Envoi
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Envoi
Envoi or envoy in poetry is used to describe: * A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means ' hesending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title. Form The envoi is relatively fluid in form. In ballades and chant royal, envoi ...
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Hugh Selwyn Mauberley
''Hugh Selwyn Mauberley'' (1920) is a long poem by Ezra Pound. It has been regarded as a turning point in Pound's career (by F. R. Leavis and others), and its completion was swiftly followed by his departure from England. The name "Selwyn" might have been an homage to Rhymers' Club member Selwyn Image. The name and personality of the titular subject are also reminiscent of T. S. Eliot's main character in ''The Love Song of J. Alfred Prufrock''. Structure The poem consists of eighteen short poems which are grouped into two sections. The first is an autobiography of Ezra Pound himself, as indicated by the title of the first poem, which reads "E.P. Ode pour l'élection de son sépulchre" ("Ezra Pound: Ode for the Choice of His Sepulchre"). The second section introduces us to the struggling poet "Mauberley"’s character, career and fate. Readers have been misled by the fact that Pound assigns to every poem a title or, alternatively, a number. Thus poem I, "E.P. Ode pour l'Election ...
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Chant Royal
The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme and a five-line envoi rhyming or a seven-line envoi (capital letters indicate lines repeated verbatim). To add to the complexity, no rhyming word is used twiceJones, William Caswell. ''Elements and Science of English Versification''. Peter Paul book company (1897) p.118 It was introduced into French poetry in the 15th century by Christine de Pizan and Charles d'Orléans and was introduced into England towards the end of the 19th century as part of a general revival of interest in French poetic forms. The complexity of the form caused William Caswell Jones to describe it as "impractical" for common use The Chant Royal was the most complicated form of poetry in Northern France during the 15th century, though not as complex as the sestina, which was more popular in Southern France.Esenwein, Joseph Berg et. Joseph Berg Esenwein, Mary Eleanor Roberts Rob ...
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Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ...
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Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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William Morris Meredith Jr
William is a masculine given name of Norman French origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Liam, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a ...
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Anne Bradstreet
Anne Bradstreet (née Dudley; March 8, 1612 – September 16, 1672) was the most prominent of early English poets of North America and first writer in England's North American colonies to be published. She is the first Puritan figure in American Literature and notable for her large corpus of poetry, as well as personal writings published posthumously. Born to a wealthy Puritan family in Northampton, England, Bradstreet was a well-read scholar especially affected by the works of Du Bartas. She was married at sixteen, and her parents and young family migrated at the time of the founding of Massachusetts Bay Colony in 1630. A mother of eight children and the wife and daughter of public officials in New England, Bradstreet wrote poetry in addition to her other duties. Her early works read in the style of Du Bartas, but her later writings develop into her unique style of poetry which centers on her role as a mother, her struggles with the sufferings of life, and her Puritan fai ...
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The Shepheardes Calender
''The Shepheardes Calender'' was Edmund Spenser's first major poetic work, published in 1579. In emulation of Virgil's first work, the ''Eclogues'', Spenser wrote this series of pastorals at the commencement of his career. However, Spenser's models were rather the Renaissance eclogues of Mantuanus. The title, like the entire work, is written using deliberately archaic spellings, in order to suggest a connection to medieval literature, and to Geoffrey Chaucer in particular. The poem introduces Colin Clout, a folk character originated by John Skelton, and depicts his life as a shepherd through the twelve months of the year. The ''Calender'' encompasses considerable formal innovations, anticipating the even more virtuosic ''Countess of Pembroke's Arcadia'' (The "Old" ''Arcadia,'' 1580), the classic pastoral romance by Sir Philip Sidney, with whom Spenser was acquainted. It is also remarkable for the extensive commentary or gloss included with the work in its first publication, asc ...
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Edmund Spenser
Edmund Spenser (; 1552/1553 – 13 January 1599) was an English poet best known for ''The Faerie Queene'', an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse and is often considered one of the greatest poets in the English language. Life Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published ''The Shepheardes Calender'' and ...
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Johann Wolfgang Von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day.. Goethe took up residence in Weimar in November 1775 following the success of his first novel, ''The Sorrows of Young Werther'' (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the ''Sturm und Drang'' literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of silver min ...
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Henry Wadsworth Longfellow
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include "Paul Revere's Ride", ''The Song of Hiawatha'', and ''Evangeline''. He was the first American to completely translate Dante Alighieri's ''Divine Comedy'' and was one of the fireside poets from New England. Longfellow was born in Portland, Maine, which was then still part of Massachusetts. He graduated from Bowdoin College and became a professor there and, later, at Harvard College after studying in Europe. His first major poetry collections were ''Voices of the Night'' (1839) and ''Ballads and Other Poems'' (1841). He retired from teaching in 1854 to focus on his writing, and he lived the remainder of his life in the Revolutionary War headquarters of George Washington in Cambridge, Massachusetts. His first wife, Mary Potter, died in 1835 after a miscarriage. His second wife, Frances Appleton, died in 1861 after sustaining burns when her dress caught ...
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Hilaire Belloc
Joseph Hilaire Pierre René Belloc (, ; 27 July 187016 July 1953) was a Franco-English writer and historian of the early twentieth century. Belloc was also an orator, poet, sailor, satirist, writer of letters, soldier, and political activist. His Catholic faith had a strong effect on his works. Belloc became a naturalised British subject in 1902 while retaining his French citizenship. While attending Oxford, he served as President of the Oxford Union. From 1906 to 1910, he served as one of the few openly Catholic members of the British Parliament. Belloc was a noted disputant, with a number of long-running feuds. He was also a close friend and collaborator of G. K. Chesterton. George Bernard Shaw, a friend and frequent debate opponent of both Belloc and Chesterton, dubbed the pair the "Chesterbelloc". Belloc's writings encompassed religious poetry and comic verse for children. His widely sold ''Cautionary Tales for Children'' included "Jim, who ran away from his nurs ...
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Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ...
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