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Faux Painting
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word ''faux'', meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces. History Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and ''trompe-l'œil'' murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faux Paint Sample 1
Faux may refer to: People *Faux (surname) Places Places in Belgium * Faux, a village in the Belgian commune of Court-Saint-Étienne Places in France * Faux, Ardennes, French commune of the Ardennes department * Faux, Dordogne, French commune of the Dordogne department * Faux-Fresnay, French commune of Marne department * Faux-la-Montagne, French commune of the Creuse department * Faux-Mazuras, French commune of the Creuse department * Faux-Vésigneul, French commune of the Marne department * Faux-Villecerf, French commune of the Aube department Other uses * Faux de Verzy, dwarf beech from the region of Reims, France * Faux (river), river in the French Ardennes * Faux (band), an English alternative rock band See also * Faulx (other) * * {{disambiguation, geo, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surface Decorative Techniques In Woodworking
A surface, as the term is most generally used, is the outermost or uppermost layer of a physical object or space. It is the portion or region of the object that can first be perceived by an observer using the senses of sight and touch, and is the portion with which other materials first interact. The surface of an object is more than "a mere geometric solid", but is "filled with, spread over by, or suffused with perceivable qualities such as color and warmth". The concept of surface has been abstracted and formalized in mathematics, specifically in geometry. Depending on the properties on which the emphasis is given, there are several non equivalent such formalizations, that are all called ''surface'', sometimes with some qualifier, such as algebraic surface, smooth surface or fractal surface. The concept of surface and its mathematical abstraction are both widely used in physics, engineering, computer graphics, and many other disciplines, primarily in representing the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Furniture
Furniture refers to movable objects intended to support various human activities such as seating (e.g., stools, chairs, and sofas), eating ( tables), storing items, eating and/or working with an item, and sleeping (e.g., beds and hammocks). Furniture is also used to hold objects at a convenient height for work (as horizontal surfaces above the ground, such as tables and desks), or to store things (e.g., cupboards, shelves, and drawers). Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture. People have been using natural objects, such as tree stumps, rocks and moss, as furniture since the beginning of human civilization and continues today in some households/campsite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faux Painting
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word ''faux'', meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces. History Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and ''trompe-l'œil'' murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rag Painting
{{unreferenced, date=August 2007 Rag painting or ragging is a form of faux painting using paint thinned out with glaze and old rags to create a lively texture on walls and other surfaces. Ragging can be done as a negative or positive technique. The former involves rolling glaze over the entire surface, and removing it with clean rags to reveal the underlying paint color in a pleasing textural pattern. The latter is accomplished by applying glaze directly to the wall with a rag, and creates a similar pattern. Ragging is a very adaptable finish that can be used in a variety of areas, creating the illusion of an old world texture, but on a flat surface that can be easily painted over. Ragging can be done in a variety of patterns, including rag rolling, in which the rags are twisted together and then rolled over a wet glazed surface creating the illusion of fabrics such a velvet or silk. Ragging is also often used as a pattern underneath stenciling. See also * Strie * Color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strié
''Strié'' is a popular form of faux painting using glaze and paint brushes to create a soft natural striped texture. Strié is a negative glaze technique. The glaze is generally rolled over the entire surface, and then removed with a tool such as a brush.Phil Schmidt, ''Building & Finishing Walls & Ceilings'', Creative Publishing International, 2002, p86. The word ''strié'' can be used to describe this process of painting, or to describe the actual finish created. Strié is a simple technique that can be altered and elaborated in many ways. It can be done on its own, with the streaks directed either vertically or horizontally. It can be brushed over a raised plaster stencil. It is also very popular to overlap a horizontal and vertical strié, creating the look of fabrics such as linen or denim. This is often referred to as a linen weave or burlap strié. References See also * Faux finishing * Color wash 250px, Example of a color wash in multiple hues A color wash i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Wash
250px, Example of a color wash in multiple hues A color wash is a popular technique in faux painting using paint Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many ... thinned out with glaze to create a subtle wash of color over walls or other surfaces. Color washing gives a surface a translucent, watercolor appearance. It can be used to add texture or accentuate natural surfaces. It can be applied in any color of paint, generally with brushes over a solid paint color, using long sweeping strokes to meld the glaze colors together. References {{reflist Faux painting Decorative arts Artistic techniques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Plaster
Polished plaster is a term for the finish of some plasters and for the description of new and updated forms of traditional Italian plaster finishes. The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. Polished plaster itself tends to consist of slaked lime, marble dust, and/or marble chips, which give each plaster its distinctive look. A lime-based polished plaster may contain over 40% of marble powder. Polished plaster is mainly used internally, on walls and ceilings, to give a finish that looks like polished marble, travertine, or limestone. Such plasters are usually applied over a primer and basecoat base, from one to four layers. They are finished (burnished) with a specialised steel trowel to a smooth glass-like sheen. Polished plaster is usually sealed with a protective layer of wax. Venetian plaster Venetian plaster is a wall and ceiling finish consistin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graining
Graining is the practice of imitating wood grain on a non-wood surface, or on relatively undesirable wood surface, in order to give it the appearance of a rare or higher quality wood, thereby increase that surface's aesthetic appeal. Graining was common in the 19th century, as people were keen on imitating hard, expensive woods by applying a superficial layer of paint onto soft, inexpensive woods or other hard surfaces. Graining can be accomplished using either rudimentary tools or highly specialized tools. A specialized thick brush used for graining is often called a mottler. Fan brushes, floggers, softening brushes, texture combs and even fingers are used to create various effects. The painting is carried out in layers, with the first layer being a base. Today that is usually done with latex paint in a gold or orange or tan tone, depending on the type of wood the artist is aiming to imitat. A second layer of tempera or thinned paint is applied over the dry base, by means of a spo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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