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Anuṣṭubh
( sa, अनुष्टुभ्, ) is a meter and a metrical unit, found in both Vedic and Classical Sanskrit poetry, but with significant differences. By origin, an anuṣṭubh stanza is a quatrain of four lines. Each line, called a ''pāda'' (lit. "foot"), has eight syllables. In Vedic texts Arnold distinguishes three varieties of anuṣṭubh in the Vedic corpus: an early free form, with very few restrictions except a general iambic (u – u x) tendency in the cadence (vṛtta) of each of the four ''pāda''s; e.g. : , , – – – – , u – u – , : , ‖ – – – – , u – u – ‖ : , , – – – u , u – u u , : , ‖ – – – – , u – u – ‖ Next came a mildly trochaic development in the opening of each ''pāda''; and finally the development of the "epic anuṣṭubh" (mostly in the Atharvaveda) prefiguring the classical śloka form. Although in these hymns the iambic cadence of the first verse is still the most frequent (25%) of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
śloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka Hemistich
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Meter
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent ones syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :- 8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :- 12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :- 16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :- 20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). (Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H.H. Wilson). Fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Metre
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, and each had its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This is a subst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atharvaveda
The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and Gene Thursby), Routledge, , page 38 The text is the fourth Veda, and is a late addition to the Vedic scriptures of Hinduism.Laurie Patton (1994), Authority, Anxiety, and Canon: ys in Vedic Interpretation, State University of New York Press, , page 57 The language of the Atharvaveda is different from Vedic Sanskrit, preserving pre-Vedic Indo-European archaisms. It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books.Maurice BloomfieldThe Atharvaveda Harvard University Press, pages 1-2 About a sixth of the Atharvaveda texts adapts verses from the Rigveda, and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the and the – have sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharavi
Bharavi () was a 6th century Indian poet known for his epic poem ''Kirātārjunīya'', one of the six ''mahakavyas'' in classical Sanskrit. Time and place As with most Sanskrit poets, very few concrete details are available about Bharavi's life, and inferences must be made from references to him. His name, along with great poet and dramatist in the Sanskrit language Kālidāsa's name, is mentioned in a Chalukya stone inscription dated 634 C.E. found at Aihole, located in present day Karnataka. In another inscription, the king Durvinita of the Western Ganga Dynasty mentions having written a commentary on the fifteenth canto of Bharavi's Kirātārjunīya. The Western Ganga Dynasty ruled from about the middle of the fourth century, and Durvinita is usually believed to have lived in the later half of the sixth century. The poet Daṇḍin, who was born during the seventh century, reports that his great-grandfather was a friend of Bharavi and was introduced by him to a king Viṣṇu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magha (poet)
Magha (c. 7th century) ( sa, माघ, ) was a Sanskrit poet at King Varmalata's court at Shrimala, the then-capital of Gujarat (presently in Rajasthan state). Magha was born in a Shrimali Brahmin family. He was the son of Dattaka Sarvacharya and the grandson of Suprabhadeva. His epic poem (''mahākāvya'') Shishupala Vadha, in 20 ''sarga''s (cantos), is based on the Mahabharata episode in which Krishna uses his ''chakra'' (disc) to behead the defiant king Shishupala. He is thought to have been inspired by, and is often compared with, Bharavi. Life and work Māgha's fame rests entirely on the Shishupala Vadha. Vallabhadeva and Kshemendra quote some verses that are not found in the Shishupala Vadha as that of Māgha, so it is believed that Māgha wrote some other works that are now lost. Unlike most Indian poets who give no autobiographical details or allude to any contemporary events, Māgha gives some autobiographical details in the concluding five verses of the work (known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilhana
Kavi Bilhana was an 11th-century Kashmiri poet. He is known for his love poem, the ''Caurapañcāśikā''. According to legend, Bilhana fell in love with the daughter of King Madanabhirama, Princess Yaminipurnatilaka, and had a secretive love affair. Bilhana kavi came to rajya for to learn Chandassu . They were discovered, and Bilhana was thrown into prison. While awaiting judgement, he wrote the ''Caurapâñcâśikâ'', a fifty-stanza love poem, not knowing whether he would be sent into exile or die on the gallows. It is unknown what fate Bilhana encountered. Nevertheless, his poem was transmitted orally around India. There are several versions, including ones from South India which had a happy ending; the Kashmiri version does not specify what the outcome was. The ''Caurapâñcâśikâ'' was first translated into a European language, French, in 1848. Subsequently, it was translated several other times. Notable translations are those of Sir Edwin Arnold(London 1896) and Edward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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