Strié
   HOME
*





Strié
''Strié'' is a popular form of faux painting using glaze and paint brushes to create a soft natural striped texture. Strié is a negative glaze technique. The glaze is generally rolled over the entire surface, and then removed with a tool such as a brush.Phil Schmidt, ''Building & Finishing Walls & Ceilings'', Creative Publishing International, 2002, p86. The word ''strié'' can be used to describe this process of painting, or to describe the actual finish created. Strié is a simple technique that can be altered and elaborated in many ways. It can be done on its own, with the streaks directed either vertically or horizontally. It can be brushed over a raised plaster stencil. It is also very popular to overlap a horizontal and vertical strié, creating the look of fabrics such as linen or denim. This is often referred to as a linen weave or burlap strié. References See also * Faux finishing * Color wash 250px, Example of a color wash in multiple hues A color wash is ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Faux Painting
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word ''faux'', meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces. History Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and ''trompe-l'œil'' murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who cou ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Glaze (painting Technique)
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. Drying time will depend on the amount and type of paint medium used in the glaze. The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry. Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing. While these media are usually liquids, there are solid and semi-solid media used in the making of paints as well. For example, many classical oil painters have also been known to use ground glass and semi-solid resins to increase the translucency of their paint. Oil painting In oil pain ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Faux Finishing
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word ''faux'', meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces. History Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and ''trompe-l'œil'' murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who c ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Faux Painting
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word ''faux'', meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces. History Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and ''trompe-l'œil'' murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who cou ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Plaster
Plaster is a building material used for the protective or decorative coating of walls and ceilings and for Molding (decorative), moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. Another imprecise term used for the material is stucco, which is also often used for plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces. The most common types of plaster mainly contain either gypsum, lime plaster, lime, or cement plaster, cement,Franz Wirsching "Calcium Sulfate" in Ullmann's Encyclopedia of Industrial Chemistry, 2012 Wiley-VCH, Weinheim. but all work in a similar way. The plaster is manufactured as a dry powder and is mixed with water to form a stiff but workable paste immediately before it is applied to the surface. The reaction with water liberates heat through crystallization and the hydrated plaster then ha ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Color Wash
250px, Example of a color wash in multiple hues A color wash is a popular technique in faux painting using paint Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many ... thinned out with glaze to create a subtle wash of color over walls or other surfaces. Color washing gives a surface a translucent, watercolor appearance. It can be used to add texture or accentuate natural surfaces. It can be applied in any color of paint, generally with brushes over a solid paint color, using long sweeping strokes to meld the glaze colors together. References {{reflist Faux painting Decorative arts Artistic techniques ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less meani ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]