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A (cuneiform)
The cuneiform sign 𒀀 ( DIŠ, DIŠ OVER DIŠ) for a, and in the ''Epic of Gilgamesh'' the sumerogram A, Akkadian for ''mû'', "water", which is used in the ''Gilgamesh flood myth'', Chapter XI of the Epic, or other passages. The sign is also used extensively in the Amarna letters. Cuneiform ''a'' is the most common of the four vowels in the Akkadian language, ''a'', ''e'', ''i'', and ''u''. All vowels can be interchangeable, depending on the scribe, though spellings of Akkadian words in dictionaries, will be formalized, and typically: unstressed, a 'long-vowel', or thirdly, a 'combined' vowel (often spelled with two signs (same vowel, ending the first sign, and starting the next sign), thus combined into the single vowel, ''â'', ''ê'', ''î'', or ''û''.). Cuneiform ''a'' is the most common of the four vowels, as can be shown by usage in the ''Epic of Gilgamesh'', the usage numbers being (ú (u, no. 2) is more common than u, (no. 1), which has additional usages, numera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B172ellst
B17 or B-17 may refer to: Aviation * Boeing B-17 Flying Fortress, an American World War II heavy bomber * Saab B 17, series of Swedish dive bomber/reconnaissance aircraft ''B-17 Flying Fortress'' related *'' B-17, Queen of the Skies'', a solitaire board war-game * ''B-17 Bomber'' (game), a 1982 Mattel game made for the Intellivision console * ''B-17 Flying Fortress'' (computer game), a flight simulator *"B-17", a segment from '' Heavy Metal'' Transportation and vehicles *B17 (New York City bus), a bus line serving Brooklyn *LNER Class B17, a British 4-6-0 steam engine *B17, a bicycle saddle line by Brooks England * A generation of Nissan Sentra built since 2013 Other uses *Amygdalin, sometimes incorrectly referred to as vitamin B17 * Boron-17 (B-17 or 17B), an isotope of boron *HLA-B17, an HLA - B serotype gene *B17, the Steinitz variation of the Caro-Kann Defence's code from the ''Encyclopaedia of Chess Openings'' *"Please Mr. Please", song about a song in slot B-17 of a ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An (cuneiform)
The cuneiform an sign (or sumerogram AN, in Akkadian consisting of ASH 𒀸 and MAŠ 𒈦), is a common, multi-use sign, a syllabic for ''an'', and an alphabetic sign used for ''a'', or ''n''; it is common in both the ''Epic of Gilgamesh'' over hundreds of years, and the 1350 BC Amarna letters, and other cuneiform texts. It is also used for the designation of a "god", and is sometimes represented as a superscript: d, or capitalized: D, for " dingir", English language, "god". The example photo at right shows (2nd list), a list of 14 named gods, all with "an"; the first pair on the list ''AN-UTU'', or DUTU, refers to the "sun-god", using Ud (cuneiform), as the sumerogram, namely UTU (sun Sumerogram). Cuneiform ''an'' can also be found in compound form with another cuneiform sign, an example being DAGAL, . The older version of DAGAL used the 'god symbol' as a star within the sign: ; (older version of DAGAL, incorporating "star": ). ''Epic of Gilgamesh'' usage In the ''Epic of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anson Rainey
Anson Frank Rainey (January 11, 1930 – February 19, 2011) was professor emeritus of ancient Near Eastern cultures and Semitic linguistics at Tel Aviv University. He is known in particular for contributions to the study of the Amarna tablets, the noted administrative letters from the period of Pharaoh Akhenaten's rule during the 18th Dynasty of Egypt.Rollston, C. (2011)Among the last of the titans: Aspects of Professor Anson Rainey's life and legacy (1930–2011)(February 20, 2011); retrieved May 22, 2017 He authored and edited books and articles on the cultures, languages and geography of the Biblical lands. Early life Anson Rainey was born in Dallas, Texas, in 1930. Upon the death of his father that same year, he was left with his maternal grandparents. He attended Brown Military Academy in San Diego, California, from 1943 to 1946. After one semester of study there – as a cadet battalion commander – he served as assistant commandant at Southern California Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Assyrian Text Corpus Project
The Neo-Assyrian Text Corpus Project is an international scholarly project aimed at collecting and publishing ancient Assyrian texts and studies based on them. Its headquarters are in Helsinki in Finland. State Archives of Assyria State Archives of Assyria Cuneiform Texts State Archives of Assyria Studies See also *Epic of Gilgamesh *Text corpus References *Cole, S. '' Nippur in Late Assyrian Times, c. 755-612 BC,'' by Steven W. Cole, (The Neo-Assyrian Text Corpus Project, University of Helsinki, by Vammalan Kirjapaino Oy, Finland), c 1996. *Novotny, J. ''The Standard Babylonian'' ''Etana Etana (, ''E.TA.NA'') was the probably fictional thirteenth king of the first dynasty of Kish. He is listed in the ''Sumerian King List'' as the successor of Arwium, the son of Mashda, as king of Kish. The list also calls Etana "the shepherd ... Epic,'' by Jamie R. Novotny, (University of Helsinki, Ibid.), c 2001. External links Official page, University of Helsinki {{Corpus lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simo Parpola
Simo Kaarlo Antero Parpola (born 4 July 1943) is a Finnish Assyriologist specializing in the Neo-Assyrian Empire and Professor emeritus of Assyriology at the University of Helsinki (retired fall 2009). Career Simo Parpola studied Assyriology, Classics and Semitic Philology at the University of Helsinki, the Pontifical Biblical Institute and the British Museum in 1961–1968. He completed his PhD in Helsinki and began his academic career as wissenschaftlicher Assistant of Karlheinz Deller at the Seminar für Sprachen und Kulturen des Vorderen Orients of the University of Heidelberg in 1969. Between 1973 and 1976 he was Docent of Assyriology and Research Fellow at the University of Helsinki, and from 1977 to 1979 Associate Professor of Assyriology with tenure at the Oriental Institute of the University of Chicago. He was appointed Extraordinary Professor of Assyriology at the University of Helsinki in 1978 and has directed the University's Neo-Assyrian Text Corpus Project since 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William L
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna Letter EA 362
Amarna letter EA 362, titled: ''"A Commissioner Murdered,"'' is a finely-inscribed clay tablet letter from Rib-Haddi, the mayor/'man' of the city of Byblos, (''Gubla'' of the letters). Byblos, being a large coastal seaport Mediterranean city, was a city that was aligned with Egypt (''Miṣri''), and housed an Egyptian community. Rib-Haddi, as the city-state leader wrote the largest number of letters to the Pharaoh, in a sub-corpus of the 1350 BC Amarna letters (about 70 letters). Near the end of his rule, Rib-Haddi penned two large diplomatic letters summarizing conditions of his hostilities with peoples like the Hapiru, but also other city-state rulers, vying for regional ascendency. Letter EA 362 relates the hostilities, but also talks of disease, upon his land. The letter ends addressing the fate of Egypt's commissioner Pawura. The Amarna letters, about 300, numbered up to EA 382, are a mid 14th century BC, about 1350 BC and 20–25 years later, correspondence. The ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna Letter EA 19
Amarna letter EA 19 is a tall clay tablet letter of 13 paragraphs, in relatively pristine condition, with some minor flaws on the clay, but a complete enough story that some included words can complete the story of the letter. Entitled "Love and Gold", the letter is about gold from Egypt (gold mine production), love between father-king ancestors and the current relationship between the King of Mitanni and the Pharaoh of Misri (Egypt), and marriage of women from King Tushratta of Mitanni to the Pharaoh of Egypt. Besides the Double Line Ruling, for paragraphing (7 paragraphs on ''obverse''), an overwritten Single Line Rule is at clay tablet left margin, as well as cuneiform characters inscribed upon a vertical right margin line of Single Line Rule. (see left margin here The Amarna letters, about 300, numbered up to EA 382, are a mid 14th century BC, about 1386 BC and 45 years later, correspondence. The initial corpus of letters were found at Akhenaten's city Akhetaten, in the fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segue
A segue (; ) is a smooth transition from one topic or section to the next. The term is derived from Italian ''segue'', which literally means "follows". In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term attacca is used synonymously. For written music, it implies a transition from one section to the next without any break. In improvisation, it is often used for transitions created as a part of the performance, leading from one section to another. In live performance, a segue can occur during a jam session, where the improvisation of the end of one song progresses into a new song. Segues can even occur between groups of musicians during live performance. For example, as one band finishes its set, members of the following act replace members of the first band one by one, until a complete band swap occurs. In recorded music, a segue is a seamless transition between one song and another. The effect is oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La (cuneiform)
The cuneiform sign for la (𒆷), and also in the ''Epic of Gilgamesh'' the sumerogram LA-(capital letter ( majuscule), is a common-use sign for the Epic and for the 1350 BC Amarna letters. It is used for syllabic ''la'', and also for alphabetic ''l'', or ''a''. Epic of Gilgamesh use In the ''Epic of Gilgamesh'' it used in the following numbers: ''la''-(348), ''LA''-(5) times. Amarna letter usage The Amarna letter usage of cuneiform ''la'' is common for the spelling of Akkadian language "lā", English language, "not", as it is composed of 'la-a'-(). It is also used infrequently for just 'la', for "not", (lā). References * Moran, William L. 1987, 1992. ''The Amarna Letters.'' Johns Hopkins University Press, 1987, 1992. 393 pages.(softcover, ) * Parpola, 1971. ''The Standard Babylonian Epic of Gilgamesh The ''Epic of Gilgamesh'' () is an epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Na (cuneiform)
The cuneiform na sign is a common, multi-use sign, a syllabic for ''na'', and an alphabetic sign used for ''n'', or ''a''; it is common in both the ''Epic of Gilgamesh'' over hundreds of years, and the 1350 BC Amarna letters. In the ''Epic of Gilgamesh'' it also has sumerogramic (capital letter (majuscule)) usage for NA. An example usage for ''NA'' in the Epic is for the spelling of ''NA.GAD'', (also '' LÚ.NA.GAD'', and the plural '' LÚ.NA.GAD. MEŠ''), for Akkadian language "nāqidu", ''"herdsman"''. The usage for ''NA'' in herdsman is only for 3 spellings. The commonness of cuneiform ''na'', in the top 25 used signs by Buccellati (Buccellati 1979), (2nd highest usage, exceeded by a: ''a (cuneiform)'') is because of usage for the spelling of ''a-na'' (Akkadian language "ana") -, the common preposition spelling for English language: ''to, for, by, of, at, etc.''. It is also a component for the Akkadian language preposition: ''i-na'' (''ina''), meaning: ''in, into, by, etc.''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna Letter
The Amarna letters (; sometimes referred to as the Amarna correspondence or Amarna tablets, and cited with the abbreviation EA, for "El Amarna") are an archive, written on clay tablets, primarily consisting of diplomatic correspondence between the Ancient Egypt, Egyptian administration and its representatives in Canaan and Amurru kingdom, Amurru, or neighboring kingdom leaders, during the New Kingdom, spanning a period of no more than thirty years between c. 1360–1332 BC (see Amarna letters#Chronology, here for dates).Moran, p.xxxiv The letters were found in Upper Egypt at el-Amarna, the modern name for the ancient Egyptian capital of ''Akhetaten'', founded by pharaoh Akhenaten (1350s–1330s BC) during the Eighteenth Dynasty of Egypt. The Amarna letters are unusual in Egyptological research, because they are written not in the language of ancient Egypt, but in cuneiform, the writing system of ancient Mesopotamia. Most are in a variety of Akkadian language, Akkadian sometim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
