Art Repatriation
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Art Repatriation
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners (or their heirs). The disputed cultural property items are physical artifacts of a group or society taken by another group, usually in the act of looting, whether in the context of imperialism, colonialism, or war. The contested objects vary widely and include sculptures, paintings, monuments, objects such as tools or weapons for purposes of anthropological study, and human remains. The looting of defeated peoples' cultural heritage by war has been common practice since ancient times. In the modern era, the Napoleonic looting of art was a series of confiscations of artworks and precious objects carried out by the French army or French officials in the territories of the First French Empire, including the Italian peninsula, Spain, Portugal, the Low Countries, and Central Europe. The looting continued for nearly 20 years, from 1797 to the Co ...
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Horses Of Basilica San Marco Bright
The horse (''Equus ferus caballus'') is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of ''Equus ferus''. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, ''Eohippus'', into the large, single-toed animal of today. Humans began domesticating horses around 4000 BCE, and their domestication is believed to have been widespread by 3000 BCE. Horses in the subspecies ''caballus'' are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior. Horses are adapted to run, allowing them to quickly escape predators, and pos ...
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List Of Art Looted By Napoleonic Armies
Unreturned artworks Modena *''Salome Receiving The Head of Saint John'' by Guercino, Musée des Beaux Arts, Rennes *''The Martyring of Saint Peter and Saint Paul'' by Francesco Camullo and Ludovico Carracci, Musée des Beaux Arts, Rennes *''Jesus Lamented by the Virgin'' by Guercino, Musée des Beaux Arts, Rennes *''The Vision'' by Guercino, Musée des Beaux Arts, Rennes *''The dream of Jacob of Cigoli'', Nancy, Musée des Beaux Arts *''The Madonna with the Baby Jesus Giving Benediction'' by Guercino, Chambéry Musée d'Art et d'Histoire *''The Madonna and the Baby Jesus and the Martyring of Saint Paul'' by Guercino, Toulouse, Musée des Augustines *''The Glory of All-Saints'' by Guercino, Toulouse, Musée des Augustines *''Saint Sebastian Tended by Irene'' by Francesco Cairo, Tours, Musée des Beaux Arts *''Saint Francis of Assisi Receiving the Stigmata'' by Guercino, Magonza, Mittelrehinschers Landesmuseum *''The Holy Family Contemplating the Baby Jesus Sleeping'' by Fr ...
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Temple Of Enlil
A temple (from the Latin ) is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity (whose temples are typically called churches), Hinduism (whose temples are called Mandir), Buddhism, Sikhism (whose temples are called gurudwara), Jainism (whose temples are sometimes called derasar), Islam (whose temples are called mosques), Judaism (whose temples are called synagogues), Zoroastrianism (whose temples are sometimes called Agiary), the Baha'i Faith (which are often simply referred to as Baha'i House of Worship), Taoism (which are sometimes called Daoguan), Shinto (which are sometimes called Jinja), Confucianism (which are sometimes called the Temple of Confucius), and ancient religions such as the Ancient Egyptian religion and the Ancient Greek religion. The form and function of temples are thus very variable, though they are often considered by believers to be, in some sense, the "house" of ...
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Akkadian Empire
The Akkadian Empire () was the first ancient empire of Mesopotamia after the long-lived civilization of Sumer. It was centered in the city of Akkad (city), Akkad () and its surrounding region. The empire united Akkadian language, Akkadian and Sumerian language, Sumerian speakers under one rule. The Akkadian Empire exercised influence across Mesopotamia, the Levant, and Anatolia, sending military expeditions as far south as Dilmun and Magan (civilization), Magan (modern Saudi Arabia, Bahrain, and Oman) in the Arabian Peninsula.Mish, Frederick C., Editor in Chief. "Akkad" ''Webster’s Ninth New Collegiate Dictionary''. ninth ed. Springfield, MA: Merriam-Webster 1985. ). The Akkadian Empire reached its political peak between the 24th and 22nd centuries BC, following the conquests by its founder Sargon of Akkad. Under Sargon and his successors, the Akkadian language was briefly imposed on neighboring conquered states such as Elam and Gutian people, Gutium. Akkad is sometimes regar ...
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Curse Of Akkad
A curse (also called an imprecation, malediction, execration, malison, anathema, or commination) is any expressed wish that some form of adversity or misfortune will befall or attach to one or more persons, a place, or an object. In particular, "curse" may refer to such a wish or pronouncement made effective by a supernatural or spiritual power, such as a god or gods, a spirit, or a natural force, or else as a kind of spell by magic (usually black magic) or witchcraft; in the latter sense, a curse can also be called a hex or a jinx. In many belief systems, the curse itself (or accompanying ritual) is considered to have some causative force in the result. To reverse or eliminate a curse is sometimes called "removal" or "breaking", as the spell has to be dispelled, and often requires elaborate rituals or prayers. Types The study of the forms of curses comprises a significant proportion of the study of both folk religion and folklore. The deliberate attempt to levy curses is o ...
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Susa
Susa ( ; Middle elx, 𒀸𒋗𒊺𒂗, translit=Šušen; Middle and Neo- elx, 𒋢𒋢𒌦, translit=Šušun; Neo-Elamite and Achaemenid elx, 𒀸𒋗𒐼𒀭, translit=Šušán; Achaemenid elx, 𒀸𒋗𒐼, translit=Šušá; fa, شوش ; he, שׁוּשָׁן ; grc-gre, Σοῦσα ; syr, ܫܘܫ ; pal, 𐭮𐭥𐭱𐭩 or ; peo, 𐏂𐎢𐏁𐎠 ) was an ancient city in the lower Zagros Mountains about east of the Tigris, between the Karkheh and Dez Rivers in Iran. One of the most important cities of the Ancient Near East, Susa served as the capital of Elam and the Achaemenid Empire, and remained a strategic centre during the Parthian and Sasanian periods. The site currently consists of three archaeological mounds, covering an area of around one square kilometre. The modern Iranian town of Shush is located on the site of ancient Susa. Shush is identified as Shushan, mentioned in the Book of Esther and other Biblical books. Name The English name is derived ...
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Lullubi
Lullubi, Lulubi ( akk, 𒇻𒇻𒉈: ''Lu-lu-bi'', akk, 𒇻𒇻𒉈𒆠: ''Lu-lu-biki'' "Country of the Lullubi"), more commonly known as Lullu, were a group of tribes during the 3rd millennium BC, from a region known as ''Lulubum'', now the Sharazor plain of the Zagros Mountains of modern Kurdistan, Lullubi was neighbour and sometimes ally with the Simurrum kingdom. Frayne (1990) identified their city ''Lulubuna'' or ''Luluban'' with the region's modern town of Halabja. The language of the Lullubi is regarded as an unclassified language because it is unattested. The term ''Lullubi'' though, appears to be of Hurrian origin. Historical references Legends The early Sumerian legend "''Lugalbanda and the Anzud Bird''", set in the reign of Enmerkar of Uruk, alludes to the "mountains of Lulubi" as being where the character of Lugalbanda encounters the gigantic ''Anzû'' bird while searching for the rest of Enmerkar's army ''en route'' to siege Aratta. Akkadian empire and Gutian dynas ...
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Naram-Sin Of Akkad
Naram-Sin, also transcribed Narām-Sîn or Naram-Suen ( akk, : '' DNa-ra-am D Sîn'', meaning "Beloved of the Moon God Sîn", the "𒀭" being a silent honorific for "Divine"), was a ruler of the Akkadian Empire, who reigned c. 2254–2218 BC (middle chronology), and was the third successor and grandson of King Sargon of Akkad. Under Naram-Sin the empire reached its maximum strength. He was the first Mesopotamian king known to have claimed divinity for himself, taking the title "God of Akkad", and the first to claim the title "King of the Four Quarters, King of the Universe". As part of that he became city god of Akkade in the same way Enlil was city god of Nippur. Biography Naram-Sin was born as a son of Manishtushu. He was thus a nephew of King Rimush and grandson of Sargon and Tashlultum. Naram-Sin's aunt was the High Priestess En-hedu-ana. To be fully correct, rather than Naram-Sin or Naram-Suen "in Old Akkadian, the name in question should rather be reconstructed as Nar ...
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Victory Stele Of Naram Sin 9066
The term victory (from Latin ''victoria'') originally applied to warfare, and denotes success achieved in personal combat, after military operations in general or, by extension, in any competition. Success in a military campaign constitutes a strategic victory, while the success in a military engagement is a tactical victory. In terms of human emotion, victory accompanies strong feelings of elation, and in human behaviour often exhibits movements and poses paralleling threat display preceding the combat, which are associated with the excess endorphin built up preceding and during combat. Victory dances and victory cries similarly parallel war dances and war cries performed before the outbreak of physical violence. Examples of victory behaviour reported in Roman antiquity, where the term ''victoria'' originated, include: the victory songs of the Batavi mercenaries serving under Gaius Julius Civilis after the victory over Quintus Petillius Cerialis in the Batavian rebell ...
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Report On The Restitution Of African Cultural Heritage
''The Restitution of African Cultural Heritage. Toward a New Relational Ethics'' (in French: ''Rapport sur la restitution du patrimoine culturel africain. Vers une nouvelle éthique relationnelle'') is a report written by Senegalese academic and writer Felwine Sarr and French art historian Bénédicte Savoy, first published online in November 2018 in a French original version and an authorised English translation. Commissioned by the president of France, Emmanuel Macron, the aim of the report was to assess the history and present state of publicly owned French collections of African artworks originating from illicit or otherwise disputed acquisitions, as well as claims and a plan for subsequent steps for eventual restitutions. More specifically, the report also presents recommendations for the preparation of restitutions, such as international cultural cooperation, provenance research, legal frameworks, and ends with a list of the cultural objects involved, as well as ways ...
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Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ...
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