Bardic Poetry
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Bardic Poetry
Bardic poetry is the writings produced by a class of poets trained in the bardic schools of Ireland and the Gaelic parts of Scotland, as they existed down to about the middle of the 17th century or, in Scotland, the early 18th century. Most of the texts preserved are in Middle Irish or in early Modern Irish, however, even though the manuscripts were very plentiful, very few have been published. It is considered a period of great literary stability due to the formalised literary language that changed very little. Background According to the Uraicecht Becc in Old Irish Law, bards and '' filid'' were distinct groups: ''filid'' involved themselves with law, language, lore and court poetry, whereas bards were versifiers. However, in time, these terms came to be used interchangeably. With the arrival of Christianity, the poets were still given a high rank in society, equal to that of a bishop, but even the highest-ranked poet, the ''ollamh'' was now only 'the shadow of a high-ranking ...
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Poet
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator ( thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience. The work of a poet is essentially one of communication, expressing ideas either in a literal sense (such as communicating about a specific event or place) or metaphorically. Poets have existed since prehistory, in nearly all languages, and have produced works that vary greatly in different cultures and periods. Throughout each civilization and language, poets have used various styles that have changed over time, resulting in countless poets as diverse as the literature that (since the advent of writing systems) they have produced. History In Ancient Rome, professional poets were generally sponsored by patrons, wealthy supporters including nobility and military officials. For inst ...
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Osborn Bergin
Osborn Joseph Bergin (26 November 1873 – 6 October 1950) was a scholar of the Irish language and early Irish literature, who discovered Bergin's Law. He was born in Cork, sixth child and eldest son of Osborn Roberts Bergin and Sarah Reddin, and was educated at Queen's College Cork (now University College Cork). He then went to Germany for advanced studies in Celtic languages, working with Heinrich Zimmer at the Friedrich Wilhelm University of Berlin (now the Humboldt University of Berlin) and later with Rudolf Thurneysen at the University of Freiburg, where he wrote his dissertation on palatalization in 1906. He then returned to Ireland and taught at the School of Irish Learning and at University College Dublin. Within one year of becoming Director of the School of Irish Studies in the Dublin Institute for Advanced Studies, Bergin resigned both the senior professorship and his office of director. The reason for his resignation was never made public. He died in a nursing home ...
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Óengus CĂ©ile DĂ©
In Irish mythology, Aengus or Óengus is one of the Tuatha DĂ© Danann and probably originally a god associated with youth, love,Ó hÓgĂĄin, DĂĄithĂ­. ''Myth, Legend & Romance: An encyclopedia of the Irish folk tradition''. Prentice-Hall Press, 1991. pp.38–40 summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. He plays a central role in five Irish myths. Name In Old Irish his name is ''Óengus'' or ''OĂ­ngus'' , a name attested in AdomnĂĄn's ''Life of St Columba'' as ''Oinogus(s)ius''. This is believed to come from a Proto-Celtic name meaning "true vigour". The medieval ''Dindsenchas'' derives it from "one desire", explaining that Boann gave him the name because her union with the Dagda had been her only desire. In Middle Irish this became ''Áengus'', and in Modern Irish ''Aonghus'' , . He is also known as ''Óengus ...
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Niníne Éces
Niníne Éces ( fl. 700) was an Irish poet, thought to be a member of the Uí Echdach, a kindred known for learning, who were located in the south and west of what is now County Armagh County Armagh (, named after its county town, Armagh) is one of the six counties of Northern Ireland and one of the traditional thirty-two counties of Ireland. Adjoined to the southern shore of Lough Neagh, the county covers an area of an .... They are recorded as producing several high-ranking ecclesiastics. Niníne's surviving compositions include ''Admuinemmar nóeb-Patraicc''. This poem, addressed to St. Patrick, was the basis for ''Dóchas Linn Naomh Pádraig'' by Tomás Ó Flannghaile (1846–1915). Sources *''Oxford Concise Companion to Irish Literature'', Robert Welsh, 1996. 8th-century Irish people People from County Armagh 8th-century Irish poets Irish male poets 8th-century Irish writers Irish-language writers {{Ireland-writer-stub ...
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Colmån Mac Lénéni
Colmån or Colman is both a given name and a surname. Notable people with the name include: Medieval Irish people * Colmån Bec (died ''c''. 585), Irish dynast * Colmån mac Cobthaig (died ''c''. 622), Irish king * Colmån mac Lénéni (died ''c''. 606), Irish poet * Colmån Mår (died ''c''. 557), Irish dynast * Colmån Rímid (died ''c''. 612), Irish king * Colman nepos Cracavist (''fl. c.'' 800), Hiberno-Latin poet Saints * Colman of Templeshambo (d. 595), Abbot of Templeshambo *Colmån Elo (d. 611) of the moccu Béognae *Colman of Cloyne, 6th-century Bishop of Cloyne *Colman of Dromore, 6th-century Bishop of Dromore *Colman of Kilmacduagh, 7th-century Bishop of Kilmacduagh *Colmån of Kilroot, contemporary of St. Ailbe *Colmån of Lindisfarne (d. 676), bishop of Lindisfarne *Colmån of Lann, patron saint of Lann *St. Colman (martyr) (7th century), companion of St Kilian and St Totnan *Coloman of Stockerau (Colmån) (d. 1012), Irish pilgrim martyred in Austria *Columbanus (d. 61 ...
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DallĂĄn Forgaill
Eochaid mac Colla ( 560 – 640), better known as Saint DallĂĄn or DallĂĄn Forgaill ( sga, DallĂĄn Forchella; la, Dallanus Forcellius; Primitive Irish: ''Dallagnas Worgēllas''), was an early Christian Irish poet and saint known as the writer of the "''Amra Coluim Chille''" ("Elegy of Saint Columba") and, traditionally, "''Rop TĂș Mo Baile''" ("Be Thou My Vision"). Personal history Saint Dallan's given name was Eochaidh ( sga, Eochaid); his father was Colla, a descendant of the legendary High King Colla Uais, and his mother was Forgall (Old Irish: ''Forchella''). His nickname, ''DallĂĄn'' ("little blind one"), was earned after he lost his sight, reputedly as a result of studying intensively. He was born in Maigen (now Ballyconnell), at the eastern edge of the territory of the Masraige of Magh SlĂ©cht in the north-west of modern County Cavan. He was not a member of the Masraige but belonged to a branch of the AirgĂ­alla called the Fir Lurg, who were in the process of spreadin ...
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Saltair Na Rann
The title ''Saltair na Rann'' ("Psalter of Quatrains") refers to a series of 150 early Middle Irish religious cantos, written in the tenth century—for the most part apparently around 988. The number of the cantos imitates the number of psalms in the Bible. Together they narrate the sacred history of the world, from its creation down to the last days of humanity. In the principal manuscript, Rawlinson B 502 (Bodleian, Oxford), it is followed by two poems of devotion and ten ‘Songs of the Resurrection’, which were added in the late tenth century. Authorship In the second devotional poem, Poem 152, the author identifies himself as Óengus CĂ©ile DĂ©: ''is me Oengus cĂ©le DĂ©'' (line 8009). Whitley Stokes took this to mean that the work as a whole was ascribed to the famous Óengus mac Óengobann, monk of Tallaght and author of the ''FĂ©lire Óengusso'' (Martyrology of Óengus), who since the 17th century also happens to have been nicknamed CĂ©ile DĂ© (Culdee The Culdees ( ...
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Book Of Maguran
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is '' codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a ...
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Egerton 1782
Egerton MS 1782 is the index title of an early sixteenth-century Irish vellum manuscript housed in the Egerton Collection of the British Library, London. Overview The compilation dates from ''c''. 1517 and is the work of several scribes of the Ó Maolconaire (anglicised: O'Mulconry), a learned family of lawyers and historians, known also for compiling Royal Irish Academy MS 23 N 10 later in the century. In spite of its relatively late date (compared to, for instance, the Book of Leinster, Lebor na hUidre or the Yellow Book of Lecan), it is one of the most important documents for the study of early Irish literature. Some texts, such as ''Aislinge Oenguso'', are preserved nowhere else. The Texts of Egerton MS 1782 Here follow some of the texts found in the manuscript: *Necrology for Art Buidhe mac Domhnaill Riabhaigh, f. 3-4. *'' Amra Choluim Chille'' (incomplete), f. 9b. *'' Baile Bricín''. f. 17a *''Forfess Fer Falgae'', f. 19ra-b. *''Verba Scáthaige'', f. 19va-b. *'' Echtr ...
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The Book Of The White Earl
The Book of the White Earl is an Irish religious and literary miscellany created c. 1404–1452. ''The Book of the White Earl'', now Bodleian Laud Misc. MS 610, consists of twelve folios inserted into Leabhar na RĂĄtha, aka The Book of Pottlerath. It was created by Gaelic scribes under the patronage of James Butler, 4th Earl of Ormond (1392–1452). Henry and Marsh-Michel describe it as follows: ''"The sumptuous initials of this book are not more or less servile repetition of twelfth-century work ... the work of the scribe also is dazzling. He plays like a virtuoso with various sizes of script, the larger size having a majestic decorative quality. The contents are no less remarkable; the 'Martyrology of Óengus', the 'Acallam na SenĂłrach' and a dindsenchus. The foliage pattern is probably inspired by foreign models, but is so completely integrated that the borrowing is only realised on second thoughts. The initials are large, bold, and drawn in firm lines and bright col ...
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23 N 10
Dublin, Royal Irish Academy, MS 23 N 10, formerly Betham 145, is a Gaelic–Irish medieval manuscript. Overview MS 23 N 10 is a late sixteenth-century Irish manuscript currently housed in the Library of the Royal Irish Academy, Dublin. It was formerly in the possession of Sir William Betham (1779–1853). The manuscript is highly valuable for its compilation of medieval Irish literature, copied in 1575 at Ballycumin, County Roscommon. The responsible scribes were Aodh, Dubhthach, and Torna, three scholars of the Ó Maolconaire (anglicised: O'Mulconry), a learned family also known for compiling Egerton 1782 (British Library) in 1517.R. I. Best, ''MS. 23 N 10'', pp. vi-viii; ''The Oxford companion to Irish literature''. 445-6 See also * Ó Maolconaire * Ollamh SĂ­l Muireadaigh * Ó DuibhgeannĂĄin Notes Further reading * * * * *{{cite book , title=A New History of Ireland VIII: A Chronology of Irish History to 1976 - A Companion to Irish History Part I , editor=Moody, T.W. , ...
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