim Winckelmann, perhaps distracted by Michelangelo's Rondanini Pietà in the same collection. It was much admired, nevertheless, by Goethe, who was struck by its "unspeakable anguished stare of death" and said of it, when first bringing it to the attention of art historians in 1786, that "the mere knowledge that suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye-cup
Eye-cup is the term describing a specific cup type in ancient Greek pottery, distinguished by pairs of eyes painted on the external surface. Description Classified as '' kylikes'' in terms of shape, eye-cups were especially widespread in Athens and Chalkis in the second half of the sixth century BC. The bowl of the eye-cup rests on a short squat foot; both sides are dominated by large painted pairs of eyes under arched eyebrows. The eyeballs are painted in silhouette style, later often filled with white paint or painted white on black. Some eyes are “female”, i.e. almond-shaped and without tear-ducts. Often, a stylized nose is placed centrally between the eyes. While used as a drinking vessel, due to the necessary inclination of the vessel, the cup with its painted eyes, the handles looking like ears and the base of the foot like a mouth, would have resembled a mask. Many of the vases also bear dionysiac imagery. The eyes are assumed to have served an apotropaic (evil-a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonzaga Cameo
The Gonzaga Cameo is a Hellenistic engraved gem; a cameo of the ''capita jugata'' variety cut out from the three layers of an Indian sardonyx, dating from perhaps the 3rd century BC.Gonzaga Cameo history It was a centrepiece of the Gonzaga collection of antiquities, first described in a 1542 inventory of 's collection as representing and . [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgon
A Gorgon (Help:IPA/English, /ˈɡɔːrɡən/; plural: Gorgons, Ancient Greek language, Ancient Greek: Γοργών/Γοργώ ''Gorgṓn/Gorgṓ'') is a creature in Greek mythology. Gorgons occur in the earliest examples of Greek literature. While descriptions of Gorgons vary, the term most commonly refers to three sisters who are described as having hair made of living, venomous Snake, snakes and horrifying visages that Petrifaction in mythology and fiction, turned those who beheld them to stone. Traditionally, two of the Gorgons, Stheno and Euryale (Gorgon), Euryale, were immortal, but their sister Medusa was not and was slain by the demigod and hero Perseus. Etymology The name derives from the Ancient Greek word (), which means 'grim or dreadful', and appears to come from the same root as the Sanskrit word (), which means a guttural sound, similar to the growling of a beast, thus possibly originating as an onomatopoeia. Depictions Gorgons were a popular image in Greek myt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aegis
The aegis ( ; grc, αἰγίς ''aigís''), as stated in the ''Iliad'', is a device carried by Athena and Zeus, variously interpreted as an animal skin or a shield and sometimes featuring the head of a Gorgon. There may be a connection with a deity named Aex or Aix, a daughter of Helios and a nurse of Zeus or alternatively a mistress of Zeus (Hyginus, ''Astronomica'' 2. 13). The modern concept of doing something "under someone's ''aegis'' means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word ''aegis'' is identified with protection by a strong force with its roots in Greek mythology and adopted by the Romans; there are parallels in Norse mythology and in Egyptian mythology as well, where the Greek word ''aegis'' is applied by extension. Etymology The Greek ''aigis'', has many meanings including: # "violent windstorm", from the verb ''aïssō'' (word stem ''aïg-'') = "I rush or move violently". Akin to ''kataigis'', "thund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boar
The wild boar (''Sus scrofa''), also known as the wild swine, common wild pig, Eurasian wild pig, or simply wild pig, is a suid native to much of Eurasia and North Africa, and has been introduced to the Americas and Oceania. The species is now one of the widest-ranging mammals in the world, as well as the most widespread suiform. It has been assessed as least concern on the IUCN Red List due to its wide range, high numbers, and adaptability to a diversity of habitats. It has become an invasive species in part of its introduced range. Wild boars probably originated in Southeast Asia during the Early Pleistocene and outcompeted other suid species as they spread throughout the Old World. , up to 16 subspecies are recognized, which are divided into four regional groupings based on skull height and lacrimal bone length. The species lives in matriarchal societies consisting of interrelated females and their young (both male and female). Fully grown males are usually solitary outsid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tusk
Tusks are elongated, continuously growing front teeth that protrude well beyond the mouth of certain mammal species. They are most commonly canine teeth, as with pigs and walruses, or, in the case of elephants, elongated incisors. Tusks share common features such as extra-oral position, growth pattern, composition and structure, and lack of contribution to ingestion. Tusks are thought to have adapted to the extra-oral environments, like dry or aquatic or arctic. In most tusked species both the males and the females have tusks although the males' are larger. Most mammals with tusks have a pair of them growing out from either side of the mouth. Tusks are generally curved and have a smooth, continuous surface. The male narwhal's straight single helical tusk, which usually grows out from the left of the mouth, is an exception to the typical features of tusks described above. Continuous growth of tusks is enabled by formative tissues in the apical openings of the roots of the teeth. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evil Eye
The Evil Eye ( grc, ὀφθαλμὸς βάσκανος; grc-koi, ὀφθαλμὸς πονηρός; el, (κακό) μάτι; he, עַיִן הָרָע, ; Romanian: ''Deochi''; it, malocchio; es, mal de ojo; pt, mau-olhado, olho gordo; ar, عين الحسد, ; fa, چشم زخم, ; prs, چشم مهره ; tr, Nazar boncuğu; Kazakh: Көз) is a supernatural belief in a curse, brought about by a malevolent glare, usually given to a person when one is unaware. The evil eye dates back about 5,000 years. In the 6th century BC it appeared on '' Chalcidian'' drinking vessels, known as ' eye-cups', as a type of apotropaic magic. It is found in many cultures in the Mediterranean region as well as Western Asia and Central Asia with such cultures often believing that receiving the evil eye will cause misfortune or injury, while others believe it to be a kind of supernatural force that casts or reflects a malevolent gaze back-upon those who wish harm upon others (especially inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
