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Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuevo Flamenco
New flamenco (or ''nuevo flamenco'') or flamenco fusion is a musical genre that was born in Spain, starting in the 1980s. It combines flamenco guitar virtuosity and traditional flamenco music with musical fusion (with genres like jazz, blues, rock, rumba, and years later reggaeton, hip hop, or electronic). Origins Spain in the 1970s had changed in politics and society after the democratic transition. Traditional flamenco artists, being displaced in Spain in the 1950s and 1960s by rock-and-roll and influenced by the variety of musical styles that came from the rest of Europe and America, created the so-called "flamenco fusion". José Antonio Pulpón was the decisive instigator of this fusion. He urged the cantaor Agujetas to collaborate with the Andalusian rock group Pata Negra, and fostered the artistic union between Paco de Lucía and Camarón de la Isla, who gave flamenco a creative boost, representing the definitive break with Mairena's conservatism . Camarón was a popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cante Intermedio
The cante flamenco (), meaning "flamenco singing", is one of the three main components of flamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor'' or ''cantaora''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the '' cant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cante Flamenco
The cante flamenco (), meaning "flamenco singing", is one of the three main components of flamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor'' or ''cantaora''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the '' cant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Spain
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the Jota (music), jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays commercial pop music dominates. Origins of the music of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romani People In Spain
The Romani in Spain, generally known by the exonym () or the endonym ''Calé'', belong to the Iberian Cale Romani subgroup, with smaller populations in Portugal (known as ) and in Southern France. Their sense of identity and cohesion stems from their shared value system, expressed among the as the ('Gypsy laws'). Traditionally, they maintain their social circles strictly within their patrigroups, as interaction between patrigroups increases the risk of feuding, which may result in fatalities. The emergence of Pentecostalism has impacted this practice, as the lifestyle of Pentecostal ''gitanos'' involves frequent contact with ''gitanos'' from outside their own patrigroups during church services and meetings. Data on ethnicity are not collected in Spain, although the public pollster CIS estimated in 2007 that the number of ''gitanos'' present in Spain is probably around one million. Name The term ''gitano'' evolved from the word ''egiptano'' ("Egyptian"), which was the Old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gitanos
The Romani in Spain, generally known by the exonym () or the endonym ''Calé'', belong to the Iberian Cale Romani subgroup, with smaller populations in Portugal (known as ) and in Southern France. Their sense of identity and cohesion stems from their shared value system, expressed among the as the ('Gypsy laws'). Traditionally, they maintain their social circles strictly within their patrigroups, as interaction between patrigroups increases the risk of feuding, which may result in fatalities. The emergence of Pentecostalism has impacted this practice, as the lifestyle of Pentecostal ''gitanos'' involves frequent contact with ''gitanos'' from outside their own patrigroups during church services and meetings. Data on ethnicity are not collected in Spain, although the public pollster CIS estimated in 2007 that the number of ''gitanos'' present in Spain is probably around one million. Name The term ''gitano'' evolved from the word ''egiptano'' ("Egyptian"), which was the Old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusia
Andalusia (, ; es, Andalucía ) is the southernmost Autonomous communities of Spain, autonomous community in Peninsular Spain. It is the most populous and the second-largest autonomous community in the country. It is officially recognised as a Nationalities and regions of Spain, "historical nationality". The territory is divided into eight Provinces of Spain, provinces: Province of Almería, Almería, Province of Cádiz, Cádiz, Province of Córdoba (Spain), Córdoba, Province of Granada, Granada, Province of Huelva, Huelva, Province of Jaén (Spain), Jaén, Province of Málaga, Málaga, and Province of Seville, Seville. Its capital city is Seville. The seat of the High Court of Justice of Andalusia is located in the city of Granada. Andalusia is located in the south of the Iberian Peninsula, in southwestern Europe, immediately south of the autonomous communities of Extremadura and Castilla-La Mancha; west of the autonomous community of Region of Murcia, Murcia and the Mediterr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siguiriyas
''Siguiriyas'' (; also ''seguiriyas'', ''siguerillas'', ''siguirillas'', ''seguidilla gitana'', etc.) are a form of flamenco music in the cante jondo category. This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani (Calé) in origin. Siguiriyas are normally played in the key of A Phrygian with each measure (the compás) consisting of 12 counts with emphasis on the 1st, 3rd, 5th, 8th and 11th beats as shown here: : : '' 2 '' 4 '' 6 7 '' 9 10 1'' 12 This rhythm can be contrasted with the rhythmic pattern of the soleares, which also has 12 beats, but the accents fall differently. Taking the unusual accenting into account, it can technically be seen as a measure of 3/4 (counted in eighth notes) starting on "2", then a measure of 6/8 followed by the "1 and" of the 3/4. Every note is evenly spaced apart. For example: : : '' and '' and '' 2 3 '' 5 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soleá
''Soleares'' (plural of ''soleá'', ) is one of the most basic forms or '' palos'' of Flamenco music, probably originating among the Calé Romani people of Cádiz or Seville in Andalusia, the most southern region of Spain. It is usually accompanied by one guitar only, in phrygian mode "''por arriba''" (fundamental on the 6th string); "'' Bulerías por soleá''" is usually played "''por medio''" (fundamental on the 5th string). Soleares is sometimes called "mother of palos" although it is not the oldest one (e.g. siguiriyas is older than soleares) and not even related to every other palo (e.g. fandangos family is from a different origin) Lyrics When singers sing soleá, as with most palos, they normally choose different "''coplas''" (stanzas), with different melody, and combine them according to the inspiration of the moment or to a previous plan. Even if the singer has a previous plan, it is often altered on the spur of the moment. These stanzas are independent in subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belén Maya
Belén Maya (born 1966) is a Spanish flamenco dancer, choreographer and educator. She is the daughter of Mario Maya, a Romani man considered one of the most innovative flamenco dancers in Spanish history and Carmen Mora, also a flamenco dancer. She was born in New York City while her parents were on tour performing. Maya began dancing while still young and studied classical, Hindu and contemporary dance in Italy, Germany and England. She also studied at the Amor de Dios school in Madrid with teachers including Paco Fernández, Goyo Montero, Carmen Cortés, Paco Romero and Rosa Naranjo. She joined the Spanish National Ballet, later joining her father's company. She then formed her own company, going on tour in Japan; she next joined the Andalusian Dance Company. In 1995 she was chosen to be the head of "Flamenco", a documentary by Carlos Saura. The director chose Belén Maya as one of the representatives of the new aesthetics of flamenco. This movie, original name "Flamand", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Rock
Flamenco rock or Andalusian rock is a rock music subgenre that emerged from (but is not limited to) the Spanish region of Andalusia throughout the late 1960s and early 1970s. There were some precedents like a couple of albums (''Rock encounter'' and ''The Soul of Flamenco and the Essence of Rock'') by Sabicas, a handful of singles by Smash, Gong, Galaxia, Flamenco or even the American band Carmen. However, Triana was recognized as a pioneer of the genre since their music focuses on a homogeneous fusion of the progressive rock and flamenco. Many bands that mixed progressive and symphonic rock with flamenco followed them such as Imán Califato independiente, Cai, Guadalquivir, Alameda or Mezquita; that's why the term ''Andalusian rock'' may be understood simply as ''flamenco prog''. Medina Azahara turned from progressive to a hard rock outfit in the 1980s and they remain as one of the most popular flamenco rock bands in its home nation. Also other flamenco-influenced styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tientos (flamenco)
Tientos is a flamenco Andalusian palo which has a rhythm consisting of 4 beats. It is in the same family as the Tangos, but slower and with different topics, lyrics and mood. Every Tientos becomes a Tangos at the end of the song/dance. Traditionally, cantaor El Marrurro (1848 -1906) has been considered one of the creators of this style. Enrique el Mellizo gave it the modern form by which we know it today. Other famous cantaores who interpreted this style were Antonio Chacón and Pastora Pavón. Like many Cante Jondo ''Cante jondo'' (Andalusian ) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with ''hondo'' ("deep") spelled with J () as a form of eye dialect, because traditional Andalusian pro ..., traditional Tientos lyrics (letras) tend to be pathetic, sentimental, and speak about the lack of love, disillusionment and revenge. Dancers strive to capture this mood in their solos. It can be danced by a man or a woma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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