Dharmapala
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Dharmapala
A ''dharmapāla'' (, , ja, 達磨波羅, 護法善神, 護法神, 諸天善神, 諸天鬼神, 諸天善神諸大眷屬) is a type of wrathful god in Buddhism. The name means "''dharma'' protector" in Sanskrit, and the ''dharmapālas'' are also known as the Defenders of the Justice (Dharma), or the Guardians of the Law. There are two kinds of ''dharmapala'', Worldly Guardians (''lokapala'') and Wisdom Protectors (''jnanapala''). Only Wisdom Protectors are enlightened beings. Description A protector of Buddhist dharma is called a ''dharmapala''. They are typically wrathful deities, depicted with terrifying iconography in the Mahayana and tantric traditions of Buddhism. The wrathfulness is intended to depict their willingness to defend and guard Buddhist followers from dangers and enemies. The '' Aṣṭagatyaḥ'' (the eight kinds of nonhuman beings) is one category of ''dharmapālas'', which includes the Garuda, Deva, Naga, Yaksha, Gandharva, Asura, Kinnara and Mahoraga. In ...
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Wrathful Deities
In Buddhism, wrathful deities or fierce deities are the fierce, wrathful or forceful (Tibetan: ''trowo'', Sanskrit: ''krodha'') forms (or "aspects", "manifestations") of enlightened Buddhas, Bodhisattvas or Devas (divine beings); normally the same figure has other, peaceful, aspects as well. Because of their power to destroy the obstacles to enlightenment, they are also termed ''krodha-vighnantaka'', "Wrathful onlookers on destroying obstacles". Wrathful deities are a notable feature of the iconography of Mahayana and Vajrayana Buddhism, especially in Tibetan art. These types of deities first appeared in India during the late 6th century, with its main source being the Yaksha imagery, and became a central feature of Indian Tantric Buddhism by the late 10th or early 11th century. Overview In non-Tantric traditions of Mahayana Buddhism, these beings are protector deities who destroy obstacles to the Buddhas and the Dharma, act as guardians against demons and gather together sentie ...
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Wrathful Deity
In Buddhism, wrathful deities or fierce deities are the fierce, wrathful or forceful (Tibetan: ''trowo'', Sanskrit: ''krodha'') forms (or "aspects", "manifestations") of enlightened Buddhas, Bodhisattvas or Devas (divine beings); normally the same figure has other, peaceful, aspects as well. Because of their power to destroy the obstacles to enlightenment, they are also termed ''krodha-vighnantaka'', "Wrathful onlookers on destroying obstacles". Wrathful deities are a notable feature of the iconography of Mahayana and Vajrayana Buddhism, especially in Tibetan art. These types of deities first appeared in India during the late 6th century, with its main source being the Yaksha imagery, and became a central feature of Indian Tantric Buddhism by the late 10th or early 11th century. Overview In non-Tantric traditions of Mahayana Buddhism, these beings are protector deities who destroy obstacles to the Buddhas and the Dharma, act as guardians against demons and gather together sentie ...
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Thangka
A ''thangka'', variously spelled as ''thangka'', ''tangka'', ''thanka'', or ''tanka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा), is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. The ...
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Buddhism
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; ...
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Mahakala
Mahākāla is a deity common to Hinduism and Tantric Buddhism. In Buddhism, Mahākāla is regarded as the sacred '' Dharmapāla'' ("Protector of the Dharma"), while in Hinduism, Mahākāla is a fierce manifestation of the Hindu god Shiva and the consort of the goddess Mahākālī; he most prominently appears in the ''Kalikula'' sect of Shaktism. Mahākāla also appears as a protector deity in Vajrayana, Chinese Esoteric, and Tibetan Buddhism (see Citipati), and also in the Chàn and Shingon traditions. He is known as ''Dàhēitiān'' and '' Daaih'hāktīn'' ( 大黑天) in Mandarin and Cantonese, ''Daeheukcheon'' (대흑천) in Korean, ''Đại Hắc Thiên'' in Vietnamese, and ''Daikokuten'' ( 大黒天) in Japanese. Etymology is a Sanskrit bahuvrihi of ' "great" and ' "time/death", which means "beyond time" or death. means "Great Black One". "Protector" is also used to refer specifically to Mahākāla. Description According to ''Shaktisamgama Tantra'', the spouse of ...
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Aṣṭagatyaḥ
The Japanese Buddhist Pantheon designates the multitude (the Pantheon) of various Buddhas, Bodhisattvas and lesser deities and eminent religious masters in Buddhism. A Buddhist Pantheon exists to a certain extent in Mahāyāna, but is especially characteristic of Vajrayana Esoteric Buddhism, including Tibetan Buddhism and especially Japanese Shingon Buddhism, which formalized it to a great extent. In the ancient Japanese Buddhist Pantheon, more than 3,000 Buddhas or deities have been counted, although nowadays most temples focus on one Buddha and a few Bodhisattvas. History Pre-sectarian Buddhism had a somewhat vague position on the existence and effect of deities. Indeed, Buddhism is often considered atheistic on account of its denial of a creator god and human responsibility to it. However, nearly all modern Buddhist schools accept the existence of gods of some kind; the main point of divergence is on the influence of these gods. Of the major schools, Theravada tends to de-em ...
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Yama (Buddhism And Chinese Mythology)
In East Asian mythology, East Asian and Buddhist mythology, Yama () or King Yan-lo/Yan-lo Wang (), also known as King Yan/Yan Wang (), Grandfatherly King Yan (), Lord Yan (), and Yan-lo, Son of Heaven (), is the King of Hell and a dharmapala (wrathful god) said to judge the dead and preside over the Naraka (Buddhism), Narakas and the cycle of afterlife saṃsāra. Although based on the god Yama of the Hinduism, Hindu Vedas, the Buddhist Yama has spread and developed different Mythology, myths and different functions from the Hindu deity. He has also spread far more widely and is known in most countries where Buddhism is practiced, including Chinese Buddhism, China, Korean Buddhism, Korea, Buddhism in Japan, Japan, Buddhism in Taiwan, Taiwan, Buddhism in Vietnam, Vietnam, Buddhism in Bhutan, Bhutan, Buddhism in Mongolia, Mongolia, Buddhism in Thailand, Thailand, Buddhism in Sri Lanka, Sri Lanka, Buddhism in Cambodia, Cambodia, Buddhism in Myanmar, Myanmar and Buddhism in La ...
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Palden Lhamo
Palden Lhamo ("Glorious Goddess",Volkmann, Rosemarie: "Female Stereotypes in Tibetan Religion and Art: the Genetrix/Progenitress as the Exponent of the Underworld" ''in'' , sa, Śrīdēvī, mn, Ukin Tengri) or RematiDowman, Keith. (1988). ''The Power-Places of Central Tibet: The Pilgrim's Guide'', p. 260. Routledge & Kegan Paul Ltd., London. (pbk). are names of Shri Devi, a female tantric Buddhist deity who appears in dozens of different forms.https://www.himalayanart.org/search/set.cfm?setID=164 Shri Devi Main Page at Himalayan Art Resources She usually appears as a wrathful deity with a primary role as a dharmapala. She is specifically a Wisdom Protector, an enlightened being. Palden Lhamo is one of three Dharmapalas of the Gelug school of Tibetan Buddhism alongside Mahākāla and Yamantaka She is the wrathful deity considered to be the principal protectress of Bhutan. Palden Lhamo appears in the retinue of the Obstacle-Removing Mahākāla, either as an independent figure ...
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Mahayana
''Mahāyāna'' (; "Great Vehicle") is a term for a broad group of Buddhist traditions, texts, philosophies, and practices. Mahāyāna Buddhism developed in India (c. 1st century BCE onwards) and is considered one of the three main existing branches of Buddhism (the other being ''Theravāda'' and Vajrayana).Harvey (2013), p. 189. Mahāyāna accepts the main scriptures and teachings of early Buddhism but also recognizes various doctrines and texts that are not accepted by Theravada Buddhism as original. These include the Mahāyāna Sūtras and their emphasis on the ''bodhisattva'' path and ''Prajñāpāramitā''. ''Vajrayāna'' or Mantra traditions are a subset of Mahāyāna, which make use of numerous tantric methods considered to be faster and more powerful at achieving Buddhahood by Vajrayānists. "Mahāyāna" also refers to the path of the bodhisattva striving to become a fully awakened Buddha (''samyaksaṃbuddha'') for the benefit of all sentient beings, and is thus als ...
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Garuda
Garuda (Sanskrit: ; Pāli: ; Vedic Sanskrit: गरुळ Garuḷa) is a Hindu demigod and divine creature mentioned in the Hindu, Buddhist and Jain faiths. He is primarily depicted as the mount (''vahana'') of the Hindu god Vishnu. Garuda is also the half-brother of the Devas, Daityas, Danavas and Yakshas. He is the son of the sage Kashyapa and Vinata. He is the younger brother of Aruna, the charioteer of the Sun. Garuda is mentioned in several other texts such as the Puranas and the Vedas. Garuda is described as the king of the birds and a kite-like figure. He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy of every serpent. He is also known as Tarkshya and Vainateya. Garuda is a part of state insignia of India, Indonesia and Thailand. The Indonesian official ...
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Lokapala
Lokapāla ( sa, लोकपाल), Sanskrit and Pāli for "guardian of the world", has different uses depending on whether it is found in a Hindu or Buddhist context. * In Hinduism, lokapāla refers to the Guardians of the Directions associated with the eight, nine and ten cardinal directions. * In Buddhism, lokapāla refers to the Four Heavenly Kings, and to other protector spirits, whereas the Guardians of the Directions are referred to as the 'dikpālas' In Hinduism In Hinduism, the guardians of the cardinal directions are called the Lokapalas (लोकपाल), or Dikpalaka. The four principal guardians are: # Kubera (North) # Yama (South) # Indra (East) # (West) In Buddhism In Buddhism, lokapāla () are one of two broad categories of Dharmapāla (protectors of the Buddhist religion) -the other category being Wisdom Protectors. In China, "each is additionally associated with a specific direction and the Four Heraldic Animals of Chinese astronomy/astrology, as ...
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Begtse
Begtse (; "Begtse the Great Coat of Mail") is a dharmapala and the lord of war in Tibetan Buddhism, originally a pre-Buddhist war god of the Mongols. Name The name Begtse () is a loanword from Mongolian , meaning "coat of mail". He is also given the name and epithet Jamsaran (), meaning "Great Coat of Mail", which is a translation of the Mongolian. Description Begtse has red skin and orange-red hair, two arms (as opposed to other Mahākālas, who have four or six), three blood-shot eyes and is wielding a sword in his right hand. He also holds a human heart in his right hand. In the stock of his right arm, he holds a bow and arrow and a halberd with bannet. He wears a chainmail shirt, which gave rise to his name, ''Jamsaran''. He wears a Mongolian helmet with a crown of five skulls and four banners in the back. He is also accompanied by his consort, Rikpay Lhamo, and his main general, Laihansorgodog. They are surrounded by Jamsaran's satellites, the twenty-nine butchers. Cult ...
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