Cinepoetry
Cinepoetry (or cinepoem) originally meant arts of motion pictures with poetic sense but came to mean cinematic techniques, cinematic poetry (or poem). Examples in former meaning *Man Ray's films *Matt Robinson (poet), Matt Robinson's films *Stark Electric Jesus (India) Examples in latter meaning *Benjamin Fondane's poems *Fuyuhiko Kitagawa's or Iku Takenaka's poems *''For Rent'' (Sakutaro Hagiwara) in Aozora Bunko See also *Closet screenplay *Video poetry *Video art *LesescenarioReference books Cinepoetry: Imaginary Cinemas in French Poetry (Verbal Arts: Studies in Poetics) by Christophe Wall-romana [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lesescenario
Related to closet drama, a closet screenplay is a screenplay intended not to be produced/performed but instead to be read by a solitary reader or, sometimes, out loud in a small group. While any published, or simply read, screenplay might reasonably be considered a "closet screenplay," 20th- and 21st-century Japanese and Western writers have created a handful of film scripts expressly intended to be read rather than produced/performed. This class of prose fiction written in screenplay form is perhaps the most precise example of the closet screenplay. This genre is sometimes referred to using a romanized Japanese neologism: "Lesescenario (レーゼシナリオ)" or, following Hepburn romanization, Hepburn’s romanization of Japanese, sometimes “Rezeshinario.” A portmanteau of the German word ''Lesedrama'' ("read drama") and the English word ''scenario,'' this term simply means "closet scenario," or, by extension, "closet screenplay." Critical interest Brian Norman, an assis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Video Poetry
Video poetry is poetry in video form. It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation. Video poetry is a wide-ranging category where very different typologies of works converge. Some video poetry works use digital elaboration to achieve Digital poetry that is entirely generated by software. When absent of digital effects, video poetry is akin to performance works or a poetry reading recorded in video (digital or analogue) but goes beyond the straightforward act of recording to establish a link with video art. In this sense, video poetry is a particular form of video art comprising poetry texts elaborated at various acoustic and visual levels. Authors In 1978, Canadian poet Tom Konyves used the term "videopoetry" to describe "Sympathies of War", his first work in the genre, and is considered ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Closet Screenplay
Related to closet drama, a closet screenplay is a screenplay intended not to be produced/performed but instead to be read by a solitary reader or, sometimes, out loud in a small group. While any published, or simply read, screenplay might reasonably be considered a "closet screenplay," 20th- and 21st-century Japanese and Western writers have created a handful of film scripts expressly intended to be read rather than produced/performed. This class of prose fiction written in screenplay form is perhaps the most precise example of the closet screenplay. This genre is sometimes referred to using a romanized Japanese neologism: "Lesescenario (レーゼシナリオ)" or, following Hepburn romanization, Hepburn’s romanization of Japanese, sometimes “Rezeshinario.” A portmanteau of the German word ''Lesedrama'' ("read drama") and the English word ''scenario,'' this term simply means "closet scenario," or, by extension, "closet screenplay." Critical interest Brian Norman, an assis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Motion Pictures
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Iku Takenaka
Iku Takenaka (竹中郁, ''Takenaka Iku'' 1904–1982) was a Japanese poet from Hyogo prefecture. He graduated from Kwansei Gakuin University. His best-known work is a cinepoem ''Rugby''. He met Ryunosuke Akutagawa who wrote closet screenplays, just before Akutagawa's suicide, and then, in Akutagawa's home, he also met Tatsuo Hori, whose work ' Kaze Tachinu' inspired Hayao Miyazaki's last work. He also met Man Ray in Paris, when Ray created cinepoems, to interview Ray for a magazine. His Dharma name A Dharma name or Dhamma name is a new name acquired during both lay and monastic Buddhist initiation rituals in Mahayana Buddhism and monastic ordination in Theravada Buddhism (where it is more proper to call it Dhamma or Sangha name). The nam ... was Shunkōin Shisen Ikudō Koji (春光院詩仙郁道居士). See also * Fuyuhiko Kitagawa * Fuyue Anzai * Ryōhei Koiso - his friend''Biography of Iku Takenaka'' by Kenichi Adachi References {{DEFAULTSORT:Takenaka, Iku J ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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ASIN
Asin Thottumkal (born 26 October 1985), known mononymously as Asin, is a former Indian actress who appeared predominantly in Tamil, Hindi and Telugu films. She is a trained Bharatanatyam dancer. She has received three Filmfare Awards. She began her acting career in the South Indian film industry, but later shifted her focus to Bollywood. She speaks eight languages. Making her acting debut at the age of 15 with Sathyan Anthikkad's Malayalam film ''Narendran Makan Jayakanthan Vaka'' (2001), Asin had her first commercial success with the Telugu film ''Amma Nanna O Tamila Ammayi'' in 2003, and won a Filmfare Best Telugu Actress Award for the film. '' M. Kumaran Son of Mahalakshmi'' (2004) was her debut in Tamil and a huge success. She received her Filmfare Best Tamil Actress Award for her most noted critically acclaimed performance in her third Tamil film, '' Ghajini'' (2005). She then played the lead female roles in many successful films, the most notable being the action films ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Video Art
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds. Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aozora Bunko
Aozora Bunko (, literally the "Blue Sky Library", also known as the "Open Air Library") is a Japanese digital library. This online collection encompasses several thousands of works of Japanese-language fiction and non-fiction. These include out-of-copyright books or works that the authors wish to make freely available. Since its inception in 1997, ''Aozora Bunko'' has been both the compiler and publisher of an evolving online catalog.IntuteIntute web site, ''Aozora Bunko'' project description/ref> In 2006, ''Aozora Bunko'' organized to add a role as a public policy advocate to protect its current and anticipated catalog of freely accessible e-books. History and operation ''Aozora Bunko'' was created on the Internet in 1997 to provide broadly available, free access to Japanese literary works whose copyrights had expired. The driving force behind the project was Michio Tomita ( :ja:富田倫生, 1952–2013), who was motivated by the belief that people with a common interest sh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fuyuhiko Kitagawa
(3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His real name was . While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway, and then graduated from Tokyo University. He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context. His work was praised by Riichi Yokomitsu, and he became a prominent figure in modernist poetry in Japanese poetry, Japan, pursuing especially prose poetry. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (''sanbun eiga'') in opposition to the old "poetic cinema" (''inbun eiga'') of Sadao Yamanaka, Daisuke Itō (film director), Daisuke Itō, and others. He was a champion of Neorealism (art), neorealism in the postwar era. He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takigu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cinematic Techniques
This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ;180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. ;Airborne shot :A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones. ;Arc :A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") ;Backlighting (lighting design) :The main source of light is behind the subject, silhouetting it, and directed toward the camera. ;Bridging shot :A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling cal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Benjamin Fondane
Benjamin Fondane () or Benjamin Fundoianu (; born Benjamin Wechsler, Wexler or Vecsler, first name also Beniamin or Barbu, usually abridged to B.; November 14, 1898 – October 2, 1944) was a Romanian and French poet, critic and existentialist philosopher, also noted for his work in film and theater. Known from his Romanian youth as a Symbolist poet and columnist, he alternated Neoromantic and Expressionist themes with echoes from Tudor Arghezi, and dedicated several poetic cycles to the rural life of his native Moldavia. Fondane, who was of Jewish Romanian extraction and a nephew of Jewish intellectuals Elias and Moses Schwartzfeld, participated in both minority secular Jewish culture and mainstream Romanian culture. During and after World War I, he was active as a cultural critic, avant-garde promoter and, with his brother-in-law Armand Pascal, manager of the theatrical troupe ''Insula''. Fondane began a second career in 1923, when he moved to Paris. Affiliated with Surrealism ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |