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French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables musique_mesurée.html"_;"title="ee_"musique_mesurée">ee_"musique_mesurée"._The_most_common_Meter_(poetry).html" "title="musique_mesurée".html" ;"title="musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée"">musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Literature
French literature () generally speaking, is literature written in the French language, particularly by citizens of France; it may also refer to literature written by people living in France who speak traditional languages of France other than French. Literature written in the French language, by citizens of other nations such as Belgium, Switzerland, Canada, Senegal, Tunisia, Algeria, Morocco, etc. is referred to as Francophone literature. France itself ranks first on the list of Nobel Prizes in literature by country. For centuries, French literature has been an object of national pride for French people, and it has been one of the most influential components of the literature of Europe. One of the first known examples of French literature is the Song of Roland, the first major work in a series of poems known as, " chansons de geste". The French language is a Romance language derived from Latin and heavily influenced principally by Celtic and Frankish. Beginning in the 11th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Phonology
French phonology is the sound system of French. This article discusses mainly the phonology of all the varieties of Standard French. Notable phonological features include its uvular r, nasal vowels, and three processes affecting word-final sounds: * liaison, a specific instance of sandhi in which word-final consonants are not pronounced unless they are followed by a word beginning with a vowel; * elision, in which certain instances of (schwa) are elided (such as when final before an initial vowel); * (resyllabification) in which word-final and word-initial consonants may be moved across a syllable boundary, with syllables crossing word boundaries: An example of the above is this: *Written: ' *Meaning: "We left the window open." *In isolation: *Together: Consonants Phonetic notes: * are laminal denti-alveolar , while are dentalised laminal alveolar (commonly called 'dental'), pronounced with the blade of the tongue very close to the back of the upper front teeth, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastourelle
The pastourelle (; also ''pastorelle'', ''pastorella'', or ''pastorita'' is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a battle of wit and who displays general coyness. The narrator usually has sexual relations, either consensual or rape, with the shepherdess, and there is a departure or escape. Later developments moved toward pastoral poetry by having a shepherd and sometimes a love quarrel. The form originated with the troubadour poets of the 12th century and particularly with the poet Marcabru (pastorela). This troubadour form melded with goliard poetry and was practiced in France and Occitania until the ''Carmina Burana'' of ''c.'' 1230. In Spanish literature, the pastourelle influenced the '' serranilla'', and fifteenth century pastourelles exist in French, German, English, and Welsh. One short Scots example is ''Robene and Makyne''. Adam de la Halle's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three ''formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the 14t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lai (poetic Form)
A ''lai'' (or ''lay lyrique'', "lyric lay", to distinguish it from a ''lai breton'') is a lyrical, narrative poem written in octosyllabic couplets that often deals with tales of adventure and romance. ''Lais'' were mainly composed in France and Germany, during the 13th and 14th centuries. The English term ''lay'' is a 13th-century loan from Old French ''lai''. The origin of the French term itself is unclear; perhaps it is itself a loan from German '' Leich'' (reflected in archaic or dialectal English ''lake'', "sport, play" and in modern Swedish (leker = to play). The terms ''note'', ''nota'' and ''notula'' (as used by Johannes de Grocheio) appear to have been synonyms for ''lai''. The poetic form of the ''lai'' usually has several stanzas, none of which have the same form. As a result, the accompanying music consists of sections which do not repeat. This distinguishes the lai from other common types of musically important verse of the period (for example, the rondeau and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different rhyming words that are needed (the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Form
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rime Suffisante
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enjambement
In poetry, enjambment ( or ; from the French ''enjamber'') is incomplete syntax at the end of a line; the meaning 'runs over' or 'steps over' from one poetic line to the next, without punctuation. Lines without enjambment are end-stopped. The origin of the word is credited to the French word ''enjamber'', which means 'to straddle or encroach'. In reading, the delay of meaning creates a tension that is released when the word or phrase that completes the syntax is encountered (called the rejet); the tension arises from the "mixed message" produced both by the pause of the line-end, and the suggestion to continue provided by the incomplete meaning.Preminger 359 In spite of the apparent contradiction between rhyme, which heightens closure, and enjambment, which delays it, the technique is compatible with rhymed verse. Even in couplets, the closed or heroic couplet was a late development; older is the open couplet, where rhyme and enjambed lines co-exist. Enjambment has a long histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiatus (linguistics)
In phonology, hiatus, diaeresis (), or dieresis describes the occurrence of two separate vowel sounds in adjacent syllables with no intervening consonant. When two vowel sounds instead occur together as part of a single syllable, the result is called a diphthong. Preference Some languages do not have diphthongs, except sometimes in rapid speech, or they have a limited number of diphthongs but also numerous vowel sequences that cannot form diphthongs and so appear in hiatus. That is the case of Japanese, Nuosu, Bantu languages like Swahili, and Lakota. Examples are Japanese () 'blue/green', and Swahili 'purify', both with three syllables. Avoidance Many languages disallow or restrict hiatus and avoid it by deleting or assimilating the vowel or by adding an extra consonant. Epenthesis A consonant may be added between vowels ( epenthesis) to prevent hiatus. That is most often a semivowel or a glottal, but all kinds of other consonants can be used as well, depending on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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