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Gatha Christie
''Gāthā'' is a Sanskrit term for 'song' or 'verse', especially referring to any poetic metre which is used in legends, and is not part of the Vedas but peculiar to either Epic Sanskrit or to Prakrit. The word is originally derived from the Sanskrit/Prakrit root ''gai'', which means 'to speak, sing, recite or extol', cognate to the Avestan term ''gatha''. The stanzas of the Prakrit dialects of Ardhamagadhi, Sauraseni and Pāli are known as ''gathas'' as opposed to ''shlokas'' and sutras of Sanskrit and ''dohas'' of '' Apabhramsha''. Most of the Jain and Buddhist texts written in Prakrit are composed of ''gathas'' (or verses/stanzas). Thus, ''gatha'' can mean any Prakrit and Pali verses in general,Amaresh Datta (1988) ''Encyclopaedia of Indian literature vol. 2'' Chennai: Sahitya Academy p. 1374 or specifically the arya meter of Sanskrit; versified portions of Pāli Canon ''( Tipitaka)'' of Theravāda Buddhism are also specifically called ''gathas''. In contemporary Buddhist pra ...
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Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ...
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Pāli Canon
The Pāli Canon is the standard collection of scriptures in the Theravada Buddhist tradition, as preserved in the Pāli language. It is the most complete extant early Buddhist canon. It derives mainly from the Tamrashatiya school. During the First Buddhist Council, three months after the parinibbana of Gautama Buddha in Rajgir, Ananda recited the Sutta Pitaka, and Upali recited the Vinaya Pitaka. The Arhats present accepted the recitations and henceforth the teachings were preserved orally by the Sangha. The Tipitaka that was transmitted to Sri Lanka during the reign of King Asoka were initially preserved orally and were later written down on palm leaves during the Fourth Buddhist Council in 29 BCE, approximately 454 years after the death of Gautama Buddha. The claim that the texts were "spoken by the Buddha", is meant in this non-literal sense. The existence of the bhanaka tradition existing until later periods, along with other sources, shows that oral tradition conti ...
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Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ...
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Genres Of Poetry
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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Buddhist Poetry
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; an ...
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Vedic Meter
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent ones syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :- 8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :- 12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :- 16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :- 20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). (Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H.H. Wilson). Fur ...
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Jain Prakrit
The Prakrits (; sa, prākṛta; psu, 𑀧𑀸𑀉𑀤, ; pka, ) are a group of vernacular Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 3rd century BCE to the 8th century CE. The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding earlier inscriptions and the later Pali. ''Prākṛta'' literally means "natural", as opposed to ''saṃskṛta'', which literally means "constructed" or "refined". Prakrits were considered the regional spoken (informal) languages of people, and Sanskrit was considered the standardized (formal) language used for literary, official and religious purposes across Indian kingdoms of the subcontinent. Literary registers of Prakrits were also used contemporaneously (predominantly by śramaṇa traditions) alongside Classical Sanskrit of higher social classes. Etymology The dictionary of Monier Monier-Williams (1819–1899), and other modern authors however, interpret ...
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Jain Agamas (Śvētāmbara)
Jain literature (Sanskrit: जैन साहित्य) refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical ''Jain Agamas,'' which are written in Ardhamagadhi, a Prakrit ( Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit. Jain literature is primarily divided between the canons of the ''Digambara'' and ''Śvētāmbara'' orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative. More recent Jain literature has also been written in other languages, like Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam and more recently in English. Beliefs The Jain tradition believes that their religion is eternal, and the ...
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Gatha Saptashati
The Gāhā Sattasaī or Gāhā Kośa ( sa, गाथासप्तशती Gāthā Saptaśatī) is an ancient collection of Indian poems in Maharashtri Prakrit language. The poems are about love. They are written as frank monologues usually by a married woman, or an unmarried girl. They often express her unrequited feelings and longings to her friend, mother or another relative, lover, husband or to herself. Many poems are notable for describing unmarried girls daring for secret rendezvous to meet boys in ancient India, or about marital problems with husbands who remains emotionally a stranger to his wife and bosses over her, while trying to have affairs with other women. ''Gatha Saptasati'' is one of the oldest known Subhashita-genre text. It deals with the emotions of love, and has been called as "opposite extreme" to ''Kamasutra''. While ''Kamasutra'' is a theoretical work on love and sex, ''Gaha Sattasai'' is a practical compilation of examples describing "untidy reality o ...
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Gandhāran Buddhist Texts
The Gandhāran Buddhist texts are the oldest Buddhist manuscripts yet discovered, dating from about the 1st century BCE to 3rd century CE. They represent the literature of Gandharan Buddhism from present-day northwestern Pakistan and eastern Afghanistan, and are written in Gāndhārī. They were sold to European and Japanese institutions and individuals, and are currently being recovered and studied by several universities. The Gandhāran texts are in a considerably deteriorated form (their survival alone is extraordinary), but educated guesses about reconstruction have been possible in several cases using both modern preservation techniques and more traditional textual scholarship, comparing previously known Pāli and Buddhist Hybrid Sanskrit versions of texts. Other Gandhāran Buddhist texts—"several and perhaps many"—have been found over the last two centuries but lost or destroyed. The texts are attributed to the Dharmaguptaka sect by Richard Salomon, the leading schola ...
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Early Buddhist Texts
Early Buddhist texts (EBTs), early Buddhist literature or early Buddhist discourses are parallel texts shared by the early Buddhist schools. The most widely studied EBT material are the first four Pali Nikayas, as well as the corresponding Chinese Āgamas.Mun-Keat Choong (1999). ''The Notion of Emptiness in Early Buddhism,'' Motilal Banarsidass, p. 3. However, some scholars have also pointed out that some Vinaya material, like the Patimokkhas of the different Buddhist schools, as well as some material from the earliest Abhidharma texts could also be quite early.Frauwallner, Erich. Kidd, Sophie Francis (translator). Steinkellner, Ernst (editor). ''Studies in Abhidharma Literature and the Origins of Buddhist Philosophical Systems.'' SUNY Press. pp. 18, 100. Besides the large collections in Pali and Chinese, there are also fragmentary collections of EBT materials in Sanskrit, Khotanese, Tibetan and Gāndhārī. The modern study of early pre-sectarian Buddhism often relies on comp ...
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Dhammapada
The Dhammapada (Pāli; sa, धर्मपद, Dharmapada) is a collection of sayings of the Buddha in verse form and one of the most widely read and best known Buddhist scriptures. The original version of the Dhammapada is in the Khuddaka Nikaya, a division of the Pali Canon of Theravada Buddhism. The Buddhist scholar and commentator Buddhaghosa explains that each saying recorded in the collection was made on a different occasion in response to a unique situation that had arisen in the life of the Buddha and his monastic community. His translation of the commentary, the ''Dhammapada Atthakatha'', presents the details of these events and is a rich source of legend for the life and times of the Buddha. Etymology The title "Dhammapada" is a compound term composed of ''dhamma'' and ''pada'', each word having a number of denotations and connotations. Generally, ''dhamma'' can refer to the Buddha's "doctrine" or an "eternal truth" or "righteousness" or all "phenomena"; at its ...
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