Envoi
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Envoi or envoy in poetry is used to describe: * A short
stanza In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and ...
at the end of a
poem Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in ...
such as a
ballad A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...
, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means ' hesending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title.


Form

The envoi is relatively fluid in form. In ballades and
chant royal The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme and a five-line envoi rhyming or a seven-line envoi (capital letters indicate lines repeated verbatim). To add to ...
, envois have fewer lines than the main stanzas of the poem. They may also repeat the rhyme words or sounds used in the main body of the poem, or even whole lines. The envoi can also be a short lyric poem of any form, usually placed at the end of a poetry collection.


Origins in medieval France

The envoi first appears in medieval French, in the songs of the
trouvère ''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet- ...
s and
troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairit ...
s. It developed as an address to the poet's beloved or to a friend or patron, and typically expresses the poet's hope that the poem may bring them some benefit (the beloved's favours, increased patronage, and so on). In the 14th century, the two main forms used in the new literary
French poetry French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant st ...
were the
ballade Ballad is a form of narrative poetry, often put to music, or a type of sentimental love song in modern popular music. Ballad or Ballade may also refer to: Music Genres and forms * Ballade (classical music), a musical setting of a literary ballad ...
, which employed a
refrain A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the vi ...
at first but evolved to include an envoi, and the ''chant royal'', which used an envoi from the beginning. The main exponents of these forms were
Christine de Pizan Christine de Pizan or Pisan (), born Cristina da Pizzano (September 1364 – c. 1430), was an Italian poet and court writer for King Charles VI of France and several French dukes. Christine de Pizan served as a court writer in medieval France ...
and Charles d'Orléans. In the work of these poets, the nature of the envoi changed significantly. They occasionally retained the invocation of the Prince or abstract entities such as Hope or Love as a
cryptonym A code name, call sign or cryptonym is a Code word (figure of speech), code word or name used, sometimes clandestinely, to refer to another name, word, project, or person. Code names are often used for military purposes, or in espionage. They may ...
for an authority figure the
protagonist A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a st ...
s(s) of the poem could appeal to, or, in the some poems by d'Orléans, to address actual royalty. However, more frequently in the works of these poets the envoi served as a commentary on the preceding stanzas, either reinforcing or ironically undercutting the message of the poem.
Jean Froissart Jean Froissart ( Old and Middle French: '' Jehan'', – ) (also John Froissart) was a French-speaking medieval author and court historian from the Low Countries who wrote several works, including ''Chronicles'' and ''Meliador'', a long Arthuria ...
, in his adaptation of the troubadour ''
pastourelle The pastourelle (; also ''pastorelle'', ''pastorella'', or ''pastorita'' is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a batt ...
''
genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
to the ''chant royal'' form, also employed the envoi. His use, however, is less innovative than that of de Pizan or d'Orléans. Froissart's envois are invariably addressed to the Prince and are used to summarise the content of the preceding stanzas. Since the 14th century, the envoi has been seen as an integral part of a number of traditional poetic forms, including, in addition to the ballade and ''chant royal'', the '' virelai nouveau'' and the
sestina A sestina (, from ''sesto'', sixth; Old Occitan: ''cledisat'' ; also known as ''sestine'', ''sextine'', ''sextain'') is a fixed verse, fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The wor ...
.


Later developments

In English, poems with envoi have been written by poets as diverse as
Austin Dobson :''This article describes the English racing driver. For the English poet, see Henry Austin Dobson''. Austin Dobson (19 August 1912 in Lodsworth, Sussex – 13 March 1963 in Cuckfield, Sussex) was a racing driver from England. He was the ...
,
Algernon Charles Swinburne Algernon Charles Swinburne (5 April 1837 – 10 April 1909) was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as ''Poems and Ballads'', and contributed to the famous Eleventh Edition ...
and
Ezra Pound Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works ...
. G. K. Chesterton and
Hilaire Belloc Joseph Hilaire Pierre René Belloc (, ; 27 July 187016 July 1953) was a Franco-English writer and historian of the early twentieth century. Belloc was also an orator, poet, sailor, satirist, writer of letters, soldier, and political activist. H ...
went through a period of adding envois to their humorous and satirical poems. Using an envoi as a 'sending-out' poem was already quite typical by the eighteenth and nineteenth century, with poets like
Henry Longfellow Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include "Paul Revere's Ride", ''The Song of Hiawatha'', and ''Evangeline''. He was the first American to completely transl ...
using the form in the 1890s, and
Johann Wolfgang von Goethe Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as trea ...
writing his 'L'envoi' which he addressed to the reader. Ezra Pound's 'Envoi' to his longer poem
Hugh Selwyn Mauberley ''Hugh Selwyn Mauberley'' (1920) is a long poem by Ezra Pound. It has been regarded as a turning point in Pound's career (by F. R. Leavis and others), and its completion was swiftly followed by his departure from England. The name "Selwyn" might ...
(1920) begins "Go, dumb-born book", and thus explicitly gives the 'Envoi' title to the long-standing genre of writing a farewell poem addressed to the book of poems itself, previously used for example by
Edmund Spenser Edmund Spenser (; 1552/1553 – 13 January 1599) was an English poet best known for ''The Faerie Queene'', an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of ...
in ''The'' ''Shepheardes Calender'' (1579) or
Anne Bradstreet Anne Bradstreet (née Dudley; March 8, 1612 – September 16, 1672) was the most prominent of early English poets of North America and first writer in England's North American colonies to be published. She is the first Puritan figure in Am ...
in 'The Author to Her Book' (1650s). Later writers such as William Meredith and
Meg Bateman Vivienne Margaret 'Meg' Bateman (born 1959) is a Scottish academic, poet and short story writer. She is best known for her works written in Scottish Gaelic; however, she has also published work in the English language. Education and career Bat ...
have also written envois of this kind. The envoi is also often written as a postscript or farewell from the poet as they face death, even if that death might be some distance away. Poets who have written envois in this style include
Rudyard Kipling Joseph Rudyard Kipling ( ; 30 December 1865 – 18 January 1936)''The Times'', (London) 18 January 1936, p. 12. was an English novelist, short-story writer, poet, and journalist. He was born in British India, which inspired much of his work. ...
,
Willa Cather Willa Sibert Cather (; born Wilella Sibert Cather; December 7, 1873 – April 24, 1947) was an American writer known for her novels of life on the Great Plains, including ''O Pioneers!'', '' The Song of the Lark'', and ''My Ántonia''. In 1923, ...
,
James McAuley James Phillip McAuley (12 October 1917 – 15 October 1976) was an Australian academic, poet, journalist, Australian literature, literary critic and a prominent convert to Roman Catholicism. He was involved in the Ern Malley poetry hoax. Life ...
, the suffragist
Emily Davison Emily Wilding Davison (11 October 1872 – 8 June 1913) was an English suffragette who fought for Women's suffrage in the United Kingdom, votes for women in Britain in the early twentieth century. A member of the Women's Social and Polit ...
, and Wyn Griffith.{{Cite web, url=https://allpoetry.com/poem/8620827-Envoi-by-Wyn-Griffith, title=Envoi by Wyn Griffith, last=Envoi, website=allpoetry.com, access-date=2019-11-01


See also

*
Tornada (Occitan literary term) In Old Occitan literature, a ''tornada'' (, ; "turned, twisted") refers to a final, shorter stanza (or '' cobla'') that appears in lyric poetry and serves a variety of purposes within several poetic forms. The word ''tornada'' derives from the Ol ...


External links


Troubadour poetry


References


Stanzaic form French poetry