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Death Wail
The death wail is a keening, mourning lament, generally performed in ritual fashion soon after the death of a member of a family or tribe. Examples of death wails have been found in numerous societies, including among the Celts of Europe; and various indigenous peoples of Asia, the Americas, Africa, and Australia. Australia Early accounts Some early accounts of the death wail describe its employment in the aftermath of fighting and disputes. One such discussion can be found in the second volume of Edward Eyre's ''Journal of Expeditions of Discovery Into Central Australia'' (1845). Eyre describes what appears to have been a parlay between the members of two rival tribes — Ernest Giles, who traversed Australia in the 1870s and 1880s, left an account of a skirmish that took place between his survey party and members of a local tribe in the Everard Ranges of mountains in 1882. "Our foes did not again appear," he recorded. "At the first dawn of light, over at some rocky hill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keening
Keening (Irish: Caointeoireacht) is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition, known to have taken place in Ireland and Scotland. Keening, which can be seen as a form of sean-nós singing, was performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is known as a coronach). Keening was once an integral part of the formal Irish funeral ritual, but declined from the 18th century and became almost completely extinct by the middle of the 20th century. Only a handful of authentic keening songs were recorded from traditional singers. Etymology "Keen" as a noun or verb comes from the Irish and Scottish Gaelic term ("to cry, to weep"), as well as ("gentleness, pleasantness, beauty"), and references to it from the 7th, 8th, and 12th centuries are extensive. Probably at the origin of "couiner" in French. Melody and text The tune and lyrics rely on the repetition of a couple of basic motifs which can be variably e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oppari
An oppari is an ancient form of lamenting in southern India, particularly in Tamil Nadu, Pondicherry, and North-Eastern Sri Lanka. Oppari is a folk song tradition and is often an admixture of eulogy and lament. The oppari is typically sung by a group of women relatives who came to pay respects to the departed in a death ceremony. It is a means to express one's own grief and also to share and assuage one's grief for the deceased. Many communities use the oppari to express their grief at a funeral. Sometimes professional oppari singers are recruited, but it is a dying practice. Content and theme The songs do not follow a set pattern; rather, the lyrics are sung impromptu, mostly improvised, and eulogise the person who has died. The oppari is also often centred around the relatives of the deceased and stresses the nature of the blood relation (mother, father, brother, sister etc.) between the person and the deceased. The oppari singer sings, wails and beats her chest and accompanied to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Aboriginal Music
Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day. The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance. In addition to these Indigenous traditions and musical heritage, ever since the 18th-century European colonisation of Australia began, Indigenous Australian musicians and performers have adopted and interpreted many of the imported Western musical styles, often informed by and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippines
The Philippines (; fil, Pilipinas, links=no), officially the Republic of the Philippines ( fil, Republika ng Pilipinas, links=no), * bik, Republika kan Filipinas * ceb, Republika sa Pilipinas * cbk, República de Filipinas * hil, Republika sang Filipinas * ibg, Republika nat Filipinas * ilo, Republika ti Filipinas * ivv, Republika nu Filipinas * pam, Republika ning Filipinas * krj, Republika kang Pilipinas * mdh, Republika nu Pilipinas * mrw, Republika a Pilipinas * pag, Republika na Filipinas * xsb, Republika nin Pilipinas * sgd, Republika nan Pilipinas * tgl, Republika ng Pilipinas * tsg, Republika sin Pilipinas * war, Republika han Pilipinas * yka, Republika si Pilipinas In the recognized optional languages of the Philippines: * es, República de las Filipinas * ar, جمهورية الفلبين, Jumhūriyyat al-Filibbīn is an archipelagic country in Southeast Asia. It is situated in the western Pacific Ocean and consists of around 7,641 islands t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lumad
The Lumad are a group of Austronesian indigenous people in the southern Philippines. It is a Cebuano term meaning "native" or "indigenous". The term is short for Katawhang Lumad (Literally: "indigenous people"), the autonym officially adopted by the delegates of the Lumad Mindanao Peoples Federation (LMPF) founding assembly on 26 June 1986 at the Guadalupe Formation Center, Balindog, Kidapawan, Cotabato, Philippines. Usage of the term was accepted in Philippine jurisprudence when President Corazon Aquino signed into law Republic Act 6734, where the word was used in Art. XIII sec. 8(2) to distinguish Lumad ethnic communities from the islands of Mindanao. Mindanao is home to a substantial part of the country's indigenous population, around 15% of the Philippine's total population of over 100 million.National Statistics Office. “Statistics on Filipino Children.” Journal of Philippine Statistics, vol. 59, no. 4, 2008, p. 119. History The name ''Lumad'' grew out of the poli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windows Media Player
Windows Media Player (WMP) is the first media player and media library application that was developed by Microsoft for playing audio, video and viewing images on personal computers running the Microsoft Windows operating system, as well as on Pocket PC and Windows Mobile-based devices. Editions of Windows Media Player were also released for classic Mac OS, and Solaris but development of these has since been discontinued. Windows Media Player was eventually replaced in Windows 8 with Groove Music. Groove Music persisted in Windows 8.1 and Windows 10, before being replaced in turn with the Media Player in Windows 11. In addition to being a media player, the application has the ability to rip audio file from and copy to compact discs, burn recordable discs in Audio CD format or as data discs with playlists such as an MP3 CD, synchronize content with a digital audio player (MP3 player) or other mobile devices, and enable users to purchase or rent music from a number of onli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oppari
An oppari is an ancient form of lamenting in southern India, particularly in Tamil Nadu, Pondicherry, and North-Eastern Sri Lanka. Oppari is a folk song tradition and is often an admixture of eulogy and lament. The oppari is typically sung by a group of women relatives who came to pay respects to the departed in a death ceremony. It is a means to express one's own grief and also to share and assuage one's grief for the deceased. Many communities use the oppari to express their grief at a funeral. Sometimes professional oppari singers are recruited, but it is a dying practice. Content and theme The songs do not follow a set pattern; rather, the lyrics are sung impromptu, mostly improvised, and eulogise the person who has died. The oppari is also often centred around the relatives of the deceased and stresses the nature of the blood relation (mother, father, brother, sister etc.) between the person and the deceased. The oppari singer sings, wails and beats her chest and accompanied to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banshee
A banshee ( ; Modern Irish , from sga, ben síde , "woman of the fairy mound" or "fairy woman") is a female spirit in Irish folklore who heralds the death of a family member, usually by screaming, wailing, shrieking, or keening. Her name is connected to the mythologically important tumuli or "mounds" that dot the Irish countryside, which are known as (singular ) in Old Irish.Dictionary of the Irish Language: síd, síth': "a fairy hill or mound" and ben' Description Sometimes she has long streaming hair and wears a grey cloak over a green dress, and her eyes are red from continual weeping.Briggs, Katharine (1976). ''An Encyclopedia of Fairies''. Pantheon Books. pp. 14–16. . She may be dressed in white with red hair and a ghastly complexion, according to a firsthand account by Ann, Lady Fanshawe in her ''Memoirs''. Lady Wilde in ''Ancient Legends of Ireland'' provides another: The size of the banshee is another physical feature that differs between regional accounts. Thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keening
Keening (Irish: Caointeoireacht) is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition, known to have taken place in Ireland and Scotland. Keening, which can be seen as a form of sean-nós singing, was performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is known as a coronach). Keening was once an integral part of the formal Irish funeral ritual, but declined from the 18th century and became almost completely extinct by the middle of the 20th century. Only a handful of authentic keening songs were recorded from traditional singers. Etymology "Keen" as a noun or verb comes from the Irish and Scottish Gaelic term ("to cry, to weep"), as well as ("gentleness, pleasantness, beauty"), and references to it from the 7th, 8th, and 12th centuries are extensive. Probably at the origin of "couiner" in French. Melody and text The tune and lyrics rely on the repetition of a couple of basic motifs which can be variably e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zimbabwe
Zimbabwe (), officially the Republic of Zimbabwe, is a landlocked country located in Southeast Africa, between the Zambezi and Limpopo Rivers, bordered by South Africa to the south, Botswana to the south-west, Zambia to the north, and Mozambique to the east. The capital and largest city is Harare. The second largest city is Bulawayo. A country of roughly 15 million people, Zimbabwe has 16 official languages, with English, Shona language, Shona, and Northern Ndebele language, Ndebele the most common. Beginning in the 9th century, during its late Iron Age, the Bantu peoples, Bantu people (who would become the ethnic Shona people, Shona) built the city-state of Great Zimbabwe which became one of the major African trade centres by the 11th century, controlling the gold, ivory and copper trades with the Swahili coast, which were connected to Arab and Indian states. By the mid 15th century, the city-state had been abandoned. From there, the Kingdom of Zimbabwe was established, fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nervous Conditions
''Nervous Conditions'' is a novel by Zimbabwean author Tsitsi Dangarembga, first published in the United Kingdom in 1988. It was the first book published by a black woman from Zimbabwe in English. ''Nervous Conditions'' won the Commonwealth Writers' Prize in 1989, and in 2018 was listed as one of the BBC's top 100 books that changed the world. The semi-autobiographical novel focuses on the story of a Shona family in post-colonial Rhodesia during the 1960s. ''Nervous Conditions'' is the first book of a trilogy, with '' The Book of Not'' (2006) as the second novel in the series, and ''This Mournable Body'' (2020) as the third. ''Nervous Conditions'' illustrates the dynamic themes of race, colonialism, and gender during the colonial period of present-day Zimbabwe. The title is taken from the introduction by Jean-Paul Sartre to Frantz Fanon's ''The Wretched of the Earth'' (1961). Plot summary Tambu is the main character of the novel. The novel opens with the news that Tambu’s ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Warren Beckwith
Martha Warren Beckwith (January 19, 1871 – January 28, 1959) was an American folklorist and ethnographer, appointed to the first chair in Folklore established in the U.S. Early life and education Beckwith was born in Wellesley Heights, Massachusetts to George Ely and Harriet Winslow (née Goodale) Beckwith, both schoolteachers, before the family moved to Maui, Hawaii, where they had relatives descended from early missionaries. There, Beckwith made friends with many locals including members of the wealthy Alexander family who later sponsored her folklore work, and she developed an early interest in Hawaiian folk dancing. Beckwith graduated from Mount Holyoke College in 1893 and taught English at Elmira College, Mount Holyoke, Vassar College, and Smith College. Her formal education in anthropology did not begin till the 1900s. In 1906, she obtained a Master of Arts degree in anthropology after studying under Franz Boas at Columbia University, and she received her Doctor of P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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