Bihu Dance
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Bihu Dance
The Bihu dance is an indigenous folk dance from the Indian state of Assam related to the Bihu festival and an important part of Assamese culture. Performed in a group, the Bihu dancers are usually young men and women, and the dancing style is characterized by brisk steps, and rapid hand movements. The traditional costume of dancers is colorful and centered round the red color theme, signifying joy and vigour. History The origins of the dance form is unknown, however the folk dance tradition has always been very significant in the culture of Assam's diverse ethnic groups, such as Kaivarttas, Deoris, Sonowal Kacharis, Chutias, Boros, Misings, Rabhas, Moran and Borahis, among others. According to scholars, the Bihu dance has its origin in ancient fertility cults that was associated with increasing the fertility of the demographic as well as the land. Traditionally, local farming communities performed the dance outdoors, in fields, groves, forests or on the banks of rivers, espec ...
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Tezpur
Tezpur () is a city and urban agglomeration in Sonitpur district, Assam state, India. Tezpur is located on the banks of the river Brahmaputra, northeast of Guwahati, and is the largest of the north bank cities with a population exceeding 100,000 as per Metropolitan Census 2011. Tourism Tezpur has several places to visit: * Agnigarh: This hillock on bank of river Brahmaputra is the site of legendary romance of princess Usha (the only daughter of King Banasura) and Aniruddha , the grandson of Lord Krishna . According to legend, Usha was kept on this hillock which was surrounded by fire, hence the name of Agnigarh. * Mahabhairav Temple: The ancient temple of Mahabhairab stands to the north of Tezpur town. According to legend, the temple is believed to have been established by king Bana with a Siva lingam. Formerly, this temple was built of stone but the present one is built of concrete. During the later years, the Ahom kings donated devottar land for the Temple and Pujaris ...
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Dances Of Assam
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes tak ...
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Guwahati
Guwahati (, ; formerly rendered Gauhati, ) is the biggest city of the Indian state of Assam and also the largest metropolis in northeastern India. Dispur, the capital of Assam, is in the circuit city region located within Guwahati and is the seat of the Government of Assam. A major riverine port city along with hills, and one of the fastest growing cities in India, Guwahati is situated on the south bank of the Brahmaputra. It is called the ''Gateway to North East India''. The ancient cities of Pragjyotishpura and Durjaya (North Guwahati) were the capitals of the ancient state of Kamarupa. Many ancient Hindu temples like the Kamakhya Temple, Ugratara Devalaya, Ugratara Temple, Basistha Temple, Doul Govinda Temple, Umananda Temple, Navagraha temples#Navagraha Temple in Assam, Navagraha Temple, Sukreswar Temple, Rudreswar Temple, Manikarneswar Temple, Aswaklanta Temple, Dirgheshwari temple, Dirgheshwari Temple, Asvakranta Temple, Lankeshwar Temple, Bhubaneswari Temple, Shree Gane ...
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Culture Of Assam
The culture of Assam is traditionally a hybrid one, developed due to cultural assimilation of different ethno-cultural groups under various political-economic systems in different periods of its history. Historical perspective The roots of culture in Assam goes back almost five thousand years when the first wave of humans, the Austroasiatic people reached the Brahmaputra valley. They mixed with the later immigrant Tibeto-Burman and the Indo-Aryan peoples in prehistoric times. The last wave of migration was that of the Tai/Shan who later formed the idea of Assamese culture and its identity. The Ahoms, later on, brought some more Indo-Aryans like the Assamese Brahmins and Ganaks and Assamese Kayasthas to Assam. According to the epic ''Mahabharata'' and on the basis of local folklore, people of Assam (Kiratas) probably lived in a strong kingdom under the Himalayas in the era before Jesus Christ, which led to early assimilation of various Tibeto-Burman and Autro-Asiatic e ...
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Bohag Bihu
Bohag Bihu or Rongali Bihu ( as, ব’হাগ বিহু বা ৰঙালী বিহু) also called ''Xaat Bihu'' ( as, সাত বিহু) (seven Bihus) is a traditional ethnic festival celebrated in the Northeastern Indian state of Assam and other parts of northeastern India by the indigenous ethnic groups of Assam, and marks the beginning of the Assamese New Year. The festival is of mostly aboriginal origin comprising Tibeto-Burman and Tai elements. It usually falls in the 2nd week of April, historically signifying the time of harvest. Every year it falls on the 14th day of April The holiday unites the different native communities of Assam regardless of their backgrounds and promotes the celebration of ethnic diversity. In Assam locally the onset of 'Bohag' (Assamese Calendar) marks the starting of Rongali Bihu. The three primary types of Bihu are Bohag Bihu or Rongali Bihu, Kati Bihu or Kongali Bihu, and Magh Bihu or Bhogali Bihu. Each festival historicall ...
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Dhol
Dhol (IPA: ) can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in India, Bangladesh and Pakistan primarily includes northern areas such as the Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. The range stretches westward as far as eastern Afghanistan. A related instrument is the dholak or dholki. Someone who plays the dhol is known as ''dholi''. Construction The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term ''dhol'' is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left hand tabla drum. The typical sizes of the drum vary slightly from region to region. In Punjab, the dhol remains large and bulky ...
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Bihu Dance Assam
Bihu is a set of three important Assamese festivals in the Indian state of Assam – 'Rongali' or 'Bohag Bihu' observed in April, 'Kongali' or 'Kati Bihu' observed in October, and 'Bhogali' or 'Magh Bihu' observed in January. The Rongali Bihu is the most important of the three, celebrating spring festival. The Bhogali Bihu or the Magh Bihu is a harvest festival, with community feasts. The Kongali Bihu or the Kati Bihu is the sombre, thrifty one reflecting a season of short supplies and is an animistic festival. The Rongali Bihu coincides the Assamese New year and as well as with other regions of Indian subcontinent, East Asia and South-East Asia, which follow the Hindu calendar and Buddhist calendar. The other two Bihu festivals every year are unique to Assamese people. Like some other Indian festivals, Bihu is associated with agriculture, and rice in particular. Bohag Bihu is a sowing festival, Kati Bihu is associated with crop protection and worship of plants and crops and is ...
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Chutiya Kingdom
The Chutia Kingdom (also Sadiya) was a late medieval state that developed around Sadiya in present Assam and adjoining areas in Arunachal Pradesh."(T)he Chutiyas seem to have assumed political power in Sadiya and contiguous areas falling within modern Arunachal Pradesh." It extended over almost the entire region of present districts of Lakhimpur, Dhemaji, Tinsukia, and some parts of Dibrugarh in Assam,"Their kingdom called Sadiya extended in the north over the entire region from the Sisi in the west to the Brahmaputra in the east. The hills and the river Buri Dihing formed its northern and southern boundaries respectively. Thus the Chutiya territory extended over almost the entire region of present districts of Lakhimpur, Dhemaji, Tinsukia, and some parts of Dibrugarh." as well as the plains and foothills of Arunachal Pradesh. The kingdom fell in 1523-1524 to the Ahom Kingdom after a series of conflicts and the capital area ruled by the Chutia rulers became the administ ...
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Darrang District
Darrang () is an administrative district in the state of Assam in India. The district headquarters are located at Mangaldoi. The district occupies an area of 1585 km2. History No definitive records about Darrang are available for the pre-medieval period. According to Maheswar Neog, the Darrang became mentioned only after the uprising of the king Nara Narayan. It perhaps formed a part of the ancient kingdom of Kamarupa and with its decline, Darrang at different times might have been under the rule of the Chutia Kingdom, Bodo people and Baro-Bhuyans. In the 16th century, Darrang was subject to the Kamata king Nara Narayan, and on the division of his dominion among his heirs, Darrang became a part of Koch Hajo. Early in the 17th century the raja Bali Narayan invoked the aid of the Ahoms of Upper Assam against the Mughal invaders; after his defeat and death in 1637 the Ahoms dominated the whole district. About 1785 the Darrang rajas took advantage of the decay of the Ahom king ...
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Rabha Tribe
The Rabha are a Tibeto-Burman community to the Indian states of Assam, Meghalaya and West Bengal. They primarily inhabit the plains of Lower Assam and the Dooars, while some are found in the Garo Hills. Most of the Rabhas of Dooars refer to themselves as Rabha, but some of them often declare themselves as Kocha. The Rabha community have a rich, multi-faceted and distinct culture of their own. The agricultural practices, food habit and belief systems of the Rabhas reflect a conglomeration of features from both the Indo-Aryan and Tibeto-Burmese culture. The Rabha society is patrilineal . The village economy is based on agriculture and both men and women work in the fields. The women wear colorful clothes that they weave themselves and wear a lot of beads and silver ornaments. The Rabhas are non-vegetarians and rice is their staple food. The traditional economy of the Rabhas in general, is based on agriculture, forest based activities and weaving. In the past, the Rabhas used to pra ...
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