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Caitya
upright=1.25, Phra Pathom Chedi, one of the biggest Chedis in Thailand; in Thai, the term Chedi (cetiya) is used interchangeably with the term Stupa Cetiya, "reminders" or "memorials" (Sanskrit ''caitya''), are objects and places used by Buddhism, Buddhists to remember Gautama Buddha.Kalingabodhi jātaka, as quoted in John Strong, ''Relics of the Buddha'' (Princeton: Princeton University Press, 2004), 19 According to Damrong Rajanubhab, four kinds are distinguished in the Pāli Canon: "Relic hatu Memorial aribhoga Teaching hamma and votive desaka" Griswold, in contrast, states that three are traditional and the fourth, the Buddha Dhamma, was added later to remind monks that the true memory of Gautama Buddha can be found in his teachings. While these can be broadly called Buddhist symbolism, the emphasis tends to be on a historical connection to the Buddha and not a metaphysical one. In pre-Buddhist India ''caitya'' was a term for a shrine or holy place in the landscape, gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phra Pathommachedi During Night
Phra () is a Thai term that may refer to: *''Phra'', a Thai-language term for Buddhist monk *''Phra'', a Thai-language term for priest *''Phra'', a Thai-language word used as a prefix denoting holy or royal status, including in Thai royal ranks and titles *''Phra'', a Thai nobility, Thai noble title Other uses * Francesco "Phra" Barbaglia, Italian DJ and producer; see Crookers {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodh Gaya
Bodh Gaya is a religious site and place of pilgrimage associated with the Mahabodhi Temple Complex in Gaya district in the Indian state of Bihar. It is famous as it is the place where Gautama Buddha is said to have attained Enlightenment ( pi, bodhi, pi-Latn) under what became known as the Bodhi Tree. Since antiquity, Bodh Gaya has remained the object of pilgrimage and veneration both for Hindus and Buddhists. In particular, archaeological finds including sculptures show that the site was in use by Buddhists since the Mauryan period. For Buddhists, Bodh Gaya is the most important of the main four pilgrimage sites related to the life of Gautama Buddha, the other three being Kushinagar, Lumbini, and Sarnath. In 2002, Mahabodhi Temple, located in Bodh Gaya, became a UNESCO World Heritage Site. History Bodh Gaya is considered to be the holiest site in Buddhism. Known as Uruwela in the Buddha's time, it is situated by the bank of Lilajan River. The first temple at the site was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burmese Pagoda
Burmese pagodas are stupas that typically house Buddhist relics, including relics associated with Buddha. Pagodas feature prominently in Myanmar's landscape, earning the country the moniker "land of pagodas." According to 2016 statistics compiled by the State Sangha Maha Nayaka Committee, Myanmar is home to 1,479 pagodas exceeding in height, a quarter of which are located in Sagaing Region. Several cities in the country, including Mandalay and Bagan, are known for their abundance of pagodas. Pagodas are the site of seasonal pagoda festivals. Burmese pagodas are enclosed in a compound known as the ''aran'' (အာရာမ်, from Pali ''ārāma''), with gateways called ''mok'' (မုခ်, from Pali ''mukha'') at the four cardinal directions. The platform surrounding a Burmese pagoda is called a ''yinbyin'' (ရင်ပြင်). Terms In the Burmese language, pagodas are known by a number of various terms. The umbrella term ''phaya'' (, pronounced ), which derives fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prajñā (Buddhism)
Prajñā (Sanskrit: प्रज्ञा) or paññā (Pāli: पञ्ञा), is a Buddhist term often translated as "wisdom", "intelligence", or "understanding". It is described in Buddhist texts as the understanding of the true nature of phenomena. In the context of Buddhist meditation, it is the ability to understand the three characteristics of all things: ''anicca'' ("impermanence"), '' dukkha'' ("dissatisfaction" or "suffering"), and '' anattā'' ("non-self"). Mahāyāna texts describe it as the understanding of ''śūnyatā'' ("emptiness"). It is part of the Threefold Training in Buddhism, and is one of the ten '' pāramīs'' of Theravāda Buddhism and one of the six Mahāyāna ''pāramitās''. Etymology ''Prajñā'' () is often translated as "wisdom", but according to Buddhist bioethics scholar Damien Keown, it is closer in meaning to "insight", "non-discriminating knowledge", or "intuitive apprehension". * ''jñā'' () can be translated as "consciousness", "knowl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconism In Buddhism
__NOTOC__ Since the beginning of the serious study of the history of Buddhist art in the 1890s, the earliest phase, lasting until the 1st century CE, has been described as aniconic; the Gautama Buddha, Buddha was only represented through symbols such as an Hetoimasia, empty throne, Bodhi tree, a riderless horse with a parasol floating above an empty space (at Sanchi), Buddha footprint, Buddha's footprints, and the dharma wheel. This aniconism is relation to the image of the Buddha could be in conformity with an ancient Buddhist prohibition against showing the Buddha himself in human form, known from the ''Sarvastivada vinaya'' (rules of the early Buddhist school of the Sarvastivada):"Since it is not permitted to make an image of the Buddha's body, I pray that the Buddha will grant that I can make an image of the attendant Bodhisattva. Is that acceptable?" The Buddha answered: "You may make an image of the Bodhisattava".Although there is still some debate, the first anthropomorphic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconic
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within each religio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmachakra
The dharmachakra (Sanskrit: धर्मचक्र; Pali: ''dhammacakka'') or wheel of dharma is a widespread symbol used in Indian religions such as Hinduism, Jainism, and especially Buddhism.John C. Huntington, Dina Bangdel, ''The Circle of Bliss: Buddhist Meditational Art,'' p. 524. Historically, the dharmachakra was often used as a decoration in East Asian statues and inscriptions, beginning with the earliest period of East Asian culture to the present. It remains a major symbol of the Buddhist religion today. Etymology The Sanskrit noun ''dharma'' ( धर्म ) is a derivation from the root ''dhṛ'' 'to hold, maintain, keep',Monier Williams, ''A Sanskrit Dictionary'' (1899): "to hold, bear (also: bring forth), carry, maintain, preserve, keep, possess, have, use, employ, practise, undergo" and means 'what is established or firm' and hence 'law'. It is derived from the Vedic Sanskrit ''n''-stem ''dharman-'' with the meaning "bearer, supporter" in the historical Vedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddharupa
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greco-Buddhism
Greco-Buddhism, or Graeco-Buddhism, is the cultural syncretism between Hellenistic culture and Buddhism, which developed between the fourth century BC and the fifth century AD in Gandhara, in present-day north-western Pakistan and parts of north-east Afghanistan. It was a cultural consequence of a long chain of interactions begun by Greek forays into India from the time of Alexander the Great. A few years after Alexander's death, the Easternmost fringes of the empire of his general Seleucus were lost in a war with the Mauryan Empire, under the reign of Chandragupta Maurya. The Mauryan Emperor Ashoka would convert to Buddhism and spread the religious philosophy throughout his domain, as recorded in the Edicts of Ashoka. This spread to the Greco-Bactrian kingdom, which itself seceded from the Seleucid empire. Within its borders, the Greek fondness for statuary produced the first statues of the Buddha, leading ultimately to the modern tradition. Following the collapse of the Maur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Departure
The Great Renunciation or Great Departure is the traditional term for the departure of Gautama Buddha ( BCE) from his palace at Kapilavastu to live a life as an ascetic ( sa, śrāmaṇa, italic=yes, pi, sāmaṇa, italic=yes). It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language. According to these accounts, at the birth of Prince Siddhārtha Gautama, the Buddha-to-be, Brahmin priests predicted that he would either become a world teacher or a world ruler. To prevent his son from turning to religious life, Prince Siddhārtha's father and ''rāja'' of the Śākya clan Śuddhodana did not allow him to see death or suffering, and distracted him with luxury. During his childhood, Prince Siddhārt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmakāya
The ''dharmakāya'' ( sa, धर्म काय, "truth body" or "reality body", zh, t=法身, p=fǎshēn, ) is one of the three bodies (''trikāya'') of a buddha in Mahāyāna Buddhism. The ''dharmakāya'' constitutes the unmanifested, "inconceivable" (''acintya'') aspect of a buddha out of which buddhas arise and to which they return after their dissolution. Buddhas are manifestations of the ''dharmakāya'' called the ''nirmāṇakāya'', "transformation body". The Dhammakāya tradition of Thailand and the ''Tathāgatagarbha sūtras'' of the ancient Indian tradition view the ''dharmakāya'' as the '' ātman'' (true self) of the Buddha present within all beings. Origins and development Pali Canon In the Pāli Canon, Gautama Buddha tells Vasettha that the Tathāgata (the Buddha) is ''dhammakaya'', the "truth-body" or the "embodiment of truth", as well as ''dharmabhuta'', "truth-become", that is, "one who has become truth." During the Buddha's life great veneration was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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